Читать книгу Cleg Kelly, Arab of the City: His Progress and Adventures - Crockett Samuel Rutherford - Страница 8

Next morning Cleg Kelly entered upon his duties. He carried orders to the various publishing offices for about two hundred papers in all. He had often been there before upon his own account, so that the crowd and the rough jocularity were not new to him. But now he practised a kind of austere, aristocratic hauteur. He was not any longer a prowler on the streets, with only a stance for which he might have to fight. He was a newsvendor's assistant. He would not even accept wager of battle upon provocation offered. He could, however, still kick; and as he had an admirable pair of boots with tackety soles an inch thick to do it with, he soon made himself the most respected boy in the crowd.

On returning to the Pleasance, he was admitted through the chink of the door by Mistress Roy, who was comprehensively dressed in a vast yellow flannel bed-gown, which grew murkier and murkier towards her feet. Her hair was tumbling about her eyes. That, too, was of a yellow grey, as though part of the bed-gown had been ravelled out and attached loosely to her head. Feathers and woolly dust were stuck impartially over hair and bed-gown.

"Write the names on the papers as I cry them," she said to Cleg, "and look slippy."

Cleg was quick to obey. He had, in fact, his pencil ready.

"Cready, number seventeen – three stairs back. Dinna write a' that. Write the name, an' mind the rest," said Mistress Roy.

"MacVane, twenty-wan, shop," and so on went the list interminably.

Mistress Roy kept no books, but in her memory she had the various counts and reckonings of all grades of her customers. She retained there, for instance, the exact amounts of the intricate scores of the boys who took in the "Boys of the City." She knew who had not paid for the last chapter of "Ned Kelly; or, the Iron-clad Australian Bushranger." She had a mental gauge on the great roll of black twist tobacco which lay on the counter among old "Evening Scraps." She knew exactly how much there was in the casks of strong waters under the stairs, from which, every Sunday, her numerous friends and callers were largely entertained.

When Cleg went out to deliver his papers he had nearly a hundred calls to make. But such was his sense of locality and his knowledge of the district that, with the help of a butcher's boy of his acquaintance (to whom he promised a reading of the "Desperadoes of New Orleans; or, the Good Ku Klux"), he managed to deliver all – except a single "Scotsman" to one Mackimmon, who lived in a big land at the corner of Rankeillor Street. Him he was utterly unable to discover.

Upon his return Mistress Roy was waiting for him.

"Did ye deliver them a'?" she asked, bending forward her head in a threatening manner as if expecting a negative reply.

"A' but yin!" said Cleg, who was in good spirits, and pleased with himself.

His mistress took up a brush. Cleg's hand dropped lightly upon a pound weight. He did not mean to play the abused little message-boy if he knew it.

"And what yin might that be?" said Mistress Roy.

"Mackimmon," said the boy briefly, "he's no in Rankeillor Street ava'."

The hand that held the brush went back in act to throw. Now this was, from the point of view of psychological dynamics, a mistake in tactics. A woman should never attempt to throw anything in controversy, least of all a brush. Her stronghold is to advance to the charge with all her natural weapons and vigour. But to throw a brush is to abdicate her providential advantages. And so Mistress Roy found.

A straight line is the shortest distance between two points, and that was the course described by the pound weight on which Cleg Kelly dropped his hand. It sped fair and level from his hand, flung low as he had many a time skimmed stones on Saint Margaret's Loch in the hollow under the Crags.

"Ouch!" suddenly said Mistress Roy, taken, as she herself said, "in the short of the wind." The hearth-brush with which she had been wont to correct her former message boys fell helplessly to the ground.

"Fetch me a toothfu' frae the back o' the door. Oh, ye villain, Cleg Kelly! I'm a' overcome like!" she said.

Cleg went to the back of the door where there was a keg with a spigot. He brought his mistress a drink in a little tinnikin.

She seemed to have forgotten to be angry, and bent her brows upon him more pleasantly than she had yet done.

"I thocht that ye were a religious boy," she said.

Cleg stood back a little with Mackimmon's paper still in his hand.

