Читать книгу Rienzi, Last of the Roman Tribunes (Historical Novel) - Эдвард Бульвер-Литтон - Страница 12

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If, in adopting the legendary love tale of Romeo and Juliet, Shakespeare had changed the scene in which it is cast for a more northern clime, we may doubt whether the art of Shakespeare himself could have reconciled us at once to the suddenness and the strength of Juliet’s passion. And, even as it is, perhaps there are few of our rational and sober-minded islanders who would not honestly confess, if fairly questioned, that they deem the romance and fervour of those ill-starred lovers of Verona exaggerated and over-drawn. Yet, in Italy, the picture of that affection born of a night—but “strong as death”—is one to which the veriest commonplaces of life would afford parallels without number. As in different ages, so in different climes, love varies wonderfully in the shapes it takes. And even at this day, beneath Italian skies, many a simple girl would feel as Juliet, and many a homely gallant would rival the extravagance of Romeo. Long suits in that sunny land, wherein, as whereof, I now write, are unknown. In no other land, perhaps, is there found so commonly the love at first sight, which in France is a jest, and in England a doubt; in no other land, too, is love, though so suddenly conceived, more faithfully preserved. That which is ripened in fancy comes at once to passion, yet is embalmed through all time by sentiment. And this must be my and their excuse, if the love of Adrian some too prematurely formed, and that of Irene too romantically conceived;—it is the excuse which they take from the air and sun, from the customs of their ancestors, from the soft contagion of example. But while they yielded to the dictates of their hearts, it was with a certain though secret sadness—a presentiment that had, perhaps, its charm, though it was of cross and evil. Born of so proud a race, Adrian could scarcely dream of marriage with the sister of a plebeian; and Irene, unconscious of the future glory of her brother, could hardly have cherished any hope, save that of being loved. Yet these adverse circumstances, which, in the harder, the more prudent, the more self-denying, perhaps the more virtuous minds, that are formed beneath the northern skies, would have been an inducement to wrestle against love so placed, only contributed to feed and to strengthen theirs by an opposition which has ever its attraction for romance. They found frequent, though short, opportunities of meeting—not quite alone, but only in the conniving presence of Benedetta: sometimes in the public gardens, sometimes amidst the vast and deserted ruins by which the house of Rienzi was surrounded. They surrendered themselves, without much question of the future, to the excitement—the elysium—of the hour: they lived but from day to day; their future was the next time they should meet; beyond that epoch, the very mists of their youthful love closed in obscurity and shadow which they sought not to penetrate: and as yet they had not arrived at that period of affection when there was danger of their fall—their love had not passed the golden portal where Heaven ceases and Earth begins. Everything for them was the poetry, the vagueness, the refinement—not the power, the concentration, the mortality—of desire! The look—the whisper—the brief pressure of the hand, at most, the first kisses of love, rare and few—these marked the human limits of that sentiment which filled them with a new life, which elevated them as with a new soul.

The roving tendencies of Adrian were at once fixed and centered; the dreams of his tender mistress had awakened to a life dreaming still, but “rounded with a truth.” All that earnestness, and energy, and fervour of emotion, which, in her brother, broke forth in the schemes of patriotism and the aspirations of power, were, in Irene, softened down into one object of existence, one concentration of soul—and that was love. Yet, in this range of thought and action, so apparently limited, there was, in reality, no less boundless a sphere than in the wide space of her brother’s many-pathed ambition. Not the less had she the power and scope for all the loftiest capacities granted to our clay. Equal was her enthusiasm for her idol; equal, had she been equally tried, would have been her generosity, her devotion:—greater, be sure, her courage; more inalienable her worship; more unsullied by selfish purposes and sordid views. Time, change, misfortune, ingratitude, would have left her the same! What state could fall, what liberty decay, if the zeal of man’s noisy patriotism were as pure as the silent loyalty of a woman’s love?

In them everything was young!—the heart unchilled, unblighted—that fulness and luxuriance of life’s life which has in it something of divine. At that age, when it seems as if we could never die, how deathless, how flushed and mighty as with the youngness of a god, is all that our hearts create! Our own youth is like that of the earth itself, when it peopled the woods and waters with divinities; when life ran riot, and yet only gave birth to beauty;—all its shapes, of poetry—all its airs, the melodies of Arcady and Olympus! The Golden Age never leaves the world: it exists still, and shall exist, till love, health, poetry, are no more; but only for the young!

If I now dwell, though but for a moment, on this interlude in a drama calling forth more masculine passions than that of love, it is because I foresee that the occasion will but rarely recur. If I linger on the description of Irene and her hidden affection, rather than wait for circumstances to portray them better than the author’s words can, it is because I foresee that that loving and lovely image must continue to the last rather a shadow than a portrait—thrown in the background, as is the real destiny of such natures, by bolder figures and more gorgeous colours; a something whose presence is rather felt than seen, and whose very harmony with the whole consists in its retiring and subdued repose.