Читать книгу The Wandering Jew (Vol.1-11) - Эжен Сю - Страница 24

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When we read, in the rules of the order of the Jesuits, under the title De formula scribendi (Institut. 2, 11, p. 125, 129), the development of the 8th part of the constitutions, we are appalled by the number of letters, narratives, registers, and writings of all kinds, preserved in the archives of the society.

It is a police infinitely more exact and better informed than has ever been that of any state. Even the government of Venice found itself surpassed by the Jesuits: when it drove them out in 1606, it seized all their papers, and reproached them for their great and laborious curiosity. This police, this secret inquisition, carried to such a degree of perfection, may give some idea of the strength of a government, so well-informed so persevering in its projects, so powerful by its unity, and, as the constitutions have it, by the union of its members. It is not hard to understand, what immense force must belong to the heads of this society, and how the general of the Jesuits could say to the Duke de Brissac: "From this room, your grace, I govern not only Paris, but China—not only China, but the whole world—and all without any one knowing how it is done:" (Constitution of the Jesuits, edited by Paulin, Paris, 1843.)

Morok, the lion-tamer, seeing Dagobert deprived of his horse, and stripped of his money and papers, and thinking it was thus out of his power to continue his journey, had, previous to the arrival of the burgomaster, despatched Karl to Leipsic, as the bearer of a letter which he was to put immediately into the post. The address of this letter was as follows: "A Monsieur Rodin, Rue du Milieu des Ursins, Paris."

About the middle of this obscure and solitary street, situate below the level of the Quai Napoleon, which it joins not far from the Rue Saint Landry, there stood a house of unpretentious appearance, at the bottom of a dark and narrow court-yard, separated from the street by a low building in front, with arched doorway, and two windows protected by thick iron bars. Nothing could be more simple than the interior of this quiet dwelling, as was sufficiently shown by the furniture of a pretty large room on the ground floor. The walls of this apartment were lined with old gray wainscot; the tiled floor was painted red, and carefully polished; curtains of white calico shaded the windows.

A sphere of about four feet in diameter, raised on a pedestal of massive oak, stood at one end of the room, opposite to the fireplace. Upon this globe, which was painted on a large scale, a host of little red crosses appeared scattered over all parts of the world—from the North to the South, from the rising to the setting sun, from the most barbarous countries, from the most distant isles, to the centres of civilization, to France itself. There was not a single country which did not present some spots marked with these red crosses, evidently indicative of stations, or serving as points of reference.

Before a table of black wood, loaded with papers, and resting against the wall near the chimney, a chair stood empty. Further on, between the two windows, was a large walnut-wood desk, surmounted by shelves full of pasteboard boxes.

At the end of the month of October, 1831, about eight o'clock in the morning, a man sat writing at this desk. This was M. Rodin, the correspondent of Morok, the brute-tamer.

About fifty years of age, he wore an old, shabby, olive greatcoat, with a greasy collar, a snuff-powdered cotton handkerchief for a cravat, and waistcoat and trousers of threadbare black cloth. His feet, buried in loose varnished shoes, rested on a petty piece of green baize upon the red, polished floor. His gray hair lay flat on his temples, and encircled his bald forehead; his eyebrows were scarcely marked; his upper eyelid, flabby and overhanging, like the membrane which shades the eyes of reptiles, half concealed his small, sharp, black eye. His thin lips, absolutely colorless, were hardly distinguishable from the wan hue of his lean visage, with its pointed nose and chin; and this livid mask (deprived as it were of lips) appeared only the more singular, from its maintaining a death-like immobility. Had it not been for the rapid movement of his fingers, as, bending over the desk, he scratched along with his pen, M. Rodin might have been mistaken for a corpse.

By the aid of a cipher (or secret alphabet) placed before him he was copying certain passages from a long sheet full of writing, in a manner quite unintelligible to those who did not possess the key to the system. Whilst the darkness of the day increased the gloom of the large, cold, naked-looking apartment, there was something awful in the chilling aspect of this man, tracing his mysterious characters in the midst of profound silence.

