Читать книгу The Spell of Flanders - Edward Neville Vose - Страница 10

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The tourist who desires to get away from the main thoroughfare of European travel, to explore out-of-the-way corners, and discover for himself wonders and beauties that the learned Mr. Baedeker never heard of, cannot do better than to turn away to the westward from the great Ostende-Brussels express route and visit the all but forgotten cities of Dixmude, Furnes and Nieuport. All but forgotten, that is, in June, 1914. The world has heard of them since, and it will be many hundreds of years before it forgets them again! These little places, which when we visited them were nothing but sleepy and quiet country towns, were great and prosperous cities in the period when Bruges was slowly rising toward its zenith, and the Professor therefore decreed that they must come next on our itinerary. We accordingly spent an evening studying the correspondences, or connections, of the State Railway and the chemin de fer vicinal, or local steam tramway, and started at daybreak the next morning.

Right here it may be said that the Belgian State Railway did its best to compensate us for whatever shortcomings we found in the weather or in the country generally. Perfect its service can hardly be said to have been, but it was excellent and amazingly cheap. Our party purchased every two weeks billets d’abonnement that cost us just forty-one francs each, or about $8.00, and entitled us to ride on any State-owned railway line in the country day or night for fifteen days. These were second-class, the third costing twenty-three francs, and first sixty francs. The last, by the way, is a useless luxury, as on the local lines the first-class compartments are identical with the second-class except for a white tidy placed at the back of the cushions. Frequently there was not even the tidy, but the sign, “Reservé—Voorbehouden,” converted an ordinary second-class compartment into first-class—a distinction that gave the traveller very little for his money, save the privilege of riding alone.

On the main express routes that radiate outward from Brussels in every direction there were a number of rapides, or fast express trains, that made very good time indeed—a speed of a kilometre per minute being about the average. On the international express trains, some of which are first-class only, the speed was somewhat higher, but these we never had occasion to use. After the rapides came the express trains, generally marked “direct” or “semi-direct,” according to whether or not they made any intermediate stops before reaching their final destination. These were only moderately fast, and, if they did stop anywhere, lingered so long that the time gained by their previous speed was largely lost. Then came the type of local train called omnibus or ordinaire, that stopped at every station. To the American these trains would seem astoundingly slow, even for a land that is never in a hurry. Each stop is dragged out, minute after minute, until it seems certain that either a terrible accident must have occurred ahead, or the train crew has gone on strike. Actually, more than once, we did see part of the crew returning from an estaminet hard by whither they had gone to have a friendly glass. Finally, however, the red-capped station master blows his whistle and the train reluctantly pulls away. To make a trip of sixty kilometres (forty miles) by one of these trains took, on more than one occasion, two hours and a quarter, and the train arrived on time!

This last point is a feature of the Belgian railway trains. They are almost invariably on time, and lateness is a matter for strict examination on the part of the officials and severe penalties for those responsible. However, there does not seem to be much credit attached to being on time when the schedule allows for a stop of from two to fifteen minutes at each station. The man primarily responsible for the movement of the trains is not the conductor or engineer but the chef de gare, or station-master. He, or his deputy if the station is a large one with many trains, must be on hand when each train pulls in, and give the signal for its departure. His dark-red cap, embroidered with gold braid, is therefore in evidence at every station, and until this high functionary gives the word no train moves. As it is, each leaves exactly on time—but not a second before, no matter if every passenger has been in place and the doors slammed and fastened for the last five minutes!

The foregoing description of the Belgian State Railway refers, of course, to the service as it existed down to the end of July. Since then the destruction of tracks, bridges and tunnels by one army or another has put most of the system out of operation. One of the saddest phases of the war is that every one of the thousands of employés of the Belgian State Railway—from the highest supervising official to the humblest track walker—was working faithfully and efficiently, and planning the future of his frugal life, upon the assurance that promotion and an old-age pension would reward his zeal. This obligation toward its employés the Belgian Government has ever faithfully observed, and in the course of our travels we met many middle-aged men who told us that they were looking forward to the day when their terms of duty would end and they would be pensioned on half pay to enjoy a few years of well-earned repose. Probably not one of these men ever seriously dreamed that an event could occur that would, in the course of a few swift weeks, blot out the record of his life work, and deprive him of all opportunity for promotion, for pension, and even for employment. No doubt the death toll of the battles on the plains of Flanders has been heavy among these courteous, capable and industrious men—many of whom were liable for military service in time of war—but let us hope that peace, when it comes, will bring to each survivor his old post again, with the old good service record unforgotten, and that he will receive the pension he rightfully expects and that his country would gladly give—at last.

To those who enjoy rambling through the byways of history there is no town richer in associations, yet less spoiled by the visits of the all but ubiquitous tourist, than Dixmude. At present this little city is situated fifteen miles from the sea, yet all the ancient chroniclers aver that prior to the thirteenth century it was a seaport with a commerce overseas and a not inconsiderable fishing fleet. As one looks across the miles and miles of pleasant fields, interspersed with waving windmills and tiny villages, this part of the ancient city’s history seems utterly incredible, but it is too well authenticated to be disputed. Ten times, so the histories tell us, Dixmude was besieged and bravely defended by its citizens. More than once it was destroyed by fire and rebuilt, but at last the blight that destroyed the prosperity of its larger and more powerful neighbours, Ypres, Bruges and Ghent, struck at the heart of its industries as well and it sank by imperceptible degrees into its long sleep.

