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III.
THE VEDA AND ZEND-AVESTA
THE VEDA

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The main stream of the Aryan nations has always flowed towards the north-west. No historian can tell us by what impulse these adventurous Nomads were driven on through Asia towards the isles and shores of Europe. The first start of this world-wide migration belongs to a period far beyond the reach of documentary history; to times when the soil of Europe had not been trodden by either Celts, Germans, Slavonians, Romans, or Greeks. But whatever it was, the impulse was as irresistible as the spell which, in our own times, sends the Celtic tribes towards the prairies or the regions of gold across the Atlantic. It requires a strong will, or a great amount of inertness, to be able to withstand the impetus of such national, or rather ethnical, movements. Few will stay behind when all are going. But to let one's friends depart, and then to set out ourselves—to take a road which, lead where it may, can never lead us to join those again who speak our language and worship our gods—is a course which only men of strong individuality and great self-dependence are capable of pursuing. It was the course adopted by the southern branch of the Aryan family, the Brahmanic Aryas of India and the Zoroastrians of Iran.

At the first dawn of traditional history we see these Aryan tribes migrating across the snow of the Himâlaya southward towards the 'Seven Rivers' (the Indus, the five rivers of the Penjâb, and the Sarasvatî), and ever since India has been called their home. That before this time they had been living in more northern regions, within the same precincts with the ancestors of the Greeks, the Italians, Slavonians, Germans, and Celts, is a fact as firmly established as that the Normans of William the Conqueror were the Northmen of Scandinavia. The evidence of language is irrefragable, and it is the only evidence worth listening to with regard to ante-historical periods. It would have been next to impossible to discover any traces of relationship between the swarthy natives of India and their conquerors whether Alexander or Clive, but for the testimony borne by language. What other evidence could have reached back to times when Greece was not yet peopled by Greeks, nor India by Hindus? Yet these are the times of which we are speaking. What authority would have been strong enough to persuade the Grecian army, that their gods and their hero ancestors were the same as those of king Porus, or to convince the English soldier that the same blood might be running in his veins and in the veins of the dark Bengalese? And yet there is not an English jury now-a-days, which, after examining the hoary documents of language, would reject the claim of a common descent and a spiritual relationship between Hindu, Greek, and Teuton. Many words still live in India and in England that have witnessed the first separation of the northern and southern Aryans, and these are witnesses not to be shaken by any cross-examination. The terms for God, for house, for father, mother, son, daughter, for dog and cow, for heart and tears, for axe and tree, identical in all the Indo-European idioms, are like the watchwords of soldiers. We challenge the seeming stranger; and whether he answer with the lips of a Greek, a German, or an Indian, we recognise him as one of ourselves. Though the historian may shake his head, though the physiologist may doubt, and the poet scorn the idea, all must yield before the facts furnished by language. There was a time when the ancestors of the Celts, the Germans, the Slavonians, the Greeks and Italians, the Persians and Hindus, were living together beneath the same roof, separate from the ancestors of the Semitic and Turanian races.

It is more difficult to prove that the Hindu was the last to leave this common home, that he saw his brothers all depart towards the setting sun, and that then, turning towards the south and the east, he started alone in search of a new world. But as in his language and in his grammar he has preserved something of what seems peculiar to each of the northern dialects singly, as he agrees with the Greek and the German where the Greek and the German differ from all the rest, and as no other language has carried off so large a share of the common Aryan heirloom—whether roots, grammar, words, mythes, or legends—it is natural to suppose that, though perhaps the eldest brother, the Hindu was the last to leave the central home of the Aryan family.

The Aryan nations who pursued a north-westerly direction, stand before us in history as the principal nations of north-western Asia and Europe. They have been the prominent actors in the great drama of history, and have carried to their fullest growth all the elements of active life with which our nature is endowed. They have perfected society and morals, and we learn from their literature and works of art the elements of science, the laws of art, and the principles of philosophy. In continual struggle with each other and with Semitic and Turanian races, these Aryan nations have become the rulers of history, and it seems to be their mission to link all parts of the world together by the chains of civilisation, commerce, and religion. In a word, they represent the Aryan man in his historical character.

