Читать книгу Christopher Columbus and the New World of His Discovery — Complete - Filson Young - Страница 17

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You stop and look at it; and presently you become conscious of a difference between it and all the other houses. They are all alert, busy, noisy, crowded with life in every storey, oozing vitality from every window; but of all the narrow vertical strips that make up the houses of the street, this strip numbered thirty-seven is empty, silent, and dead. The shutters veil its windows; within it is dark, empty of furniture, and inhabited only by a memory and a spirit. It is a strange place in which to stand and to think of all that has happened since the man of our thoughts looked forth from these windows, a common little boy. The world is very much alive in the Vico Dritto di Ponticello; the little freshet of life that flows there flows loud and incessant; and yet into what oceans of death and silence has it not poured since it carried forth Christopher on its stream! One thinks of the continent of that New World that he discovered, and all the teeming millions of human lives that have sprung up and died down, and sprung up again, and spread and increased there; all the ploughs that have driven into its soil, the harvests that have ripened, the waving acres and miles of grain that have answered the call of Spring and Autumn since first the bow of his boat grated on the shore of Guanahani. And yet of the two scenes this narrow shuttered house in a bye-street of Genoa is at once the more wonderful and more credible; for it contains the elements of the other. Walls and floors and a roof, a place to eat and sleep in, a place to work and found a family, and give tangible environment to a human soul—there is all human enterprise and discovery, effort, adventure, and life in that.

If Christopher wanted to go down to the sea he would have to pass under the Gate of St. Andrew, with the old prison, now pulled down to make room for the modern buildings, on his right, and go down the Salita del Prione, which is a continuation of the Vico Dritto di Ponticello. It slopes downwards from the Gate as the first street sloped upwards to it; and it contains the same assortment of shops and of houses, the same mixture of handicrafts and industries, as were seen in the Vico Dritto di Ponticello. Presently he would come to the Piazza dell’ Erbe, where there is no grass, but only a pleasant circle of little houses and shops, with already a smack of the sea in them, chiefly suggested by the shops of instrument-makers, where to-day there are compasses and sextants and chronometers. Out of the Piazza you come down the Via di San Donato and into the Piazza of that name, where for over nine centuries the church of San Donato has faced the sun and the weather. From there Christopher’s young feet would follow the winding Via di San Bernato, a street also inhabited by craftsmen and workers in wood and metal; and at the last turn of it, a gash of blue between the two cliffwalls of houses, you see the Mediterranean.

Here, then, between the narrow little house by the Gate and the clamour and business of the sea-front, our Christopher’s feet carried him daily during some part of his childish life. What else he did, what he thought and felt, what little reflections he had, are but matters of conjecture. Genoa will tell you nothing more. You may walk over the very spot where he was born; you may unconsciously tread in the track of his vanished feet; you may wander about the wharves of the city, and see the ships loading and unloading—different ships, but still trafficking in commodities not greatly different from those of his day; you may climb the heights behind Genoa, and look out upon the great curving Gulf from Porto Fino to where the Cape of the western Riviera dips into the sea; you may walk along the coast to Savona, where Domenico had one of his many habitations, where he kept the tavern, and whither Christopher’s young feet must also have walked; and you may come back and search again in the harbour, from the old Mole and the Bank of St. George to where the port and quays stretch away to the medley of sailing-ships and steamers; but you will not find any sign or trace of Christopher. No echo of the little voice that shrilled in the narrow street sounds in the Vico Dritto; the houses stand gaunt and straight, with a brilliant strip of blue sky between their roofs and the cool street beneath; but they give you nothing of what you seek. If you see a little figure running towards you in a blue smock, the head fair-haired, the face blue-eyed and a little freckled with the strong sunshine, it is not a real figure; it is a child of your dreams and a ghost of the past. You may chase him while he runs about the wharves and stumbles over the ropes, but you will never catch him. He runs before you, zigzagging over the cobbles, up the sunny street, into the narrow house; out again, running now towards the Duomo, hiding in the porch of San Stefano, where the weavers held their meetings; back again along the wharves; surely he is hiding behind that mooring-post! But you look, and he is not there—nothing but the old harbour dust that the wind stirs into a little eddy while you look. For he belongs not to you or me, this child; he is not yet enslaved to the great purpose, not yet caught up into the machinery of life. His eye has not yet caught the fire of the sun setting on a western sea; he is still free and happy, and belongs only to those who love him. Father and mother, brothers Bartolomeo and Giacomo, sister Biancinetta, aunts, uncles, and cousins possibly, and possibly for a little while an old grandmother at Quinto—these were the people to whom that child belonged. The little life of his first decade, unviolated by documents or history, lives happily in our dreams, as blank as sunshine.