Читать книгу New York at the Louisiana Purchase Exposition, St. Louis 1904 - DeLancey M. Ellis - Страница 26

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The heroic equestrian statue "The Apotheosis of St. Louis," generally considered one of the finest works of its kind, which stood at the very gateway to the Fair grounds, symbolizing the cordial welcome extended by the city to her guests from every part of the world, was the work of Charles H. Niehaus, of New York city. The sculpture of the Louisiana Purchase monument, the surmounting figure typifying "Peace" and the base decoration of groups representing scenes connected with the purchase, was by Karl Bitter, chief of sculpture of the Exposition, another New Yorker. Just in front of the monument and looking upon the grand basin were four groups portraying frontier life, entitled "The Buffalo Dance", "A Step to Civilization", "Peril of the Plains", and "A Cowboy at Rest", all being the work of Solon Borglum, another New Yorker. The crowning artistic and architectural effects of the whole Fair were embraced in Festival Hall and the Cascades. These were the work of two New York men, Cass Gilbert and Emanuel S. Masqueray. Mr. Gilbert was the architect of Festival Hall and Mr. Masqueray designed the Cascades and the Colonnade of States. Mr. Masqueray had other notable pieces of work in evidence about the grounds.

The Palace of Manufactures, standing just to the east of the Plaza St. Louis, was the work of Messrs. Carrere and Hastings, also New Yorkers. It was regarded as one of the most successful structures upon the grounds from an architect's point of view and it was appropriate that to New York men should have been intrusted the construction of the building in which exhibits of manufactures were displayed, in view of the pre-eminence of our State from a manufacturing and commercial standpoint.

And so throughout all the departments of the great Fair and throughout the season, one constantly encountered those who by some tie were bound to New York. Many of her sons who had gone forth in their youth came back and called at the New York State building and recalled some pleasant incident of the old days or made grateful acknowledgment of some benefit which had come to them from their native state. One of the most delightful features of all the experiences of those who had the honor officially to represent the Empire State at St. Louis was the meeting of the sons and daughters who had long since left home.

New York at the Louisiana Purchase Exposition, St. Louis 1904

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