Читать книгу Staging the Ottoman Turk - Esin Akalın - Страница 3

Acknowledgements

Introduction

Chapter 1: Historical/Theoretical Perspectives 1.1. The Historical Background

1.1.1. Ottoman-Venetian Relations

1.1.2. Anglo-Ottoman Relations

1.1.3. Franco-Ottoman Relations

1.1.4. Decline of the Ottoman Empire

1.2. Theoretical Approach

1.2.1. Knowledge and Power

1.2.2. History and Representation

1.2.3. Perspectives on "Oriental Despotism"

1.3. Conclusion to Chapter One

Chapter 2: Rise to Power: The Great Conquerors 2.1. Sultan Bayezid (1389-1402)

2.1.1. His haughty Throne

2.1.2. European Crowns

2.1.3 Monster with a Cage

2.1.4. Tamerlane (1702)

2.1.5. Conclusion

2.2. Sultan Mehmet II (1451-1481)

2.2.1. Conquest of Istanbul

2.2.2. Memory and Identity

2.2.3. The Christian Hero (1735)

2.2.4. Irene (1749)

2.2.5. Conclusion

2.3. Sultan Suleyman (1520-1566)

2.3.1. Magnificent Solyman

2.3.2 Barbaros

2.3.3. Ibrahim

2.3.4 Mustapha (1609)

2.3.5 The Siege of Rhodes (1656)

2.3.6. Conclusion

Chapter 3: Shifts in Power: Period of Destabilization 3.1. Sultan Osman II (1618-1622)

3.1.1. Tyranny

3.1.2. Osman (1757)

3.1.3. The Sultan (1770)

3.1.4. Osman on the French Stage

3.1.5. Conclusion

3.2. Sultan Murad IV (1623-1640)

3.2.1. Bajazet (1672)

3.2.2. Seraglio

3.2.3. Sultana

3.2.4. Exotic Other

3.2.5. The Sultaness (1717)

3.2.6. Turk's Head

3.2.7. Conclusion

3.3. Sultan Ibrahim (1640-1648)

3.3.1. "Ott'man Blood"

3.3.2. The Conspiracy (1680)

3.3.3. Conclusion

Chapter 4: Comic Representations of the Ottoman Turk

4.1. "New Beginnings"

4.2. Commedia dell'Arte Scenarios (1611)

4.3. Le bourgeois gentilhomme (1670)

4.4. False Count (1682)

4.5. A Peep into Seraglio (1775)

4.6. Abduction from the Seraglio (1782)

4.7. The Russian Slaves: A Day In Turkey (1792)

4.8. Conclusion

Conclusion

Works Cited