Читать книгу Leonora D'Orco - G. P. R. James - Страница 6

It was early in the month of September. The grapes were already purple with the draughts of sunshine which they had drunk in through a long, ardent summer, and the trees had already begun to display "the sear and yellow leaf"--early, early, like those who exhaust in life's young day all the allotted pleasures of man's little space. The autumn had fallen upon them soon. Yet it was a lovely scene, as you gazed from one of those little monticules which stud the Lombard plains. There is something in the descent from the mountains into Italy which seems to anticipate the land--not so much in its physical as in its moral features; a softness, a gentleness, a gracefulness which is all its own, while round about, unseen, but felt in every breeze, is the dark, pestilential swamp, gloomy and despairing, or else a brighter but more treacherous land, fair to the eye, but destructive to vitality, which lures but to destroy. One easily conceives the character of a large portion of the people of the middle ages in Italy from the aspect of the land. But it is of the people of the middle ages only. One can hardly derive any notion of the ancient Roman from the characteristics of the country till one plunges into the Campagna, where the stern, hard features of the scenery seem to represent that force which, alas! has passed away.

And yet it was a lovely scene, and a moment of sweet and calm enjoyment, as three young people sat together on the lower step of a terrace near Vigevano, with a fountain gushing and murmuring some twenty feet above, and a beautiful garden filled with mulberry-trees and vines, and some oranges, not very luxuriant, but diffusing a pleasant but languid odour round. The eye wandered over the shrubs and trees to the lands watered by the Ticino on its way to Pavia; and beyond, in the evening light, long lines of undulating country were marked out in the deep blue tints peculiar to the distant scenery of Italy. The terrace, below which the three were seated, was long and wide, and rising therefrom, near the centre, was one face of a villa, built in a style of which few specimens remain. The taste and genius of Palladio had not yet given to the villa-architecture of Lombardy that lightness and grace which formed the characteristic of a new style of art. There was something, at that time, in every country-house of Italy of the heavy, massive repulsiveness of the old castello. But yet the dawn of a better epoch was apparent, in the works of Andrea Palladio's great master, Trissino; and in the very villa of which I speak, though here and there a strong, tall tower was apparent, and the basement story contained stone enough to have built a score of modern houses, much ornament of a light and graceful character had been lavished upon the whole building, as if to conceal that it was constructed for defence as well as enjoyment. Indeed, as is generally the case, there was a certain harmony between the times and state of society and the constructions of the period. The Italian smiled, and revelled, and feasted, and called in music, and song, and poetry, to cover over the dangers, and the griefs, and the terrors of every day; and the palace in the city, or the villa in the country, was often as richly decorated as if its massy inner walls were never intended to preserve the life and fortune of its owner from the hands of rude assailants, nor its halls ever to witness deeds of horror and cruelty within their dark recesses.

It was, indeed, an evening and a scene such as Lorenzo Visconti had described as fitted for the telling of his own history. All was still and quiet around; the leaves of the vines hardly moved with the light air, the glow of the western sky faded off into deep purple as the eye was raised from the horizon to the zenith; no moving object--no, not a floating cloud, could be seen on any side; and the murmur of the fountain seemed to add to, rather than detract from, the stillness. The three young people--I need not tell the reader who they were---had ranged themselves as their nature or their temporary feelings prompted. On the lowest step Bianca Maria had placed herself, looking up with her sweet confiding eyes towards the young companion whom she almost idolized. On the step above was her cousin Lorenzo; and on a step above them both, but leaning with her elbow on her knee, and her cheek resting on her hand, a little to the right of Lorenzo and the left of Bianca, was Leonora d'Orco, with her dark eyes bent down, drinking in the words of the young soldier.

It was a group such as Bronzino might have delighted to paint; for not only were there those colours in it which all Italians love, and all Italian artists take pleasure in blending and harmonizing--the deep browns, which characterise the complexion of their country, with the rarer and exceptional fairness sometimes found among them---the flowing flaxen hair of the North, and its rich crimsons, but in the dress of the three also there were those strong contrasts of harmonious hues, if I may use what may seem at first sight (but only at first sight) a contradiction in terms--the rich red, and the deep green, and the yellow touching upon brown, and the pale blue. How charming, how satisfactory was the art of those old painters in reproducing on the canvas the combinations which nature produces every day. And yet Art, following Nature in its infinite variety, has shown us, in the works of Murillo and some other Spanish artists, that perfect harmony of colouring can afford as much pleasure as harmonized contrasts, and that in painting also there may be Mozarts as well as Beethovens.