Like the abode of the Sleeping Princess, of whom Tennyson wrote, one might almost fancy that all life had stopped centuries ago at the wave of some magic wand. The summer’s sun and winter’s rain and snow of half a thousand years have left but the faintest traces on its old houses and its great parish church of St. Nicholas. The pride and joy of this church is its altar screen, or jubé, said to have been designed by Urban Taillebert, the architect of the Church of St. Martin at Ypres and many other celebrated works of around the year 1600. There is also an “Adoration of the Magi” by Jordaens, and the usual collection of minor works of art. To us, however, this old church was far more interesting externally than within, its huge clock tower resembling nothing else that we had seen in Flanders or elsewhere. The Grande Place, from which one can obtain a fine view of the old church with a row of Lilliputian houses nestling below it, is big enough to accommodate all the present inhabitants of the town in one corner. In its prime Dixmude is said to have had thirty thousand inhabitants, and all the room on the Place was, no doubt, needed on market days, but it does not have a fifteenth of that number now, and the wide, grass-grown expanse of cobble-stones is entirely deserted.

The jubé, or altar screen, already mentioned, is the one great “sight” of the little town, and every one asks without fail whether you have yet seen it. It is assuredly well worth seeing, being wonderfully graceful and dainty, and, perhaps, the finest thing of its kind in Northern Europe. The other famous chef d’œuvre of Dixmude is culinary instead of artistic. This is a kind of brioche called zieltjenskoeken, or gateaux d’ames—a sort of “soul cooky,” as it were. Twice a year, on certain religious occasions, the inhabitants of Dixmude consume vast quantities of these confections, which are claimed to possess the property—if eaten on the prescribed days—of delivering one’s soul from purgatory and sending it straight to Paradise. We were unfortunately unable to verify this, as our visit did not come on the right day, but we found the butter of Dixmude—which has enjoyed a great reputation for centuries—to be all that was claimed for it, although the Professor insisted on putting a shake of salt on his, to the great horror of the maid who served our dinner.

Had some Madame Thebes told us what the near future had in store for this sleepy and quaint old city we would have spent days instead of hours in it, but last June its importance did not seem to justify giving it a chapter so we planned to visit Furnes the same day. To-day the name of Dixmude has been heard to the farthest ends of the world, its great square echoes to the tramp of armed men, its old church—after standing for so many centuries—is said to have fallen before the withering storm of shrapnel and shells that for days rained down upon its defenders. It has been taken and retaken by each side in the gigantic combat more than once. It is asleep no longer, forgotten no longer; and, in years to come, reverent visitors from many nations will visit what may remain of the ancient town. For these the chief interest will not lie in the walls of the ruined church or the relics of the departed jubé, if any there be, but out in the open, pleasant fields where, in trenches that the kindly hand of nature will gradually obliterate, the brave men of four nations met in one of the fiercest and bloodiest death grapples of the great war.

But last July both Madame Thebes and the cannon were silent, so again taking our faithful omnibus after the dinner—which we obtained at one of the little restaurants overlooking the Grande Place—we next journeyed northward to Furnes, which is only a few miles distant across the flat Flemish plain. Furnes, according to the antiquarians, dates from as early as the year 800, and its day of greatness had come and gone centuries ago. Its crooked streets, quaint gabled houses, and picturesque corners seemed more mediæval than any place we had visited—surpassing even Dixmude in this respect. It was here, by the way, that Leopold I was welcomed to the country when he arrived after being chosen to be the first King of the Belgians in 1831. The Hotel of the Nobele Rose, near the Grande Place, is said to have been the Palace of the Countess Gertrude of Flanders in 1093, and if so, must be one of the oldest houses in Flanders. The widow of Count Philip of Alsace is also said to have resided here in 1218. More celebrated, in years to come, than any of these incidents, will be the fact that Furnes was for many months of the Great War the headquarters of the brave Belgian army, and the place of residence of Belgium’s heroic King.

The great annual event at Furnes is the famous Procession, which takes place the third Sunday in July. It dates from 1100 or thereabouts, when, according to the legend, Count Robert of Flanders was on his way back from the Holy Land, bringing with him a piece of the true cross. His voyage across the Mediterranean, through the Straits of Gibraltar and past the stormy Bay of Biscay, was without incident, but as he was nearing home a fearful storm in the English Channel threatened to send his frail bark to the bottom. The waves were running mountain high and all the party expected each moment to be their last when the Count suddenly bethought himself of his holy relic and vowed that, if his life were spared, he would present it to the first church of which he might see the spire.

