Читать книгу The Lost Diaries - Craig Brown, Craig Brown - Страница 54

Concomitantly, silence is, as I have pointed out in pioneering books and seminars, invariably quarried and pillaged by lesser minds (usually without acknowledgement and certainly without apology), golden.

Cities, towns, conurbations, large groups of buildings placed near or proximate to one another to form a definable whole, are both the conduits and the receptacles for noise, sound, clamour (klamari in Swahili, calamari in Italian, though I prefer the cannelloni). At regular time period intervals, I retreat to the French hillsides with my distinguished yet unspoken wife, to breathe in the silence, unloud and noiseless, that was once partaken by the by no means lesser minds of Flaubert and Racine.

Maritally, we sit in a fieldy meadow in an incipiently quiet time/space continuum observing the hush (huss in Somali) stretching far beneath us, down to the herd, team, group of cows below. ‘Ah, silence!’ I exclaim exclamatorily in simple wonderment. ‘Silence – the silence that is with us now – a silence golden as James’s Bowl, as Apuleius’ Ass, as Frazer’s Bough, that silence blessed by my original study, now translated into fifteen languages, taken up yet still not acknowledged by those whose academic reputations fall sadly short of my own. Ah, silence! A void, a circumstantial gap, a vivid diaspora, the sound, rare and provocative, created when one’s talk ceases. Silence, both metaphysical and actual, both concomitant and –’

‘Moo!’ enunciates a cow, bovine and cowlike, and the other cows follow suitly, ‘Moo! Moo! Moo!’

My antennae, exceedingly alert, like a lieder by Schubert or a poem by Pound, inform me that this cuddish interruption is part of a Friesian conspiracy intent on placing in jeopardy my seminar on the nature of la silencia. These animals possess all the professional jealousy and unctuous mooishness of the Oxford-educated. They have been put up to their loutish intervention by those in the English faculty less honoured than myself.

‘Shoo! Shoo! Shoo!’ I interpolate.

‘Moo! Moo! Moo!’ they respond.

I seize the opportunity to point out to my unspoken wife that in the Oubanji language there are fifteen words meaning ‘moo’, only one of them in common use by cows. But she cannot hear me. She has her earplugs in (arapluggi in Cameroon), as she has done since 1974, still perversely intent upon listening to the mute, smothering silence that lies somewhere beyond words.

GEORGE STEINER

Michelangelo died today, in 1564. I used to think he was a great artist. But then I looked again at his work. To my horror, it showed no skill or originality whatsoever. I was so embarrassed on his account. The failure is extraordinary. It is not so surprising that since his death his reputation has been in free-fall.

V.S. NAIPAUL