But while most of the members of the Aryan family followed this glorious path, the southern tribes were slowly migrating towards the mountains which gird the north of India. After crossing the narrow passes of the Hindukush or the Himâlaya, they conquered or drove before them, as it seems without much effort, the aboriginal inhabitants of the Trans-Himalayan countries. They took for their guides the principal rivers of Northern India, and were led by them to new homes in their beautiful and fertile valleys. It seems as if the great mountains in the north had afterwards closed for centuries their Cyclopean gates against new immigrations, while, at the same time, the waves of the Indian Ocean kept watch over the southern borders of the peninsula. None of the great conquerors of antiquity,—Sesostris, Semiramis, Nebuchadnezzar, or Cyrus,—disturbed the peaceful seats of these Aryan settlers. Left to themselves in a world of their own, without a past, and without a future before them, they had nothing but themselves to ponder on. Struggles there must have been in India also. Old dynasties were destroyed, whole families annihilated, and new empires founded. Yet the inward life of the Hindu was not changed by these convulsions. His mind was like the lotus leaf after a shower of rain has passed over it; his character remained the same, passive, meditative, quiet, and thoughtful. A people of this peculiar stamp was never destined to act a prominent part in the history of the world; nay, the exhausting atmosphere of transcendental ideas in which they lived could not but exercise a detrimental influence on the active and moral character of the Indians. Social and political virtues were little cultivated, and the ideas of the useful and the beautiful hardly known to them. With all this, however, they had, what the Greek was as little capable of imagining, as they were of realising the elements of Grecian life. They shut their eyes to this world of outward seeming and activity, to open them full on the world of thought and rest. The ancient Hindus were a nation of philosophers, such as could nowhere have existed except in India, and even there in early times alone. It is with the Hindu mind as if a seed were placed in a hothouse. It will grow rapidly, its colours will be gorgeous, its perfume rich, its fruits precocious and abundant. But never will it be like the oak growing in wind and weather, and striking its roots into real earth, and stretching its branches into real air beneath the stars and the sun of heaven. Both are experiments, the hothouse flower and the Hindu mind; and as experiments, whether physiological or psychological, both deserve to be studied.

We may divide the whole Aryan family into two branches, the northern and the southern. The northern nations, Celts, Greeks, Romans, Germans, and Slavonians, have each one act allotted to them on the stage of history. They have each a national character to support. Not so the southern tribes. They are absorbed in the struggles of thought, their past is the problem of creation, their future the problem of existence; and the present, which ought to be the solution of both, seems never to have attracted their attention, or called forth their energies. There never was a nation believing so firmly in another world, and so little concerned about this. Their condition on earth is to them a problem; their real and eternal life a simple fact. Though this is said chiefly with reference to them before they were brought in contact with foreign conquerors, traces of this character are still visible in the Hindus, as described by the companions of Alexander, nay, even in the Hindus of the present day. The only sphere in which the Indian mind finds itself at liberty to act, to create, and to worship, is the sphere of religion and philosophy; and nowhere have religious and metaphysical ideas struck root so deep in the mind of a nation as in India. The shape which these ideas took amongst the different classes of society, and at different periods of civilisation, naturally varies from coarse superstition to sublime spiritualism. But, taken as a whole, history supplies no second instance where the inward life of the soul has so completely absorbed all the other faculties of a people.

It was natural, therefore, that the literary works of such a nation, when first discovered in Sanskrit MSS. by Wilkins, Sir W. Jones, and others, should have attracted the attention of all interested in the history of the human race. A new page in man's biography was laid open, and a literature as large as that of Greece or Rome was to be studied. The Laws of Manu, the two epic poems, the Râmâyana and Mahâbhârata, the six complete systems of philosophy, works on astronomy and medicine, plays, stories, fables, elegies, and lyrical effusions, were read with intense interest, on account of their age not less than their novelty.

Still this interest was confined to a small number of students, and in a few cases only could Indian literature attract the eyes of men who, from the summit of universal history, survey the highest peaks of human excellence. Herder, Schlegel, Humboldt, and Goethe, discovered what was really important in Sanskrit literature. They saw what was genuine and original, in spite of much that seemed artificial. For the artificial, no doubt, has a wide place in Sanskrit literature. Everywhere we find systems, rules and models, castes and schools, but nowhere individuality, no natural growth, and but few signs of strong originality and genius.

