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Chapter IX

Once he had finished telling his story, Murray fell silent and looked expectantly at his two visitors. Andrew assumed he was hoping for some kind of response, but had no idea what to say. He felt embarrassed. Everything his host had told them was no more believable than an adventure story. That pink plain seemed about as real to him as Lilliput, the South Sea Island inhabited by little people where Lemuel Gulliver had been shipwrecked. From the stupefied smile on Charles’s face, however, he assumed his cousin did believe it. After all, he had travelled to the year 2000: what did it matter whether he had got there by crossing a pink plain where time had stopped?

‘And now, gentlemen, if you would kindly follow me, I’ll show you something only a few trusted people are allowed to see,’ Murray declared, resuming the guided tour of his commodious office.

With Eternal continually running round his master, the three men walked across to another wall, where a small collection of photographs awaited them with what was probably another map, although this was concealed behind a red silk curtain. Andrew was surprised to discover that the photographs had been taken in the fourth dimension, although they might easily have depicted any desert, since cameras were unable to record the colour of this or any other world. He had to use his imagination, then, to see the white smear of sand as pink. The majority documented routine moments during the expedition: Murray and two other men, presumably Kaufmann and Austin, putting up tents; drinking coffee during a pause; lighting a fire; posing in front of the phantom mountains, almost entirely obscured by thick fog. It all looked too normal.

Only one of the images made Andrew feel he was contemplating an alien world. In it Kaufmann (who was short and fat) and Austin (who was tall and thin) stood smiling exaggeratedly, hats tilted to the side of their heads, rifles hanging from their shoulders, and one boot resting on the massive head of a fairy-tale dragon, which lay dead on the sand like a hunting trophy. Andrew was about to lean towards it and take a closer look at the amorphous lump, when an awful screeching noise made him start. Beside him, Murray was pulling a gold cord, which drew back the silk curtain, revealing what was behind it.

‘Rest assured, gentlemen, you will find no other map like it anywhere in England,’ he declared, swelling with pride. ‘It is an exact replica of the drawing in the Reed People’s cave, expanded, naturally, after our subsequent explorations.’

What the puppet-theatre curtain had uncovered looked more like a drawing by a child with an active imagination than a map. The colour pink predominated, of course, representing the plain, with the mountains in the middle. But the shadowy peaks were not the only geological feature on the map: in the right-hand corner, for example, there was a squiggly line, presumably a river, and close by it a light-green patch, possibly a forest or meadow. Andrew could not help feeling that these everyday symbols, used in maps that charted the world he lived in, were incongruous in what was supposed to be a map of the fourth dimension. But the most striking thing about the drawing was the gold dots peppering the plain, evidently meant to symbolise the holes. Two – the entrance to the year 2000, and the one now in Murray’s possession – were linked by a thin red line, which must represent the route taken by the time-travelling tramcar.

‘As you can see, there are many holes, but we still have no idea where they lead. Does one of them go back to the autumn of 1888? Who knows? It is certainly possible,’ said Murray, staring significantly at Andrew. ‘Kaufmann and Austin are trying to reach the one nearest the entrance to the year 2000, but they still haven’t found a way to circumnavigate the herd of beasts grazing in the valley right in front of it.’

While Andrew and Charles studied the map, Murray knelt down to stroke the dog. ‘Ah, the fourth dimension. What mysteries it holds,’ he mused. ‘All I know is that our candle never burns out there, to use a poetic turn of phrase. Eternal only looks one, but he was born four years ago. And I suppose that must be his actual age – unless the long periods he has spent on the plain, where time seems to leave no mark, are of no matter. Eternal was with me while I carried out my studies in Africa, and since we came back to London, he sleeps next to me every night inside the hole. I did not name him “Eternal” for nothing, gentlemen, and while I can, I’ll do everything in my power to honour his name.’

Andrew felt a shiver run down his spine when his and the dog’s eyes met.

‘What is that building supposed to be?’ asked Charles, pointing to an image of a castle close to the mountains.

‘Ah … that,’ Gilliam said uneasily. ‘That’s Her Majesty’s palace.’

‘The Queen has a palace in the fourth dimension?’ asked Charles, astonished.

