Читать книгу The Map of Time - Felix J. Palma - Страница 13

Chapter VII

Although it was early morning, Soho was already teeming with people. Charles and Andrew had to push their way through the crowded streets, full of men in bowlers and women wearing hats adorned with plumes and even the odd dead bird. Couples strolled along the pavements arm in arm, sauntered in and out of shops, or stood waiting to cross the streets, along which moved, as slowly as lava, a torrent of luxurious carriages, cabriolets, trams and carts carrying barrels, fruit, or mysterious shapes covered with tarpaulins, possibly bodies robbed from the graveyard. Scruffy second-rate artists, performers and acrobats displayed their dubious talents on street corners in the hope of attracting the attention of some passing promoter.

Charles had not stopped chattering since breakfast, but Andrew could hardly hear him above the loud clatter of wheels on the cobbles and the piercing cries of vendors. He was content to let his cousin guide him through the grey morning, immersed in a sort of stupor from which he was roused only by the sweet scent of violets as they passed one of many flower-sellers with fragrant baskets.

The moment they entered Greek Street, they spotted the modest building where the offices of Murray’s Time Travel were situated. It was an old theatre that had been remodelled by its new owner, who had not hesitated to blight the neo-classical façade with a variety of ornamentation that alluded to time. At the entrance, a flight of steps, flanked by two columns, led up to an elegant, sculpted wooden door crowned by a pediment decorated with a carving of Chronos spinning the wheel of the zodiac. The god of time, depicted as a sinister old man with a flowing beard reaching to his navel, was bordered by a frieze of carved hourglasses, a motif repeated on the arches above the tall windows on the second floor. Between the pediment and the lintel, ostentatious pink marble lettering announced that this picturesque edifice was the head office of Murray’s Time Travel.

Charles and Andrew noticed passers-by stepping off the section of pavement outside the unusual building. As they drew closer, they understood why. A nauseating odour made them screw up their faces in disgust and invited them to regurgitate the breakfast they had just eaten. The cause of the stench was a viscous substance, which a couple of workmen, masked with neckerchiefs, were vigorously washing off part of the façade with the aid of brushes and pails of water. As the brushes made contact with the dark substance, it slopped on to the pavement, transformed into a revolting black slime.

‘Sorry about the inconvenience, gents,’ one of the workmen said, pulling down his neckerchief. ‘Some louse smeared cow dung all over the front of the building, but we’ll soon have it cleaned off.’

Exchanging puzzled looks, Andrew and Charles pulled out their handkerchiefs and, covering their faces like highwaymen, hurried through the front door. In the hallway, the evil smell was being kept at bay by rows of strategically placed vases of gladioli and roses. Just as on the outside of the building, the interior was filled with a profusion of objects whose theme was time. The central area was taken up by a gigantic mechanical sculpture consisting of an enormous pedestal out of which two articulated spider-like arms stretched towards the shadowy ceiling. They were clutching an hourglass the size of a calf embossed with iron rivets and bands. It contained not sand but a sort of blue sawdust that flowed gracefully from one section to the other and even gave off a faint, evocative sparkle when caught by the light from the nearby lamps. Once the contents had emptied into the lower receptacle, the arms turned the hourglass by means of some complex hidden mechanism, so that the artificial sand never ceased to flow, a reminder of time itself.

Alongside the colossal structure there were many other remarkable objects. Although less spectacular, they were more noteworthy for having been invented many centuries before, like the bracket clocks bristling with levers and cogs that stood silently at the back: according to the plaques on their bases, they were early efforts at mechanical timepieces. The walls were lined with hundreds of clocks, from the traditional Dutch stoelklok, adorned with mermaids and cherubs, to Austro-Hungarian examples with seconds pendulums. The air was filled with a relentless ticking, which must have become an endless accompaniment to the lives of those who worked in the building and without whose comforting presence they doubtless felt bereft on Sundays.

