Читать книгу THE MAELSTROM & THE GRELL MYSTERY (British Mystery Classics) - Frank Froest - Страница 10

Chapter VII

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He had expected the answer, and yet it came to him as a shock. She was regarding him with an expression, half defiant, half appealing. His eyes wandered roundi the room. He had engaged a table that stood in a recess behind one of the marbled pillars and they were thus separated from the general company in the room. Their voices had been low, but he was afraid they might have attracted attention. But no one seemed to have observed them and he turned once more to her.

Somehow she had repressed her weakness. He signalled to the waiter and ordered a liqueur. As she took it he observed that her hand was perfectly steady. And yet but a moment before she had been on the verge of hysterics.

"Tell me just what you like," he said simply. "Just as much or as little as you like. You can trust me."

"Thank you," she said; "you are very good. Let me think.... To begin with, you must know my father was a very strange man. When I was quite a baby he quarrelled with my mother and I was sent down into the country, where I lived with an old gentleman farmer and his wife named Dinward. I always understood that I was their child until a few years ago they never spoke of either my father or my mother. Once just before I went to school he came to see me. I, of course, did not know who he was.

"I was sent to a convent school at Bruges, where I was brought up, coming home for the holidays home, of course, being in Sussex. Occasionally I was brought to London. I won't go into all the detail of my life until I left school it wouldn't interest you. All this time, remember, I had no knowledge of any relations but the Dinwards. When I left school I learnt for the first time that I was not their daughter. Mr. Pembroke, a solicitor, came over to Bruges and told me very nicely. But acting on instructions, he said he could give me no clue to my parents. There would be three hundred a year payable to me quarterly by his firm. I was no longer to look to the Dinwards for support.

"Mr. Pembroke was very nice, but he had his instructions. I asked him what I was expected to do. ' I presume,' he said, ' that your benefactor intends that you shall have enough to support you respectably. Think over your plans to-night, my dear young lady, and we will talk it over in the morning.'

"I did think it over. You may imagine that I slept little that night. I have a certain facility for painting and that seemed to me to offer an outlet to ambition. I told Pembroke next day. He expressed neither approval nor disapproval. A cheque he said, would be waiting for me at the offices of his firm on the first day of every quarter. He, offered to give me introductions

. in London, but I answered that the only introduction I needed was to my parents. He shook his head at me a little doubtfully and that ended the conversation.

"I wanted to see the world a little before I settled down in London. I went to see the Dinwards, but no word could I get from them as to who I really was. They would tell me nothing.

"The Dinwards were troubled about me naturally. Of course I promised to keep in touch with them. I changed my name. I had been called Peggy Dinward. I became Lucy Olney. That, by the way, Mr. Hallett, is the name I still keep.

"The allowance I was to receive seemed a tremendous fortune to me. I went abroad to study art, I told myself. I went to Paris, to Rome, to Venice, and other places. But the money did not prove so ample as I expected. Perhaps I was extravagant. Anyway, in about eight months I was in London, determined to make my fortune and I still thought that my art pointed the way.

"You will guess that I had some troubles. Art for art's sake is one thing, but I am afraid I haven't the true temperament. I wanted recognition, and though I could have existed without the money I wanted money as a proof that I was recognised. But no one seemed to appreciate me as a genius. It was difficult enough to get dealers to take my pictures at a price that barely paid for canvas and paint. Then I drifted into magazine and book illustration work and in that I found my metier. I earned much more than I really needed even without my allowance."

She fingered a serviette absently for a moment. There was an abstraction in her eyes. Hallett waited without interruption for her to resume.

"I have not told you that I have a step-brother," she went on. "Indeed I did not know it myself till two years ago. He is my mother's son by her first marriage and is much older than myself. He was sent abroad at the time that I was handed over to the Dinwards. As I say, two years ago he traced me out--I believe he got my assumed name and my address from the Dinwards. It was from him that I first learned who I was, who my father was, who my mother was. He told me the whole terrible story of Mr. Greye-Stratton's--I can't call him my father--break with my mother. He swore that she was innocent--that it was a madman's fit of jealousy that broke up the home.

Her throat worked and it was some moments before she took up her account again. "My brother had only recently returned to England, and he told me that his first step had been to find me. He wanted me to go back with him to Canada. 'You're my baby sister,' he said, 'I have a right to look after you. There's only you and I now.'