The evening light fell beautifully upon that young group, as they sat there on the steps of the terrace, and, just glancing round the angle of an old ruined building of Roman date in the gardens below, touched gently and sweetly upon the brow and eyes of Bianca Maria, lighted up the face of Lorenzo, and shone full upon the whole figure of Leonora, as she gazed down upon the speaker.

"I must go back far into the times past," he said; "I dare say you are well aware that the Viscontis once reigned as lords and dukes of Milan. Do not suppose, Leonora, that I am about to put forth any claim to that rich inheritance; for, though nearly allied to the ruling race, my branch of the family were already separated from the parent stem when the imperial bull was issued which conferred sovereignty on the branch that ended with Filippo Maria. That bull limited the succession strictly, and we had and have no claim. At the death of Filippo, the Milanese found still one spark of ancient spirit, and they declared themselves a republic. But republics have in them, unhappily, no seeds of durability. There is not strength and virtue enough in man to give them permanence. Rude nations may be strong and resolute enough to maintain such institutions in their youth; but art and luxury soften, and in softening enfeeble, so that men learn to love ease more than independence, pleasure better than freedom. A new dynasty was destined soon to succeed the old. The Viscontis were noble, of high race and long descent, connected with every sovereign house of Europe. But the son of a peasant was to gather their inheritance and wear their coronet.

"There was a man born at Cotignola, in Romagna, named Sforza Attendolo, of very humble birth, but prodigious strength of body and extraordinary military genius. Famine drove him to seek food in the trade of war. He joined one of the great companies, rose by the force of genius and courage, and in the end became one of the two most famous condottieri in Italy. After a career of almost unexampled glory and success, he was drowned in swimming the Pescara, but his son Francesco succeeded to his command, and to more than his inheritance of military fame. He was, indeed, a great man; and so powerful did he become, that Filippo Maria Visconti promised him---to the illegitimate son of a Romagnese peasant--the hand of his only daughter to secure his services in his many wars. He hesitated long, it is true, to fulfil a promise which he felt to be degrading, but he was compelled to submit at length. With the aid of Francesco Sforza he was a great prince--without him he was nothing; and when he died, old and blind, he left his people to struggle against the man whom he had aided to raise, but upon whom his own fate had very often depended. Francesco was noble at heart, though ambitious. His enemies he often treated with unexampled generosity, forbearance, and even kindness. He showed that he feared no man, by freeing the most powerful and most skilful of his captive enemies; but he pursued his course steadily toward dominion, not altogether unstained by deceit and falsehood, but without cruelty or tyranny. Sore pressed by famine, and with his armies beneath their walls, the Milanese, who recognised his high qualities, though they feared his dominion, threw open their gates to him, and renounced their liberty at the feet of a new duke in February, 1450. The Viscontis had nothing to complain of. The reigning branch was extinct; the rest were not named in the imperial bull, and they, with their fellow-citizens, submitted calmly of the rule of the greatest man then living in Italy. Nor had they cause to regret the act during the life of Francesco Sforza. He ruled the land justly and moderately, maintained his own renown to the last, and showed none of the jealousy of a tyrant towards those whose birth, or fortune, or talents might have made them formidable rivals. He was wise to conciliate affection in support of power. His good reign of sixteen years did more to enslave the Milanese people than the iron heel of any despot could have done; but there were not wanting those among his children to take cruel advantage of that which his virtues had accomplished. He died about thirty years ago, and to him succeeded his eldest son, the monster Galeazzo. From that hour the iron yoke pressed upon the neck of the Milanese. The new duke had less ambition than his father, and inherited none of his talents; but he had a genius for cruelty, and an energy in crime unequalled even by Eccelino. Those whom he seemed most to favour and who least feared the tyrant's blow, were always those on whom it fell most heavily and most suddenly; and they furnished, when they little expected it, fresh victims for the torture, or for some new and unheard-of kind of death. His luxury and his licentiousness passed all bounds; no family was safe; no lady's honour was unassailed or uncalumniated; violence was resorted to when corruption did not succeed; in each day he comprised the crimes of a Tarquin and the ferocity of a Nero. There were, however, three noble hearts in Milan, and they fancied there were many more. They dreamed that some public spirit still lingered among their countrymen--at least enough, when delivered from actual fear of the tyrant, to seize the opportunity and regain their liberty. When there is no law, men must execute justice as they can; and those three resolved to put Galeazzo to death--a mild punishment for a life of crime. Their names were Olgiati, Lampugnani, and Carlo Visconti. All had suffered from the tyrant. Olgiati's sister had fallen a victim to his violence. Lampugnani's wife was another. My mother only escaped by death. But it was not vengeance that moved the patriots. They had only suffered what others had suffered. The evils of the country had become intolerable; they were all the work of one man; and the three determined to deprive him of the power to inflict more. They looked upon their undertaking not only as a great and glorious enterprise, but as a religious duty, and they prepared themselves for its execution with prayer and fasting, and the most solemn sacrament of the Church. Many difficulties intervened. Either the consciousness that his tyranny and crimes had become intolerable, or one of those strange presentiments of coming fate which have affected many men as the hour of their destiny drew nigh, rendered Galeazzo less accessible, more suspicious and retired than before. He seldom came forth from his palace, was no longer seen on occasions of public ceremony, or in fêtes and festivals. There was, indeed, one day when he could hardly fail to show himself, and that was on St. Stephen's day--a day when, by immemorial custom, every one honours the first martyr by attending mass at the great church. That day they fixed upon for the execution of their design, and each was early in the church, with a dagger hidden in the sleeve of his gown. The world has called it a sacrilege; but they looked upon it as a holy and a righteous deed, sanctified by the justice of the cause, that the most sacred place could not be polluted by it.