A young woman stood up from her desk in the corner and came over to Andrew and Charles. She walked with the grace of a rodent, her steps following the rhythm of the insistent ticking. After greeting them courteously, she informed them excitedly that there were still a few tickets left for the third expedition to the year 2000 and that they could make a reservation if they wished. Charles refused her offer with a dazzling smile, telling her they were there to see Gilliam Murray. The woman hesitated briefly, then informed them that he was in the building and, although he was a very busy man, she would do her best to arrange for them to meet him. Charles showed his appreciation of this with an even more captivating smile. Once she had managed to tear her eyes away from his perfect teeth, she wheeled round and gestured to them to follow her.

At the far end of the vast hall a marble staircase led to the upper floors. She guided the cousins down a long corridor lined with tapestries depicting various scenes from the war of the future. Naturally, the corridor, too, was replete with the obligatory clocks, hanging on the walls and standing on dressers or shelves, filling the air with their ubiquitous ticking. When they reached Murray’s ostentatious office door, the woman asked them to wait outside, but Charles ignored her request and followed her in, dragging his cousin behind him.

The gigantic proportions of the room surprised Andrew, as did the clutter of furniture and the numerous maps lining the walls. He was reminded of the campaign tents from which field marshals orchestrated wars. They had to glance around the room several times before they discovered Gilliam Murray, lying stretched out on a rug, playing with a dog.

‘Good day, Mr Murray’ said Charles, before the secretary had a chance to speak. ‘My name is Charles Winslow and this is my cousin, Andrew Harrington. We would like a word with you, if you are not too busy’

Gilliam Murray, a strapping fellow in a garish purple suit, accepted the thrust sportingly but with the enigmatic expression of a man who holds a great many aces up his sleeve, which he has every intention of pulling out at the first opportunity. ‘I always have time for two such illustrious gentlemen as yourselves,’ he said, picking himself up.

When he had risen to his full height, Andrew and Charles could see that Gilliam Murray seemed to have been magnified by some kind of spell. Everything about him was oversized, from his hands, which appeared capable of wrestling a bull to the ground by its horns, to his head, which looked more suited to a Minotaur. However, he moved with extraordinary, even graceful, agility. His straw-coloured hair was combed carefully back, and the smouldering intensity of his big blue eyes betrayed an ambitious, proud spirit, which he toned down with a friendly smile.

With a wave, he invited to them to follow him to his desk on the far side of the room. He led them along the trail he had forged between globes, tables piled with books, and notebooks strewn all over the floor. Andrew noticed there was no shortage of clocks there either. Besides those hanging from the walls and invading the bookcase, an enormous glass cabinet contained a collection of portable clocks, sundials, intricate water clocks and other artefacts showing the evolution of the display of time. It appeared to Andrew that presenting all these objects was Murray’s clever way of showing the absurdity of man’s vain attempts to capture an elusive, absolute, mysterious and indomitable force. With his colourful collection, he seemed to be saying that man’s only achievement was to strip time of its metaphysical essence, transforming it into a commonplace instrument for ensuring he did not arrive late to meetings.

Charles and Andrew lowered themselves into two plush Jacobean-style armchairs facing the majestic desk at which Murray sat, framed by an enormous window behind him. As the light streamed in through the leaded panes, suffusing the office with rustic cheer, it even occurred to Andrew that the entrepreneur had a sun all of his own, while everyone else was submerged in the dull morning light.

‘I hope you’ll forgive the unfortunate smell in the entrance,’ Murray said, with a grimace. ‘This is the second time someone has smeared excrement on the front of the building. Perhaps an organised group is attempting to disrupt the smooth running of our enterprise in this unpleasant way’ He shrugged his shoulders despairingly, as though to emphasise how upset he was about the matter. ‘As you can see, not everyone thinks time travel is a good thing for society. And yet society has been clamouring for it ever since Mr Wells’s wonderful novel came out. I can think of no other explanation for these acts of vandalism, as the perpetrators have not claimed responsibility or left any clues. They simply foul the front of our building.’

He stared into space for a moment, lost in thought. Then he appeared to rouse himself, sat upright and looked straight at his visitors. ‘But, tell me, gentlemen, what can I do for you?’

‘I would like you to organise a private journey back to the autumn of 1888, Mr Murray’ replied Andrew, who had been waiting impatiently for the giant to allow them to get a word in edgeways.

‘To the Autumn of Terror?’ asked Murray, taken aback.

‘Yes, to the night of November the seventh, to be precise.’