The clock struck eight. The dull sound of the knocker at the outer door was heard, then a bell tinkled twice, several doors opened and shut, and a new personage entered the chamber. On seeing him, M. Rodin rose from the desk, stuck his pen between his teeth, bowed with a deeply submissive air, and sat down again to his work without uttering a word.

The two formed a striking contrast to one another. The newcomer, though really older than he seemed, would have passed for thirty-six or thirty eight years of age at most. His figure was tall and shapely, and few could have encountered the brightness of his large gray eye, brilliant as polished steel. His nose, broad at the commencement, formed a well-cut square at its termination; his chin was prominent, and the bluish tints of his close-shaved beard were contrasted with the bright carnation of his lips, and the whiteness of his fine teeth. When he took off his hat to change it for a black velvet cap which he found on the small table, he displayed a quantity of light chestnut hair, not yet silvered by time. He was dressed in a long frock-coat, buttoned up to the neck in military fashion.

The piercing glance and broad forehead of this man revealed a powerful intellect, even as the development of his chest and shoulders announced a vigorous physical organization; whilst his gentlemanly appearance, the perfection of his gloves and boots, the light perfume which hung about his hair and person, the grace and ease of his least movements, betrayed what is called the man of the world, and left the impression that he had sought or might still seek every kind of success, from the most frivolous to the most serious. This rare combination of strength of mind, strength of body, and extreme elegance of manners, was in this instance rendered still more striking by the circumstance, that whatever there might be of haughtiness or command in the upper part of that energetic countenance, was softened down, and tempered by a constant but not uniform smile—for, as occasion served, this smile became either kind or sly, cordial or gay, discreet or prepossessing, and thus augmented the insinuating charm of this man, who, once seen, was never again forgotten. But, in yielding to this involuntary sympathy, the doubt occurred if the influence was for good—or for evil.

M. Rodin, the secretary of the newcomer, continued to write.

"Are there any letters from Dunkirk, Rodin?" inquired his master.

"Post not yet in."

"Without being positively uneasy as to my mother's health, since she was already convalescent," resumed the other, "I shall only be quite reassured by a letter from my excellent friend, the Princess de Saint Dizier. I shall have good news this morning, I hope."

"It is to be desired," said the secretary, as humble and submissive as he was laconic and impassible.

"Certainly it is to be desired," resumed his master; "for one of the brightest days of my life was when the Princess de Saint-Dizier announced to me that this sudden and dangerous illness had yielded to the care and attention with which she surrounds my mother. Had it not been for that I must have gone down to her instantly, though my presence here is very necessary."

Then, approaching the desk, he added: "Is the summary of the foreign correspondence complete?"

"Here is the analysis."

"The letters are still sent under envelope to the places named, and are then brought here as I directed?"

"Always."

"Read to me the notes of this correspondence; if there are any letters for me to answer, I will tell you." And Rodin's master began to walk up and down the room, with his hands crossed behind his back, dictating observations of which Rodin took careful note.

The secretary turned to a pretty large pile of papers, and thus began:

"Don Raymond Olivarez acknowledges from Cadiz receipt of letter No.19; he will conform to it, and deny all share in the abduction."

"Very well; file it."

"Count Romanoff, of Riga, finds himself in a position of pecuniary embarrassment."

"Let Duplessis send him fifty louis; I formerly served as captain in his regiment, and he has since given us good information."

"They have received at Philadelphia the last cargo of Histories of France, expurgated for the use of the faithful they require some more of the same sort."

"Take note of it, and write to Duplessis. Go on."

"M. Spindler sends from Namur the secret report on M. Ardouin."

"To be examined."

"M. Ardouin sends from the same town the secret report on M. Spindler."

"To be examined."

"Doctor Van Ostadt, of the same town, sends a confidential note on the subject of Messrs. Spindler and Ardouin."

"To be compared. Go on!"

"Count Malipierri, of Turin, announces that the donation of 300,000 francs is signed."