Immediately the storm ceased, the wind died down, the sea became as smooth as a mill-pond, and as the happy mariners looked toward the shore of their dear Flanders a ray of sunlight fell upon the tower of Ste. Walburge in Furnes. To this church, therefore, in fulfilment of his vow, Count Robert presented the relic, now doubly precious by reason of this miracle. To commemorate this event the canons of the church organised a procession which took place every year and was marked by various historical representations of the return of Count Robert. About 1650 an act of sacrilege committed by a soldier, who was publicly executed for his crime, led to the procession taking on certain penitential features by way of expiation on the part of the city for this sin. From that time on the procession has included representations, for the most part by peasants dressed up for the parts, of Abraham and the Prophets, the Flight into Egypt, the Visit of the Three Wise Men to the Cradle at Bethlehem, so often painted by the artists of the Flemish school, the Stable and the Birth of Christ, the Court of Herod, Jesus in the Midst of the Doctors, the Penitent Magdalen, the Entry of Christ into Jerusalem, the Feast at Cana, the Garden of Olives, the Betrayal of Judas, and a series of scenes representing the crucifixion, burial and resurrection. Following these tableaux come the penitents, walking masked and barefooted, clad for the most part in brown Capuchin robes, and singing or chanting certain lines in Flemish. Many of the leading actors in the tableaux have “speaking parts,” all of them in Flemish and delivered with varying degrees of histrionic skill to the crowd that lines the streets. The whole performance, apart from its great antiquity, is of interest as being a local and original representation of the Biblical story—a sort of Flemish passion play, less refined and artistic than that of the Swiss peasants of Oberammergau, but none the less conscientious, earnest and sincere.

At one time Furnes ranked next to Ghent and Bruges among the cities of Flanders in official importance, if not in population and industry, its châtellenie comprising fifty-two villages. In 1297 it was besieged by Robert, the Count of Artois, who fell five years later at the great battle of Courtrai. At Furnes the French arms were successful and the city was captured and sacked, “more than two thousand houses being burned in two days,” according to the contemporary chronicles. Philip the Bold, the first of the Burgundian Dukes to rule over Flanders, rebuilt its fortifications, and the city was deemed worthy under Philip the Good to be designated as the place of residence of the French Dauphin, who subsequently became Louis XI, when that remarkable young man was in exile through his father’s displeasure. It may well have been here that the wiliest and most unscrupulous of all the Kings of France planned that tortuous and secretive policy that—steadily pursued year after year—brought the powerful House of Burgundy low at last and made France one nation instead of two or three.

The quaint old Grande Place of Furnes, while smaller than that of Dixmude, is equally picturesque. On one side is the old Meat Market, dating from the first quarter of the seventeenth century; and hard by is the Maison des Espagnols, or House of the Spaniards, formerly used as a town-hall and erected in the thirteenth century. The present Hotel de Ville also faces the Place and is well worth a visit, although none of its rooms are sufficiently notable to merit a detailed description. The ancient Châtellenie, now used as Court House, was begun in 1612—the year the Hotel de Ville was finished—and is chiefly memorable as the meeting-place of the Spanish Inquisition. This body held its sessions in the antechamber on the first floor and not in the main hall, which is decorated by a mural painting by de Vriendt representing Philip the Fair swearing to observe the rights and privileges of the city. The establishment of the Inquisition by his namesake and grandson, Philip II, affords a ghastly commentary on the manner in which that monarch kept the similar pledges with which he began his reign. Another fine old edifice on the Grande Place is the Belfry, square for half its height, then octagonal, and finally surmounted by a bulbous spire, heavy and clumsy, but none the less exceedingly quaint and picturesque. Not a few of the ancient houses around the Place and in the adjacent streets were sufficiently mediæval to have merited a visit had our stay in this fine old Flemish town been longer; but, so far as we could learn, none possessed any particular historical interest.

Besides Ste. Walburge, already mentioned—which was evidently planned to be a cathedral, but of which only the choir was ever completed—Furnes possesses the church of St. Nicholas, which has a noble square tower, also unfinished. Both churches are disappointing within, although the former is, no doubt, of great interest to architects as an example of the ogival style, while the latter is Gothic and dates from the fourteenth century. The choir stalls in St. Walburge are notable examples of the Flemish woodcarvers’ art, although far less ancient than the church itself.

If the time of your stay is midsummer, as it will be if you come to Furnes to see the Procession, do not go away without a day on the dunes at Coxyde. This beach is less well known, as yet, than those at Ostende, Heyst and Blankenburghe farther to the east but it is increasing in popularity very rapidly. A land company, with head offices at Brussels, is engaged in erecting summer houses among the dunes which look too American in architecture and manner of construction for this country where houses are generally built as if intended to last a thousand years. A little chemin de fer vicinal runs from Furnes to Coxyde. In addition to the splendid beach and the dunes, which have a dreary grandeur that is always fascinating, the shrimp fishermen, or pecheurs de crevettes, will make the short trip well worth while.

SHRIMP FISHERMEN, COXYDE.

These weather-beaten men, with their rough oilskin hats and suits, are the modern representatives of an ancient Flemish industry—shrimp fishing having been carried on along these coasts literally from time immemorial. They are very picturesque, both while at work on horseback dragging in their nets, and while lounging along the shore, pipe in mouth. Jean Delvin has a fine painting representing them in the Museum at Ghent, while one of the most powerful of Meunier’s statues is devoted to the same subject.

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