"Pund wecht for besom shank is good religion," said the imperfect Christian but excellent message-boy.

"Gang and deliver that paper!" Mistress Roy commanded, again looking up.

"I want my breakfast," said Cleg, with an air of sullen determination.

His mistress looked at him a moment, still sitting with the tinnikin of undutied whisky in her hand, and occasionally taking a sip. Cleg eyed her level-fronted.

She gave in all at once.

"Tak' the knife and help yoursel'," she said, pointing to a loaf and a piece of yellow cheese.

She went into a back room.

"Get up, Jock," she said, giving the clothes a jerk over the foot of the bed, and seizing a water can. Her husband rose to his feet on the floor without a word. Thus was business begun in Mistress Roy's paper-shop on the Pleasance.

And so that day went on, the first of many. When Celie Tennant asked Cleg how he was getting on, he said, as the manner of his kind is, "Fine!" And no word more could she get out of him. For Cleg was not a boy to complain. His father, Timothy Kelly, was safely in gaol, and that was enough to give Cleg an interest in life. Moreover, he could save some of his three shillings a week to give to Vara Kavannah to help her with the children.

He had not as yet taken advantage of the "chance of the drawer" offered by Mr. Roy. But, on the other hand, he had stuck out for three shillings and his keep.

Also, as the advertisements which he read every day in the papers said, he meant to see that he got it.

Vara Kavannah was a friend of Cleg's. She lived with her mother in a poor room in the Tinklers' Lands, and tried to do her duty by her little baby brother Gavin and her younger brother Hugh. Her mother was a friend of Mr. Timothy Kelly's, and there is no more to be said. The only happy time for all of them was when both Mr. Kelly, senior, and Sal Kavannah were provided for in the gaol on the Calton. But this did not happen often at one time. When it did, Cleg went up the long stairs and told Vara. Then they started and took the baby and Hugh for a long walk in the Queen's Park. Cleg carried the baby. The boys of his own age did not mock him to his face for doing this. The Drabble had done it once, and severely regretted it for several days, during which time his face conveyed a moral lesson to all beholders.

It was also a happy time for Vara Kavannah when her mother was safely locked up on a long sentence, or when for some weeks she disappeared from the city. Her father, a kindly, weak man, stood the dog's life his wife led him as long as possible.

Sheemus Kavannah was a poet. The heart was in him which tells men that the world is wide and fair. He had endured his wife in the bitterness of his heart, till late one evening he rose, and with his wife lying on the floor, a log, he awaked his little lass. There were tears streaming down his cheeks. His daughter started from her bed with her hair all about her. She was used to sudden and painful wakenings.

"Vara," he said, speaking in Irish, "daughter of Sheemus, Vara Kavannah, hark to me. Mavourneen, my heart is broke with your mother. It's no good at all to stay. I am going to Liverpool for work, and when I get it I shall come back and take you away – you, Vara, and Hugh and little Gavin. Lonely shall my road be and far. But I shall return, I shall return!"

Now Vara, being bred where they spoke not the tongue of the old country, understood nothing but the last words, "I shall return, I shall return!"

So it was in this way that Cleg Kelly became father and mother to the little company of three in the Tinklers' Lands.

As he went on the way of his duty, he found out some things about the business capacity of Mistress Roy that would have astonished the police. He had, in the impetuous ardour of youth, cleared away the accumulated papers on the floor, and raided the swarming cockroaches.

"Hullo, mother, what's the matter here?" cried one of the customers of the place, coming to Mistress Roy, who sat in the little den at the back.

"Naething," said that lady. "It's only that daft laddie. He disna think I gie him aneuch to do, so he's ta'en to finding wark for himsel'."

The customer, a burly, clean-shaven man, took a long look at Cleg.

"Tim Kelly's kid," said the woman, by way of explanation.

The man whistled – a long, mellow whistle – with an odd turn at the end.

"No," said Mistress Roy, shaking her head, "the lad's square. And what's mair, I'm no gaun to hae him meddled. He's the first boy that ever took oot the papers without cheatin'." A good character is a valuable asset, even in a shebeen.