"Inform Duplessis. What next?"

"Don Stanislaus has just quitted the waters of Baden with Queen Marie Ernestine. He informs us that her majesty will receive with gratitude the promised advices, and will answer them with her own hand."

"Make a note of it. I will myself write to the queen."

Whilst Rodin was inscribing a few remarks on the margin of the paper, his master, continuing to walk up and down the room, found himself opposite to the globe marked with little red crosses, and stood contemplating it for a moment with a pensive air.

Rodin continued: "In consequence of the state of the public mind in certain parts of Italy, where sundry agitators have turned their eyes in the direction of France, Father Arsenio writes from Milan, that it would be of importance to distribute profusely in that country, some little book, in which the French would be represented as impious and debauched, rapacious and bloody."

"The idea is excellent. We might turn to good account the excesses committed by our troops in Italy during the wars of the Republic. You must employ Jacques Dumoulin to write it. He is full of gall, spite, and venom: the pamphlet will be scorching. Besides, I may furnish a few notes; but you must not pay Dumoulin till after delivery of the manuscript."

"That is well understood: for, if we were to pay him beforehand, he would be drunk for a week in some low den. It was thus we had to pay him twice over for his virulent attack on the pantheistic tendencies of Professor Martin's philosophy."

"Take note of it—and go on!"

"The merchant announces that the clerk is about to send the banker to give in his accounts. You understand?' added Rodin, after pronouncing these words with a marked emphasis.

"Perfectly," said the other, with a start; "they are but the expressions agreed on. What next?"

"But the clerk," continued the secretary, "is restrained by a last scruple."

After a moment's silence, during which the features of Rodin's master worked strongly, he thus resumed: "They must continue to act on the clerk's mind by silence and solitude; then, let him read once more the list of cases in which regicide is authorized and absolved. Go on!"

"The woman Sydney writes from Dresden, that she waits for instructions. Violent scenes of jealousy on her account have again taken place between the father and son; but neither from these new bursts of mutual hatred, nor from the confidential communications which each has made to her against his rival, has she yet been able to glean the information required. Hitherto, she has avoided giving the preference to one or the other; but, should this situation be prolonged, she fears it may rouse their suspicion. Which ought she then to choose—the father or the son?"

"The son—for jealous resentment will be much more violent and cruel in the old man, and, to revenge himself for the preference bestowed upon his son, he will perhaps tell what they have both such an interest to conceal. The next?"

"Within the last three years, two maid-servants of Ambrosius whom we placed in that little parish in the mountains of the Valais, have disappeared, without any one knowing what has become of them. A third has just met with the same fate. The Protestants of the country are roused—talk of murder with frightful attendant circumstances—"

"Until there is proof positive and complete of the fact, Ambrosius must be defended against these infamous calumnies, the work of a party that never shrinks from; monstrous inventions. Go on!"

"Thompson, of Liverpool, has at length succeeded in procuring for Justin the place of agent or manager to Lord Stewart, a rich Irish Catholic, whose head grows daily weaker."

"Let the fact be once verified, and Thompson shall have a premium of fifty louis. Make a note of it for Duplessis. Proceed."

"Frantz Dichstein, of Vienna," resumed Rodin, "announces that his father has just died of the cholera, in a little village at some leagues from that city: for the epidemic continues to advance slowly, coming from the north of Russia by way of Poland."

"It is true," said Rodin's master, interrupting him; "may its terrible march be stayed, and France be spared."

"Frantz Dichstein," resumed Rodin, "says that his two brothers are determined to contest the donation made by his father, but that he is of an opposite opinion."

"Consult the two persons that are charged with all matters of litigation.

What next?"

"The Cardinal Prince d'Amalfi will conform to the three first points of the proposal: he demands to make a reservation upon the fourth point."

"No reserve!—Either full and absolute acceptance—or else war—and (mark me well) war without mercy—on him and his creatures. Go on!"