There is, however, one period of Sanskrit literature which forms an exception, and which will maintain its place in the history of mankind, when the name of Kalidâsa and Sakuntalâ will have been long forgotten. It is the most ancient period, the period of the Veda. There is, perhaps, a higher degree of interest attaching to works of higher antiquity; but in the Veda we have more than mere antiquity. We have ancient thought expressed in ancient language. Without insisting on the fact that even chronologically the Veda is the first book of the Aryan nations, we have in it, at all events, a period in the intellectual life of man to which there is no parallel in any other part of the world. In the hymns of the Veda we see man left to himself to solve the riddle of this world. We see him crawling on like a creature of the earth with all the desires and weaknesses of his animal nature. Food, wealth, and power, a large family and a long life, are the theme of his daily prayers. But he begins to lift up his eyes. He stares at the tent of heaven, and asks who supports it? He opens his ears to the winds, and asks them whence and whither? He is awakened from darkness and slumber by the light of the sun, and him whom his eyes cannot behold, and who seems to grant him the daily pittance of his existence, he calls 'his life, his breath, his brilliant Lord and Protector.' He gives names to all the powers of nature, and after he has called the fire Agni, the sun-light Indra, the storms Maruts, and the dawn Ushas, they all seem to grow naturally into beings like himself, nay, greater than himself. He invokes them, he praises them, he worships them. But still with all these gods around him, beneath him, and above him, the early poet seems ill at rest within himself. There too, in his own breast, he has discovered a power that wants a name, a power nearer to him than all the gods of nature, a power that is never mute when he prays, never absent when he fears and trembles. It seems to inspire his prayers, and yet to listen to them; it seems to live in him, and yet to support him and all around him. The only name he can find for this mysterious power is Bráhman; for bráhman meant originally force, will, wish, and the propulsive power of creation. But this impersonal bráhman, too, as soon as it is named, grows into something strange and divine. It ends by being one of many gods, one of the great triad, worshipped to the present day. And still the thought within him has no real name; that power which is nothing but itself, which supports the gods, the heavens, and every living being, floats before his mind, conceived but not expressed. At last he calls it Âtman; for âtman, originally breath or spirit, comes to mean Self and Self alone—Self whether divine or human, Self whether creating or suffering, Self whether one or all, but always Self, independent and free. 'Who has seen the first-born,' says the poet, 'when he who has no bones (i. e. form) bore him that had bones? Where was the life, the blood, the Self of the world? Who went to ask this from any that knew it?' (Rv.I. 164, 4). This idea of a divine Self once expressed, everything else must acknowledge its supremacy, 'Self is the Lord of all things, Self is the King of all things. As all the spokes of a wheel are contained in the nave and the circumference, all things are contained in this Self; all selves are contained in this Self.33 Bráhman itself is but Self.'34

This Âtman also grew; but it grew, as it were, without attributes. The sun is called the Self of all that moves and rests (Rv. I. 115, 1), and still more frequently self becomes a mere pronoun. But Âtman remained always free from mythe and worship, differing in this from the Bráhman (neuter), who has his temples in India even now, and is worshipped as Bráhman (masculine), together with Vishnu and Siva, and other popular gods. The idea of the Âtman or Self, like a pure crystal, was too transparent for poetry, and therefore was handed over to philosophy, which afterwards polished, and turned, and watched it as the medium through which all is seen, and in which all is reflected and known. But philosophy is later than the Veda, and it is of the Vaidik period only I have here to speak.35

In the Veda, then, we can study a theogony of which that of Hesiod is but the last chapter. We can study man's natural growth, and the results to which it may lead under the most favourable conditions. All was given him that nature can bestow. We see him blest with the choicest gifts of the earth, under a glowing and transparent sky, surrounded by all the grandeur and all the riches of nature, with a language 'capable of giving soul to the objects of sense, and body to the abstractions of metaphysics.' We have a right to expect much from him, only we must not expect in his youthful poems the philosophy of the nineteenth century, or the beauties of Pindar, or, with some again, the truths of Christianity. Few understand children, still fewer understand antiquity. If we look in the Veda for high poetical diction, for striking comparisons, for bold combinations, we shall be disappointed. These early poets thought more for themselves than for others. They sought rather, in their language, to be true to their own thought than to please the imagination of their hearers. With them it was a great work achieved for the first time to bind thoughts and words together, to find expressions or to form new names. As to similes, we must look to the words themselves, which, if we compare their radical and their nominal meaning, will be found full of bold metaphors. No translation in any modern language can do them justice. As to beauty, we must discover it in the absence of all effort, and in the simplicity of their hearts. Prose was, at that time, unknown, as well as the distinction between prose and poetry. It was the attempted imitation of those ancient natural strains of thought which in later times gave rise to poetry in our sense of the word, that is to say, to poetry as an art, with its counted syllables, its numerous epithets, its rhyme and rhythm, and all the conventional attributes of 'measured thought.'

