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CHAPTER I.

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"Billy, Billy!" I call, eagerly, and at the top of my healthy lungs; but there is no reply. "Where can that boy be?"

"Billy, Billy!" I shout again, more lustily this time, and with my neck craned half-way down the kitchen-stair-case, but with a like result. There is a sudden movement on the upper landing, and Dora, appearing above, waves her hand frantically towards me to insure attention, while she murmurs, "Hush! Hush!" with hurried emphasis. I look up, and see she is robed in her best French muslin, the faint blue and white of which contrasts so favorably with her delicate skin.

"Hush! There is some one in the drawing-room," says my lovely sister, with the slightest possible show of irritation.

"Who?" I ask, in my loudest whisper, feeling somewhat interested. "Not—not Mr. Carrington—surely?"

'Yes,' returns Dora, under her breath; "and really, Phyllis, I wish you would not give yourself the habit of—"

"What? Already!" I interrupt, with a gasp of surprise. "Well, certainly he has lost no time. Now, Dora, mind you make a conquest of him, whatever you do, as, being our landlord, he may prove formidable."

Dora blushes—it is a common trick of hers, and she does it very successfully—nods, smiles and goes on to victory. The drawing-room door opens and shuts; I can hear a subdued murmur of voices; some one laughs. It is a man's laugh, and I feel the growth of curiosity strong within my breast. Oh, for some congenial soul to share my thoughts! "Where on earth is Billy?"

I am about to prosecute my search for him in person, when he suddenly appears, coming towards me from a totally unexpected direction.

"What's up?" he asks, in his usual neat style.

"Oh, Billy, he is here—Mr. Carrington I mean," I exclaim, eagerly. "Dora and mamma are with him. I wonder will they ask him about the wood?"

"He'd be sure to refuse if they did," says Billy, gloomily. "From all I hear, he must be a regular Tartar. Brewster says he is the hardest landlord in the county turns all the tenants out of doors at a moment's notice, and counts every rabbit in the place. I'm certain he is a mean beast, and I hope Dora won't ask any favor of him." I shift the conversation.

"Did you see him come? Where have you been all this time?"

"Outside. There's a grand trap at the door, and two horses. Brewster says he is awfully rich, and of course he's a screw. If there's one thing I hate it's a miser."

"Oh, he is too young to be a miser," say I, in the innocence of my heart. "Papa says he cannot be more than eight-and-twenty. Is he dark or fair, Billy?"

"I didn't see him, but I'm sure he's dark and squat, and probably he squints," says Billy, viciously. "Any one that could turn poor old Mother Haggard out of her house in the frost and snow must have a squint."

"But he was in Italy then: perhaps he didn't know anything about it," I put in, as one giving the benefit of a bare doubt.

"Oh, didn't he?" says Billy, with withering contempt. "He didn't send his orders, I suppose? Oh, no!" Once fairly started in his Billingsgate strain, it is impossible to say where my brother will choose to draw a line, but fortunately for Mr. Carrington's character, Martha, our parlor servant, makes her appearance at this moment and comes up to us with an all-important expression upon her jovial face.

"Miss Phyllis, your ma wants you in the drawing-room at once," she says. "The strange gentleman is there, and—"

"Wants me?" I ask, in astonishment, not being usually regarded as a drawing-room ornament. "Martha, is my hair tidy?"

"'Tis lovely!" returns Martha. And, thus encouraged, I give my dress one or two hasty pulls and follow in Dora's footsteps.

A quarter of an hour later I rush back to Billy, and discover him standing, with bent head and shoulders, in a tiny closet that opens off the hall, and is only divided from the drawing-room by the very frailest of partitions. His attitude is crumpled, but his face betrays the liveliest interest as he listens assiduously to all that is going on inside.

"Well, what is he like?" he asks in a stage whisper, straightening himself slightly as he sees me, and pointing in the direction of the closet.

"Very nice," I answer with decision, "and not dark at all—quite fair. I asked him about the wood when I got the chance, and he said we might go there whenever we chose, and that it would give him great pleasure if we would consider it as our own. There! And it was not he turned out old Nancy Haggard: it was the wretch Simmons, the steward, without any orders; and Mr. Carrington has dismissed him, and—"

Here Billy slips off a jam-pot, on which he has been standing, with a view to raising himself, stumbles heavily, and creates an appalling row; after which, mindful of consequences, he picks himself up silently, and together we turn and flee.


Phyllis

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