Murray studied him silently. Finally, without trying to conceal his annoyance, he opened one of the desk drawers and took out a bundle of papers tied with a ribbon. He set them on the desk wearily, as if he were showing them some tiresome burden he was compelled to suffer. ‘Do you know what this is, Mr Harrington?’ He sighed. ‘These are the letters we receive every day from private individuals. Some want to be taken to the hanging gardens of Babylon, others to meet Cleopatra, Galileo or Plato, still more to see with their own eyes the battle of Waterloo, the building of the Pyramids or Christ’s crucifixion. Everybody wants to go back to their favourite moment in history, as though it were as simple as giving an address to a coachman. They think the past is at our disposal. I am sure you have your reasons for wanting to travel to 1888, like those who wrote these requests, but I’m afraid I can’t help you.’

‘I only need to go back eight years, Mr Murray’ replied Andrew. ‘And I’ll pay anything you ask.’

‘This isn’t about distances in time or about money’ Murray scoffed. ‘If it were, Mr Harrington, I’m sure we could come to some arrangement. Let us say the problem is a technical one. We can’t travel anywhere we want in the past or the future.’

‘You mean you can only take us to the year 2000?’ exclaimed Charles, visibly disappointed.

‘I’m afraid so, Mr Winslow We hope to be able to extend our offer in the future. However, for the moment, as you can see from our advertisement, our only destination is May the twentieth, 2000, the exact day of the final battle between the evil Solomon’s automatons and the human army led by the brave Captain Shackleton. Wasn’t the trip exciting enough for you, Mr Winslow?’ he asked, with a flicker of irony, giving Charles to understand he did not forget easily the faces of those who had been on his expeditions.

‘Oh, yes, sir,’ Charles replied, after a brief pause. ‘Most exciting. Only I assumed—’

‘You assumed we could travel in either direction along the time continuum,’ Murray interposed. ‘But I’m afraid we can’t. The past is beyond our competence.’ His face bore a look of genuine regret, as though he were weighing up the damage his words had done to his visitors. ‘The problem, gentlemen,’ he sighed, leaning back in his chair, ‘is that, unlike Wells’s character, we don’t travel through the time continuum. We travel outside it, across the surface of time, as it were.’

He fell silent, staring at them without blinking, with the serenity of a cat.

‘I don’t understand,’ Charles declared.

Gilliam Murray nodded, as though he had expected that reply. ‘Let me make a simple comparison: you can move from room to room inside a building, but you can also walk across its roof, can you not?’

Charles and Andrew nodded, somewhat put out by Murray’s seeming wish to treat them like a couple of foolish children.

‘Contrary to all appearances,’ their host went on, ‘it was not Wells’s novel that made me look into the possibilities of time travel. If you have read the book, you will understand that the author is simply throwing down the gauntlet to the scientific world by suggesting a direction for their research. Unlike Verne, he cleverly avoided any practical explanations of the workings of his invention, choosing instead to describe his machine to us using his formidable imagination – a perfectly valid approach, given the book is a work of fiction. However, until science proves such a contraption is possible, his machine will be nothing but a toy. Will that ever happen?

‘I’d like to think so: the achievements of science so far this century give me great cause for optimism. You will agree, gentlemen, we live in remarkable times. Times when man questions God daily. How many marvels has science produced over the past few years? Some, such as the calculating machine, the typewriter or the electric lift, have been invented simply to make our lives easier, but others cause us to feel powerful because they render the impossible possible. Thanks to the steam locomotive, we are now able to travel long distances without taking a single step, and soon we will be able to relay our voices to the other side of the country without having to move, like the Americans, who are already doing so with the so-called telephone.

‘There will always be people who oppose progress, who consider it a sacrilege for mankind to transcend his own limitations. Personally I believe science ennobles man, reaffirms his control over nature, in the same way that education or morality helps us overcome our primitive instincts. Take this marine chronometer, for example,’ he said, picking up a wooden box lying on the desk. ‘Today these are mass-produced and every ship in the world has one, but that wasn’t always the case. Although they may appear now always to have formed part of our lives, the Admiralty was obliged to offer a prize of twenty thousand pounds to the person who could invent a way of determining longitude at sea, because no clockmaker was capable of designing a chronometer that could withstand the rolling of a vessel without going wrong. The competition was won by a man called John Harrison, who devoted forty years of his life to solving this thorny scientific problem. He was nearly eighty when he finally received the prize money.

