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If ever a gifted man worked for a living it was Edward Lear, and, although he joked about his journeys, they were not jaunts but professional expeditions in search of the picturesque, with the object of turning it into marketable landscapes. He is in fact a pictorial merchant: a later Dr. Syntax—in search of a living. Scenery is the raw material of his trade. When trekking across Albania he is glad to leave the district of Peupli for Akhrida, where he hopes the scenery will be ‘more valuable’. He is, as he declares in his Corsican Journal, a ‘wandering painter—whose life’s occupation is travelling for pictorial and topographic purposes’. But although he always makes a virtue of necessity, work is life to him. He fears idleness because it exposes him to boredom, and if he is capable of enduring the prophylactic of drudgery, he has no liking for the sedentary side of painting: ‘No life is more shocking to me than sitting motionless like a petrified gorilla as to my body and limbs hour after hour—my hand meanwhile, peck peck pecking at billions of little dots and lines, while my mind is fretting and fuming through every moment of the weary day’s work.’

He craves for movement as though his curiously active mind needed the companionship of an active body, for ‘after all one isn’t a potato’, so perhaps it is better ‘to run about continually like an ant’. It was nothing for him even when past his prime to walk fifteen and twenty miles a day, and to do an amount of sketching as well. The trade of landscape-painter was perhaps, after all, only the excuse for those laborious journeys in Albania, Greece, Corsica, Malta, Crete, Egypt, Corfu, Switzerland, Calabria and other parts of Italy, the French Riviera, and India. There are indications that he relished travel for its own sake and was always planning jaunts to ever more distant lands. It is probable, also, that he found in travel a means of relief from that mental stress which, as we shall see, was an underlying cause of his jocularity. The craving for movement is like a chronic desire to run away from himself. ‘The more I read travels the more I want to move,’ and he playfully invited his friend Fortescue to go with him to ‘New Zealand, Tasmania and Lake Tchad’. As he grew older he believed that a sedentary life, after moving about as he had done for more than half a century, would ‘infallibly finish’ him ‘off suddenly’. And although, he reflected, he might ‘with equal suddenness be finished off if he moved about’, he believed that ‘a thorough change’ would affect him ‘far better rather than far worse. Whereby’, he concludes, ‘I shall go either to Sardinia, or India, or Jumsibobjiggle-quack this next winter as ever is.’

The Complete Nonsense of Edward Lear

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