"I can't express how I felt. My quick anger against my father was less intense than his long-nursed hatred. We talked long. I refused his offer to go back to Canada and told him that I would never take another penny from my father. He was against that. He argued that it was the least Mr. Greye-Stratton could do for me. When he saw I was determined he pointed out the possibility that I might be Mr. Greye-Stratton's heiress, and that to refuse the allowance might embitter him against me." She flamed for a moment into passion. "As if I wanted anything anything from that man.

"When he left me I scarcely knew what to do what action to take. I resolved to do nothing. After all, when I was in a colder mood, I could see nothing that I could do. I could not or would not attempt a reconciliation with my father. I could not attempt the vindication of my mother. I renounced the allowance and things went on as they were before except that I had my brother.

"He went back to Canada and the United States. Now and again I had letters from him. He had a hard struggle to make ends meet."

Hallett nodded mechanically. Something in her tone made him begin to see the brother in a less sympathetic light. He blurted out the question on the spur of the moment. "He bled I mean he wrote to you for money?"

She winced. "Yes. He wrote to me for money. A little more than a year ago he was in England again."

Her words came more slowly. "He has stayed here ever since. He called on Mr. Greye-Stratton and something happened what I don't know. I suppose there were recriminations, but my brother told me little but that he was now entirely without resources. Mr. Greye- Stratton "Hallett noted that she persisted in the formal mode of reference "had cut off all help from him. I don't know if Mr. Menzies has said anything to you about my brother?" She flashed the question at him suddenly.

"Not a word. This is the first I have heard of his existence."

"I ask because he questioned me closely about him. My brother is a hard man, Mr. Hallett, and his outlook on life is different from that of the ordinary person. Circumstances have been against him. He was driven to find a living as he could. I want you to remember that if he was desperate he was driven to it. I helped as far as I could, but he had heavy expenses. He signed my father's name to some cheques."

"He committed forgery?"

"Yes. The cancelled cheques came into the hands of someone else who knew that Dick Errol was my brother. He threatened to pass them on to Scotland Yard and give evidence against Dick unless I paid. Last night there was an appointment made at my flat. The price he demanded was greater than I could pay. When he went I followed him. I knew he had the cheques on him and I hoped that I might find some way to get them from him. Just before I met you I had appealed to him again. He refused. He had the cheques in his hand. I snatched them, and when I ran into you I passed them to you on the impulse of the moment. That is all, Mr. Hallett."

"But there is something more," he said; "something you have not said."

She shook her head, her lips pressed tightly together. "I have said all I can all I dare. You helped me, Mr. Hallett, and I have told you more even than I have the detectives. It has been a relief "she sighed "to tell anyone."

Jimmie was silenced. Yet a score of questions trembled on his lips. Trained to see the weak points in a narration, he could not fail to realise that there were gaps in the story gaps that needed filling before one could come to full judgment. She had passed no hint of the blackmailer, the man from whom she had the cheques. That he was closely linked with her in some manner he felt confident.

And then speculation was lost in a rush of pity for the girl who had been so unwittingly dragged into a maelstrom from which he could see no way of escape. That the man Errol was a scoundrel was certain on her own showing. He glimpsed through her reticence the fresh tragedy that his advent had meant to her life. Vainly he tried to see for what purpose she was being used. Of course Errol had been bleeding her, but there was something more. It came to him suddenly. She knew the murderer she had said so. Here was a motive for Errol a motive more powerful than revenge or passion. She would stand to gain a fortune by Greye-Stratton's death and Errol would look to dabbling his fingers in it.

Yet this was the man for whom she was playing with fire. He was not very clear about English legal methods, but he conceived that in trying to shield him she was laying herself open to suspicion. He had judged Menzies acutely. If Greye-Stratton's fortune were to come to her that detective would leave nothing undone to be absolutely sure that she had no hand in the crime. Points would arise, actions be revealed that would look black against her by the very reason that she had carefully concealed them.

"Miss Greye-Stratton," he said gravely, "forgive me for what I am going to say. I believe it is a crime here to be an accessory after the fact. Do you realise that? Don't you think it would be wiser for your sake for your brother's sake to be candid with the police? Believe me, all that you have told me is sure to be known sooner or later."

Her face was irresolute. "You think they will find out? That it will be worse because I tried to conceal it?"

"I do. If you will take my advice you will come with me to Menzies now. Understand me. I shall not betray a word of our conversation without your permission."

She placed her elbows on the table and rested her chin in her cupped hands, staring across the room in reverie. Presently she stood up.

"I will think of it," she said. "I will think of it."

THE MAELSTROM & THE GRELL MYSTERY (British Mystery Classics)

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