In the Veda itself, however—even if by Veda we mean the Rig-veda only (the other three, the Sâman, Yagush, and Âtharvana, having solely a liturgical interest, and belonging to an entirely different sphere)—in the Rig-veda also, we find much that is artificial, imitated, and therefore modern, if compared with other hymns. It is true that all the 1017 hymns of the Rig-veda were comprised in a collection which existed as such before one of those elaborate theological commentaries, known under the name of Brâhmana, was written, that is to say, about 800 b.c. But before the date of their collection these must have existed for centuries. In different songs the names of different kings occur, and we see several generations of royal families pass away before us with different generations of poets. Old songs are mentioned, and new songs. Poets whose compositions we possess are spoken of as the seers of olden times; their names in other hymns are surrounded by a legendary halo. In some cases, whole books or chapters may be pointed out as more modern and secondary, in thought and language. But on the whole the Rig-veda is a genuine document, even in its most modern portions not later than the time of Lycurgus; and it exhibits one of the earliest and rudest phases in the history of mankind; disclosing in its full reality a period of which in Greece we have but traditions and names, such as Orpheus and Linus, and bringing us as near the beginnings in language, thought, and mythology as literary documents can ever bring us in the Aryan world.

Though much time and labour have been spent on the Veda, in England and in Germany, the time is not yet come for translating it as a whole. It is possible and interesting to translate it literally, or in accordance with scholastic commentaries, such as we find in India from Yâska in the fifth century b.c. down to Sâyana in the fourteenth century of the Christian era. This is what Professor Wilson has done in his translation of the first book of the Rig-veda; and by strictly adhering to this principle and excluding conjectural renderings even where they offered themselves most naturally, he has imparted to his work a definite character and a lasting value. The grammar of the Veda, though irregular, and still in a rather floating state, has almost been mastered; the etymology and the meaning of many words, unknown in the later Sanskrit, have been discovered. Many hymns, which are mere prayers for food, for cattle, or for a long life, have been translated, and can leave no doubt as to their real intention. But with the exception of these simple petitions, the whole world of Vedic ideas is so entirely beyond our own intellectual horizon, that instead of translating we can as yet only guess and combine. Here it is no longer a mere question of skilful deciphering. We may collect all the passages where an obscure word occurs, we may compare them and look for a meaning which would be appropriate to all; but the difficulty lies in finding a sense which we can appropriate, and transfer by analogy into our own language and thought. We must be able to translate our feelings and ideas into their language at the same time that we translate their poems and prayers into our language. We must not despair even where their words seem meaningless and their ideas barren or wild. What seems at first childish may at a happier moment disclose a sublime simplicity, and even in helpless expressions we may recognise aspirations after some high and noble idea. When the scholar has done his work, the poet and philosopher must take it up and finish it. Let the scholar collect, collate, sift, and reject—let him say what is possible or not according to the laws of the Vaidik language—let him study the commentaries, the Sûtras, the Brâhmanas, and even later works, in order to exhaust all the sources from which information can be derived. He must not despise the tradition of the Brahmans, even where their misconceptions and the causes of their misconceptions are palpable. To know what a passage cannot mean is frequently the key to its real meaning; and whatever reasons may be pleaded for declining a careful perusal of the traditional interpretations of Yâska or Sâyana, they can all be traced back to an ill-concealed argumentum paupertatis. Not a corner in the Brâhmanas, the Sûtras, Yâska, and Sâyana should be left unexplored before we venture to propose a rendering of our own. Sâyana, though the most modern, is on the whole the most sober interpreter. Most of his etymological absurdities must be placed to Yâska's account, and the optional renderings which he allows for metaphysical, theological, or ceremonial purposes, are mostly due to his regard for the Brâhmanas. The Brâhmanas, though nearest in time to the hymns of the Rig-veda, indulge in the most frivolous and ill-judged interpretations. When the ancient Rishi exclaims with a troubled heart, 'Who is the greatest of the gods? Who shall first be praised by our songs?'—the author of the Brahmana sees in the interrogative pronoun 'Who' some divine name, a place is allotted in the sacrificial invocations to a god 'Who,' and hymns addressed to him are called 'Whoish' hymns. To make such misunderstandings possible, we must assume a considerable interval between the composition of the hymns and the Brâhmanas. As the authors of the Brâhmanas were blinded by theology, the authors of the still later Niruktas were deceived by etymological fictions, and both conspired to mislead by their authority later and more sensible commentators, such as Sâyana. Where Sâyana has no authority to mislead him, his commentary is at all events rational; but still his scholastic notions would never allow him to accept the free interpretation which a comparative study of these venerable documents forces upon the unprejudiced scholar. We must therefore discover ourselves the real vestiges of these ancient poets; and if we follow them cautiously, we shall find that with some effort we are still able to walk in their footsteps. We shall feel that we are brought face to face and mind to mind with men yet intelligible to us, after we have freed ourselves from our modern conceits. We shall not succeed always: words, verses, nay, whole hymns in the Rig-veda, will and must remain to us a dead letter. But where we can inspire those early relics of thought and devotion with new life, we shall have before us more real antiquity than in all the inscriptions of Egypt or Nineveh; not only old names and dates, and kingdoms and battles, but old thoughts, old hopes, old faith, and old errors, the old Man altogether—old now, but then young and fresh, and simple and real in his prayers and in his praises.