"Fra Paolo announces that the Prince Boccari, chief of a redoubtable secret society, in despair at seeing his friends accuse him of treachery, in consequence of suspicions excited in their minds by Fra Paolo himself, has committed suicide."

"Boccari! is it possible?" cried Rodin's master. "Boccari! the patriot

Boccari! so dangerous a person!"

"The patriot Boccari," repeated the impassible secretary.

"Tell Duplessis to send an order for five-and-twenty louis to Fra Paolo.

Make a note of it."

"Hausman informs us that the French dancer, Albertine Ducornet, is the mistress of the reigning prince; she has the most complete influence over him, and it would be easy through her means to arrive at the end proposed, but that she is herself governed by her lover (condemned in France as a forger), and that she does nothing without consulting him."

"Let Hausman get hold of this man—if his claims are reasonable, accede to them—and learn if the girl has any relations in Paris."

"The Duke d'Orbano announces, that the king his master will authorize the new establishment, but on the conditions previously stated."

"No condition!—either a frank adhesion or a positive refusal. Let us know our friends from our enemies. The more unfavorable the circumstances, the more we must show firmness, and overbear opposition by confidence in ourselves."

"The same also announces, that the whole of the corps diplomatique continues to support the claims of the father of that young Protestant girl, who refuses to quit the convent where she has taken refuge, unless it be to marry her lover against her father's will."

"Ah! the corps diplomatique continues to remonstrate in the father's name?"

"Yes."

"Then, continue to answer, that the spiritual power has nothing to do with the temporal."

At this moment, the bell of the outer door again sounded twice. "See who it is," said Rodin's master; and the secretary rose and left the room. The other continued to walk thoughtfully up and down, till, coming near to the huge globe, he stopped short before it.

For some time he contemplated, in profound silence, the innumerable little red crosses, which appeared to cover, as with an immense net, all the countries of the earth. Reflecting doubtless on the invisible action of his power, which seemed to extend over the whole world, the features of this man became animated, his large gray eye sparkled, his nostrils swelled, and his manly countenance assumed an indescribable expression of pride, energy, and daring. With haughty brow and scornful lip, he drew still nearer to the globe, and leaned his strong hand upon the pole.

This powerful pressure, an imperious movement, as of one taking possession, seemed to indicate, that he felt sure of governing this globe, on which he looked down from the height of his tall figure, and on which he rested his hand with so lofty and audacious an air of sovereignty.

But now he no longer smiled. His eye threatened, and his large forehead was clad with a formidable scowl. The artist, who had wished to paint the demon of craft and pride, the infernal genius of insatiable domination, could not have chosen a more suitable model.

When Rodin returned, the face of his master had recovered its ordinary expression. "It is the postman," said Rodin, showing the letters which he held in his hand; "there is nothing from Dunkirk."

"Nothing?" cried his master—and his painful emotion formed a strange contrast to his late haughty and implacable expression of countenance—"nothing? no news of my mother?—Thirty-six hours more, then, of anxiety."

"It seems to me, that, if the princess had bad news to give, she would have written. Probably the improvement goes on."

"You are doubtless right, Rodin—but no matter—I am far from easy. If, to-morrow, the news should not be completely satisfactory, I set out for the estate of the princess. Why would my mother pass the autumn in that part of the country? The environs of Dunkirk do not, I fear, agree with her."

After a few moments' silence, he added, as he continued to walk:

"Well—these letters—whence are they?"

Rodin looked at the post-marks, and replied: "Out of the four there are three relative to the great and important affairs of the medals."

"Thank heaven!—provided the news be favorable," cried his master, with an expression of uneasiness, which showed how much importance he attached to this affair.

"One is from Charlestown, and no doubt relative to Gabriel, the missionary," answered Rodin; "this other from Batavia, and no doubt concerns the Indian, Djalma. The third is from Leipsic, and will probably confirm that received yesterday, in which the lion-tamer, Morok, informed us, that, in accordance with his orders, and without his being compromised in any way, the daughters of General Simon would not be able to continue their journey."

At the name of General Simon, a cloud passed over the features of Rodin's master.