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II

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We are very largely ruled by empty chairs. In support of this contention let me call two or three witnesses. The first is Clarence Shadbrook.

Clarence was well on in life when I first met him. He struck me as being reserved, taciturn, unsociable. It took me several years, I grieve to say, to understand him. It was on the occasion of his wife's death that I first caught glimpses of unsuspected depths of tenderness and sentiment within him. Hannah Shadbrook was one of our most excellent women. She had a kind thought for everybody. She was the heart and soul of our ladies' organizations. In every good cause her hand was promptly outstretched to help. She was especially tactful in her dealings with the young people: to many of the girls she was a second mother. She was tall and spare, with a slight stoop at the shoulders; her eyes were soft and gray; and her face was illumined by a look of wonderful intelligence and sweetness. She was the sort of woman to whom one could tell anything.

Somehow, I had always imagined that, at home, she was unappreciated. I cannot recall anything that I ever heard or saw that can have given me so false and unfortunate an impression. But there it was! And it was, therefore, with a shock of surprise that, at the time of her death, I found the strong and silent man so utterly broken and disconsolate.

'Ah,' he sobbed, when, in a few halting words, I referred to the affection in which his wife was held at the church, 'I dare say. But it was at home that she was at her best. Nobody will ever know what she was to me and to the children who have married and gone.'

But it was not until two years later that he opened his heart more thoroughly. I heard on a certain Sunday evening that he was ill; and next day I made my way to the cottage. He was in bed. I stepped across to the window and laid my hand upon a chair, intending to transfer it to the bedside.

'Excuse me,' he said, 'but don't take that one. Would you mind having the chair over by the wardrobe instead?'

If the request struck me as strange, the thought only lingered for a moment. I replaced the chair that I was holding; took the one indicated; and dismissed the matter from my mind.

'I dare say you are wondering why I asked you not to take the chair by the window,' he said presently, after we had discussed the weather, the news, and his prospects of a speedy recovery. 'There's a story about that chair that I've never told to anybody, except to her'—glancing at a portrait—'but if you'd like to hear it, I don't mind telling you.'

'Well,' he went on, assured of my interest, 'I took a fancy to that chair nearly fifty years ago. I was learning wood-carving; I thought that it would suit my purpose: and I bought it. It was the first piece of furniture that I ever possessed. I remember laughing to myself as I carried it to my little room. It stood beside the bed there for a year or two. Then I met Hannah. At first I felt a little bit afraid of her. She seemed far too good for me. But then, I thought to myself, she is far too good for anybody. And so our courtship began, and one night I came home tremendously excited. We were engaged! I lay awake for hours that night, sometimes painting wonderful pictures of the happy days to be, and sometimes lecturing myself as to the kind of man I must become in order to be worthy of the treasure about to be confided to my care. And I comforted myself with the reminder that I should have her always beside me to restrain the worst and encourage the best that was in me. And, thinking such thoughts, I at length fell asleep. But, sleeping, I went on dreaming. I thought that, coming home tired from the shop, I entered my little room at the top of the stairs (the room in which I was actually sleeping) and was surprised to find it occupied. A man was sitting in the chair beside the bed—the chair over there by the window. But I could not be angry, for he looked up and welcomed me with a smile that disarmed my suspicions and made me feel that all was well. I felt instantly and powerfully drawn to him. He seemed to magnetize me. His face realized my ideal of manly strength, tempered by an indefinable charm and courtesy. Then, as I gazed, it occurred to me that there was, about his countenance and bearing, something strangely familiar. What could it mean? Whom could it be? And then the truth flashed upon me. It was myself! Yes, it was myself as I should be in the years to come under Hannah's gentle and gracious influence! It was myself transfigured! I awoke and found myself staring fixedly at the empty chair beside the bed—the chair that you were about to remove from the window there. I made up my mind that day that the chair should never be used. It is dedicated to the ideal self of whom I caught a glimpse in my boyish dream. And, even now, the shadowy visitor of that memorable night seems to be still sitting there; and I never approach the chair without mentally comparing myself with its silent occupant.'

Who would have supposed that, beneath the rugged exterior of Clarence Shadbrook, there dwelt so rich a vein of poetry and romance? I almost apologized to him for my earlier judgment. It only shows that, like the first Australian explorers, we may tread the gold beneath our feet without suspecting its existence.

Rubble and Roseleaves and Things of That Kind

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