The thoughtful bent of the Hindu mind is visible in the Veda also, but his mystic tendencies are not yet so fully developed. Of philosophy we find but little, and what we find is still in its germ. The active side of life is more prominent, and we meet occasionally with wars of kings, with rivalries of ministers, with triumphs and defeats, with war-songs and imprecations. Moral sentiments and worldly wisdom are not yet absorbed by phantastic intuitions. Still the child betrays the passions of the man, and there are hymns, though few in number, in the Veda, so full of thought and speculation that at this early period no poet in any other nation could have conceived them. I give but one specimen, the 129th hymn of the tenth book of the Rig-veda. It is a hymn which long ago attracted the attention of that eminent scholar H. T. Colebrooke, and of which, by the kind assistance of a friend, I am enabled to offer a metrical translation. In judging it we should bear in mind that it was not written by a gnostic or by a pantheistic philosopher, but by a poet who felt all these doubts and problems as his own, without any wish to convince or to startle, only uttering what had been weighing on his mind, just as later poets would sing the doubts and sorrows of their heart.

Nor Aught nor Nought existed; yon bright sky

Was not, nor heaven's broad woof outstretched above.

What covered all? what sheltered? what concealed?

Was it the water's fathomless abyss?

There was not death—yet was there nought immortal,

There was no confine betwixt day and night;

The only One breathed breathless by itself,

Other than It there nothing since has been.

Darkness there was, and all at first was veiled

In gloom profound—an ocean without light—

The germ that still lay covered in the husk

Burst forth, one nature, from the fervent heat.

Then first came love upon it, the new spring

Of mind—yea, poets in their hearts discerned,

Pondering, this bond between created things

And uncreated. Comes this spark from earth

Piercing and all-pervading, or from heaven?

Then seeds were sown, and mighty powers arose—

Nature below, and power and will above—

Who knows the secret? who proclaimed it here,

Whence, whence this manifold creation sprang?

The Gods themselves came later into being—

Who knows from whence this great creation sprang?

He from whom all this great creation came,

Whether his will created or was mute,

The Most High Seer that is in highest heaven,

He knows it—or perchance even He knows not.


