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Acknowledgements

This book originated from a keynote talk given to the Create10 conference held in Edinburgh in 2010: “The art of interaction”, Proceedings of Create10, Edinburgh 2010. https://ewic.bcs.org/content/ConWebDoc/36532. (The original presentation can be viewed at https://www.youtube.com/watch?v=-W5MzJY_QU4.) Thanks are expressed to the organisers of the conference and Michael Smyth, in particular, for inviting me. A version of this paper was subsequently published in the journal Digital Creativity (“The art of interaction”, Digital Creativity, 21:4, 2011. 257–264, DOI: 10.1080/14626268.2010.556347).

The book also draws on my chapter “Interactive art”, in Candy, L. and Edmonds, E. A. (2011). Interacting: Art, Research and the Creative Practitioner. Libri Press, Oxford, pp. 18–32.

I am very grateful to my students and collaborators whose work I have explicitly drawn on: Stephen Bell, Zafer Bilda, Andrew Bluff, Matthew Connell, Stroud Cornock, Gina Czarnecki, Brigid Costello, Mark Fell, Francesca Franco, Andrew Johnston, Lizzie Muller, and Mike Quantrill. I am equally grateful to the many other students and collaborators with whom I have worked over the years, all of whom have helped me understand interactive art, HCI, and the relationship between the two. For many stimulating conversations that have informed my thinking, I am indebted to Margaret Boden, Gerhard Fischer, John Gero, Tom Hewett, Ben Shneiderman, and the many members of the art and HCI communities who have encouraged and influenced me.

I am grateful for the thoughtful suggestions made by the reviewers of my first draft of this book. Finally, I would like to thank Linda Candy for her advice and suggestions about the text and, above all, for the unfailing support that she has offered over many years.