‘Fascinating, don’t you think? At the heart of each invention lie one man’s efforts, an entire life dedicated to solving a problem, to inventing an instrument that will outlast him, will go on forming part of the world after he is dead. So long as there are men who aren’t content to eat the fruit off the trees or to summon rain by beating a drum, but who are determined instead to use their brains in order to transcend the role of parasite in God’s creation, science will never give up trying.

‘That’s why I am sure that very soon, as well as being able to fly like birds in winged carriages, anyone will be able to get hold of a machine similar to the one Wells dreamed up, and travel anywhere they choose in time. Men of the future will lead double lives, working during the week in a bank, and on Sundays making love to the beautiful Nefertiti or helping Hannibal conquer Rome. Can you imagine how an invention like that would change society? ‘

Murray studied the two men for a moment before he replaced the box on the desk, where it sat, lid open, like an oyster or an engagement ring. Then he added, ‘But in the meantime, while science is looking for a way to make these dreams come true, we have another method of travelling in time, although unfortunately this one does not enable us to choose our destination.’

‘What method is that?’ Andrew enquired.

‘Magic,’ boomed Murray.

‘Magic?’ echoed Andrew, taken aback.

‘Yes, magic,’ repeated his host, waving his fingers in the air mysteriously and making a sound like wind whistling down a chimney, ‘but not the conjuring tricks you see in music halls or theatres, or the sort those frauds from the Golden Dawn claim to perform. I’m talking about genuine magic. Do you believe in magic, gentlemen?’

Andrew and Charles paused, a little confused by the direction the conversation was taking, but Murray needed no reply. ‘Of course not,’ he grumbled. ‘That’s why I avoid mentioning it. I prefer my clients to believe we are travelling through time by means of science. Everybody believes in science. It has become far more credible than magic. We live in modern times. But, I assure you, magic does exist.’

Then, to Andrew and Charles’s surprise, he rose deftly from his seat and gave a shrill whistle. The dog, which had been lying on the carpet all this time, stood up at once and trotted gaily over to its master. ‘Gentlemen, I’d like you to meet Eternal,’ he said, as the creature circled him excitedly. ‘Do you like dogs? It’s quite safe to stroke him.’

As though this were some sort of requirement they must fulfil for Gilliam Murray to continue his discourse, Charles and Andrew stood up and ran their hands over the soft, well-brushed coat of the golden retriever.

‘Gentlemen,’ Murray declared, ‘be aware that you are stroking a miracle. For, as I told you, there is such a thing as magic. It is even tangible. How old do you think Eternal is?’

Charles had no difficulty in answering the question: he had several dogs on his country estate and had grown up with them. He examined the animal’s teeth with a knowledgeable air, and replied confidently, ‘A year, two at the most.’

‘Spot on,’ confirmed Gilliam, kneeling and scratching the dog’s neck affectionately. ‘You look a year old, don’t you? That’s your age in real time?’

Andrew took this opportunity to catch his cousin’s eye, anxious to know what he thought of all this. Charles’s tranquil smile put his mind at rest.

‘As I said,’ Murray went on, rising to his feet, ‘I didn’t decide to set up my company on account of Wells’s novel. It was a complete coincidence, although I won’t deny I have greatly benefited from the hidden longing he stirred in people. Do you know why time travel is so attractive? Because we all dream of it. It is one of man’s oldest desires. But would you have considered it possible, gentlemen, before Wells wrote his book? I don’t think so. And I assure you neither would I. What Mr Wells has done is to make an abstract craving real, to articulate this latent desire ever-present in man.’

Murray paused, giving his summary the opportunity to descend on his visitors, like dust settling on furniture after a carpet has been beaten.

‘Before setting up this company, I worked with my father,’ he resumed. ‘We financed expeditions. We were one of the hundreds of societies sending explorers to the furthest corners of the world with the aim of gathering ethnographic and archaeological data to publish in scientific journals, or finding exotic insects or flowers for the showcases of some science museum eager to display God’s wildest creations. But, regardless of the business side of things, we were driven by a desire to get to know as accurately as possible the world we lived in. We were, to coin a phrase, spatially curious. However, we never know what fate has in store for us, do we, gentlemen?’