‘That’s right, Mr Winslow Let us call it a thank-you present for her generous contribution to our expeditions,’ Gilliam paused, unsure whether he should go on. At last he added, ‘Ever since we organised a private journey to the year 2000 for the Queen and her entourage, she has shown great interest in the laws governing the fourth dimension and, well … She made it known to us that she would like a private residence to be put at her disposal on the plain, where she could spend time when her duties allow, as one does at a spa. She has been going there for some months now, which makes me think her reign will be a long one …’ he said, with no attempt to conceal his irritation at having been forced to make this concession. He, no doubt, had to be content to spend his nights in a wretched tent with Eternal. ‘But that doesn’t concern me. All I want is to be left alone. The Empire wishes to conquer the moon. Let it … But the future is mine!’

He closed the little curtain and led them back to his desk. He invited them to take a seat, and himself sat in his armchair, while Eternal – the dog who would outlive mankind, excepting Murray, the Queen and the lucky employees at her palace outside the time continuum – slumped at his feet.

‘Well, gentlemen, I hope I’ve answered your question about why we are only able to take you to May the twentieth in the year 2000, where all you will see is the result of the most decisive battle in human history,’ he said ironically.

Andrew snorted. None of that interested him in the slightest, at least while he was unable to experience anything other than pain. He was back at square one, it seemed. He would have to go ahead with his suicide plan as soon as Charles’s back was turned. The man had to sleep some time.

‘So, there’s no way of travelling back to the year 1888?’ said his cousin, apparently unwilling to give up.

‘Not without a time machine,’ replied Murray, shrugging his shoulders.

‘We’ll just have to hope science invents one soon,’ Charles said ruefully, patting his cousin’s knee and rising from his chair.

‘It’s just possible that one has already been invented, gentlemen,’ Murray blurted out.

Charles swivelled to face him. ‘What do you mean?’

‘Hm, it’s just a suspicion … but when our company first started, there was someone who vehemently opposed it. He insisted time travel was too dangerous, that it had to be taken slowly. I always suspected he said this because he had a time machine, and wanted to experiment with it before making it public. Or perhaps he wanted to keep it to himself, to become the only master of time.’

‘Who are you talking about?’ asked Andrew.

Murray sat back in his chair, a smug grin on his face. ‘Why, Mr Wells, of course,’ he replied.

‘But, whatever gave you that idea?’ asked Charles. ‘In his novel Wells only writes about journeying into the future. He doesn’t even envisage the possibility of going back in time.’

‘That’s exactly my point, Mr Winslow. Just imagine, gentlemen, if somebody were to build a time machine, the most important invention in the history of humanity. Given its incredible potential, they would have no choice but to keep it secret, to prevent it falling into the hands of some unscrupulous individual who might use it for their own ends. But would they be able to resist the temptation to divulge their secret to the world? A novel would be the perfect way of making their invention known without anyone ever suspecting it was anything but pure fiction. Don’t you agree? Or if vanity doesn’t convince you as a motive, then what if they weren’t trying to satisfy their ego at all? What if The Time Machine were merely a decoy, a message in a bottle cast into the sea, a cry for help to somebody who might know how to interpret it? Who knows? Anyway, gentlemen, Wells did contemplate the possibility of going back in time, and with the aim of changing it, moreover, which I imagine is what motivates you, Mr Harrington.’

Andrew jumped, as if he had been discovered committing a crime. Murray smiled at him wryly, then rifled through one of his desk drawers. He pulled out a copy of Science Schools Journal dating from 1888 and threw it on to the table. The title on the cover of the dog-eared periodical was The Chronic Argonauts, by H. G. Wells. He handed it to Andrew, asking him to take good care of it as it was a rare copy.

‘Exactly eight years ago, as a young man having recently arrived in London and ready to conquer the world, Wells published a serial novel entitled The Chronic Argonauts. The main character was a scientist called Moses Nebogipfel, who travelled back in time to commit a murder. Perhaps Wells considered he had overreached himself, and when he recycled the idea for his novel, he eliminated the journeys into the past, perhaps so as not to give his readers ideas. In any case, he decided to concentrate solely on travelling into the future. He made his protagonist a far more upright character than Nebogipfel, as you know, and never actually mentions his name in the novel. Perhaps Wells could not resist this gesture.’ Andrew and Charles stared at one another, then at Murray, who was scribbling something in a notebook. ‘Here is Wells’s address,’ he said, holding out a scrap of paper to Andrew. ‘You have nothing to lose by seeing whether my suspicions are well founded or not.’

The Map of Time

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