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III

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The road at the point now reached by the travellers begins to slope in a gentle gradient down to the level of the Chew, a couple of miles further on: it was midway down this slope that the only sign of living humanity could be perceived in that tiny light which glimmered persistently. The air itself under its mantle of fog had become very still, only the water of some tiny moorland stream murmured feebly in its stony bed ere it lost its entity in the bosom of the river far away.

"Five more minutes and we be at th' Bottom Inn," quoth the man who was ahead in response to another impatient ejaculation from his companion.

"If we don't break our necks meanwhile in this confounded darkness," retorted the other, for his horse had just stumbled and the inexperienced rider had been very nearly pitched over into the mud.

"I be as anxious to arrive as you are, Mounzeer," observed the countryman laconically.

"I thought you knew the way," muttered the stranger.

"'Ave I not brought you safely through the darkness?" retorted the other; "you was pretty well ztranded at Chelwood, Mounzeer, or I be much mistaken. Who else would 'ave brought you out 'ere at this time o' night, I'd like to know — and in this weather too? You wanted to get to th' Bottom Inn and didn't know 'ow to zet about it: none o' the gaffers up to Chelwood 'peared eager to 'elp you when I come along. Well, I've brought you to th' Bottom Inn and.... Whoa! Whoa! my beauty! Whoa, confound you! Whoa!"

And for the next moment or two the whole of his attention had perforce to be concentrated on the business of sticking to his saddle whilst he brought his fagged-out, ill-conditioned nag to a standstill.

The little glimmer of light had suddenly revealed itself in the shape of a lanthorn hung inside the wooden porch of a small house which had loomed out of the darkness and the fog. It stood at an angle of the road where a narrow lane had its beginnings ere it plunged into the moor beyond and was swallowed up by the all-enveloping gloom. The house was small and ugly; square like a box and built of grey stone, its front flush with the road, its rear flanked by several small outbuildings. Above the porch hung a plain sign-board bearing the legend: "The Bottom Inn" in white letters upon a black ground: to right and left of the porch there was a window with closed shutters, and on the floor above two more windows — also shuttered — completed the architectural features of the Bottom Inn.

It was uncompromisingly ugly and uninviting, for beyond the faint glimmer of the lanthorn only one or two narrow streaks of light filtrated through the chinks of the shutters.

LORD TONY'S WIFE: Scarlet Pimpernel Saga

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