The grammar of the Veda (to turn from the contents to the structure of the work) is important in many respects. The difference between it and the grammar of the epic poems would be sufficient of itself to fix the distance between these two periods of language and literature. Many words have preserved in these early hymns a more primitive form, and therefore agree more closely with cognate words in Greek or Latin. Night, for instance, in the later Sanskrit is nisâ, which is a form peculiarly Sanskritic, and agrees in its derivation neither with nox nor with νὑξ. The Vaidik nas or nak, night, is as near to Latin as can be. Thus mouse in the common Sanskrit is mûshas or mûshikâ, both derivative forms if compared with the Latin mus, muris. The Vaidik Sanskrit has preserved the same primitive noun in the plural mûsh-as = Lat. mures. There are other words in the Veda which were lost altogether in the later Sanskrit, while they were preserved in Greek and Latin. Dyaus, sky, does not occur as a masculine in the ordinary Sanskrit; it occurs in the Veda, and thus bears witness to the early Aryan worship of Dyaus, the Greek Zeús. Ushas, dawn, again in the later Sanskrit is neuter. In the Veda it is feminine; and even the secondary Vaidik form Ushâsâ is proved to be of high antiquity by the nearly corresponding Latin form Aurora. Declension and conjugation are richer in forms and more unsettled in their usage. It was a curious fact, for instance, that no subjunctive mood existed in the common Sanskrit. The Greeks and Romans had it, and even the language of the Avesta showed clear traces of it. There could be no doubt that the Sanskrit also once possessed this mood, and at last it was discovered in the hymns of the Rig-veda. Discoveries of this kind may seem trifling, but they are as delightful to the grammarian as the appearance of a star, long expected and calculated, is to the astronomer. They prove that there is natural order in language, and that by a careful induction laws can be established which enable us to guess with great probability either at the form or meaning of words where but scanty fragments of the tongue itself have come down to us.

October, 1853.

33

Brihad-âranyaka, IV. 5, 15 ed. Roer, p. 487.

34

Ibid. p. 478. Khândogya-upanishad, VIII. 3, 3-4.

35

In writing the above, I was thinking rather of the mental process that was necessary for the production of such words as bráhman, âtman, and others, than of their idiomatic use in the ancient literature of India. It might be objected, for instance, that bráhman, neut. in the sense of creative power or the principal cause of all things, does not occur in the Rig-veda. This is true. But it occurs in that sense in the Atharva-veda, and in several of the Brâhmanas. There we read of 'the oldest or greatest Bráhman which rules everything that has been or will be.' Heaven is said to belong to Bráhman alone (Atharva-veda X. 8, 1). In the Brâhmanas, this Bráhman is called the first-born, the self-existing, the best of the gods, and heaven and earth are said to have been established by it. Even the vital spirits are identified with it (Satapatha-brâhmana VIII. 4, 9, 3).

In other passages, again, this same Brahman is represented as existing in man (Atharva-veda X. 7, 17), and in this very passage we can watch the transition from the neutral Bráhman into Bráhman, conceived of as a masculine:

Ye purushe bráhma vidus te viduh parameshthinam,

Yo veda parameshthinam, yas ka veda pragâpatim,

Gyeshtham ye brãhmanam vidus, te skambham anu samviduh.

'They who know Bráhman in man, they know the Highest,

He who knows the Highest, and he who knows Pragâpati (the lord of creatures),

And they who know the oldest Brãhmana, they know the Ground.'


The word Brãhmana which is here used, is a derivative form of Bráhman; but what is most important in these lines is the mixing of neuter and masculine words, of impersonal and personal deities. This process is brought to perfection by changing Bráhman, the neuter, even grammatically into Bráhman, a masculine,—a change which has taken place in the Âranyakas, where we find Bráhman used as the name of a male deity. It is this Bráhman, with the accent on the first, not, as has been supposed, brahmán, the priest, that appears again in the later literature as one of the divine triad, Bráhman, Vishnu, Siva.

The word bráhman, as a neuter, is used in the Rig-veda in the sense of prayer also, originally what bursts forth from the soul, and, in one sense, what is revealed. Hence in later times bráhman is used collectively for the Veda, the sacred word.

Another word, with the accent on the last syllable, is brahmán, the man who prays, who utters prayers, the priest, and gradually the Brahman by profession. In this sense it is frequently used in the Rig-veda (I. 108, 7), but not yet in the sense of Brahman by birth or caste.

Chips from a German Workshop, Volume 1

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