Again without waiting for a reply, Gilliam Murray gestured for them to follow him. Eternal at his heels, he led them through the obstacle course of tables and globes towards one of the side walls. Unlike the others, which were lined with shelves crammed with atlases, geographical treatises, books on astronomy and numerous other works on obscure subjects, this wall was covered with maps, arranged according to when the regions on them had been charted.

The collection covered a journey that started with a few reproductions of Renaissance maps inspired by Ptolemy’s works, which made the world look alarmingly small, like an insect with its legs chopped off, reduced to little more than a shapeless Europe. Next came the German Martin Waldseemüller’s map, where America had broken away from Asia, and finally the works of Abraham Ortelius and Gerhardus Mercator, which showed a much larger world, similar in size to that of the present day. Following this chronological order from left to right, as guided by Murray, the cousins felt as though they were watching the petals of a flower open or a cat stretch itself. The world seemed to unfurl before their eyes, to grow, as navigators and explorers extended its frontiers.

Andrew found it fascinating that only a few centuries earlier people had had no idea that the world went on across the Atlantic, or that its true size depended on the courage and fortunes of explorers, whose dare-devil journeys had filled the medieval void, the dwelling place of sea monsters. On the other hand, he regretted that the world’s dimensions were no longer a mystery, that the most recent maps of land and sea constituted an official world in which all that was left to chart were coastlines.

Murray made them pause in front of the last gigantic map in his collection. ‘Gentlemen, you have in front of you possibly the most accurate world map in all of England,’ he announced, openly gloating. ‘I keep it continually updated. Whenever another region of the planet is charted, I have a new version drawn up and I burn the obsolete one. I consider this a symbolic gesture, like erasing my old, imprecise idea. Many of the expeditions you see here were made possible by our funding.’

The map was a blurred mass of multicoloured lines that, Murray explained, represented all the expeditionary voyages hitherto undertaken by man, the vicissitudes of which he had written up, doubtless with morbid enjoyment, in the chart’s left-hand margin. However, one glance at the map was enough to see that the precision with which each sinuous voyage had been traced eventually became pointless: it was impossible to follow any single journey owing to the criss-cross of the lines that recorded every expedition. These ranged from the earliest, such as that of Marco Polo (represented by a gold line snaking around India, China, Central Asia and the Malayan archipelago), to the most recent, like that undertaken by Sir Francis Younghusband, who had travelled from Peking to Kashmir, crossing the Karakoram mountains with their soaring glacier-topped peaks.

The squiggles were not confined to land: others left terra firma, imitating the foamy wake of legendary ships such as Columbus’s caravels as they crossed the Atlantic Ocean, or the Erebus and the Terror as they tried to find a short-cut to China via the Arctic Ocean. These last two lines vanished suddenly, as had the actual ships when sailing across the Lancaster Strait, the so-called North-west Passage. Andrew decided to follow the blue line that cut across the island of Borneo, that sultry paradise overrun by crocodiles and gibbons to the south-east of Asia. It followed the tortuous journey of Sir James Brooke, nicknamed the Rajah of Sarawak, a name with which Andrew was familiar because the explorer popped up in Salgari’s novels as a ruthless pirate slayer.

Then Murray asked them to concentrate on the most intricate part of the map, the African continent. There, all of the expeditions that had attempted to discover the mythical source of the Nile -those of the Dutchwoman Alexandrine Tinné, Mr and Mrs Baker, Burton and Speke and, most famously, Livingstone and Stanley, as well as many more – converged to form a tangled mesh, which, if nothing else, illustrated the fascination Africa had held for the intrepid wearers of pith helmets.

‘The account of how we discovered time travel began exactly twenty-two years ago,’ Murray announced theatrically.

As he had heard the story many times before, Eternal stretched out at his master’s feet. Charles smiled gleefully at this promising beginning, while Andrew’s lips twisted in frustration. He realised he would need a lot of patience before he found out whether or not he would be able to save Marie Kelly.