"In the mean time Galeazzo seemed to feel that the day and hour of retribution had arrived. He would fain have avoided it; he sought to have mass performed in the palace; he applied to a chaplain--to the Bishop of Como--but in all instances slight obstacles presented themselves, and in the end he determined to go to the Cathedral. One touch of human tenderness and feeling, the first for many a day, broke from him. He sent for his two children, took leave of them tenderly, and embraced them again and again. He then went forth; but the conspirators awaited him in the church; and hardly had he entered when three daggers were plunged into his breast and back. Each struck a second blow; and the monster who had inflicted torture, and death, and disgrace upon so many innocent fellow-creatures sank to the pavement, exclaiming, 'Sancta Maria!'

"The three then rushed towards the street to call the people to arms; but Lampugnani stumbled, catching his feet in the long trains of the women who were already kneeling in the nave. As he fell he was killed by a Moor, one of Galeazzo's base retainers. My father was killed where he stood, and Olgiato escaped into the street only to find the people, on whom he trusted either dead to all sense of patriotism and justice, or stupified and surprised. Not a sword was drawn--not a hand was raised in answer to his cry, 'To arms!' and torture and the death of a criminal once more closed the career of a patriot.

"I was an infant at that time, but in the days of Galeazzo Sforza infants were not spared, and the nurse who had me in her arms hurried forth, carrying me with her, ere the gates of the city could be closed, or the followers of the duke came to search and pillage our house. She took refuge in a neighbouring village, whence we were not long after carried to Florence, where the noble Lorenzo de Medici, after whom I had been baptized, received me as his child, and when he felt death approaching, sent me to the court of France to finish my education among my relatives there."

"And was this Prince Ludovic the son of Galeazzo?" asked Leonora, as soon as he had paused.

"Oh no--his younger brother," replied Lorenzo. "He holds the son in durance, and the son's wife, on the pretence of guardianship, though both are of full age; but, if I be not mistaken, the day of their deliverance is near at hand, for I have heard the king say he will certainly see them, and learn whether they are not fitted to rule their own duchy without the interference of so dangerous a relation."

"God grant the king may be in time," said Bianca Maria; "for it is said the young duke is very sick, and people say he has poison in all he eats."

"Hush! hush!" cried Leonora, anxiously. "Long confinement and wearing care are enough to make him sick, Bianca, without a grain of poison. No one can die now-a-days without people saying he is poisoned. 'Tis a sad tale, indeed, you tell, Lorenzo, and I have often heard our sweet Princess of Ferrara say that Galeazzo was a bad man; but Ludovic surely is not cruel. He has pardoned many a man, I have heard, who had been condemned by the tribunals."

A somewhat bitter smile came upon the lips of Lorenzo Visconti, but he merely replied, "The good and innocent always think others good and innocent till bitter experience teaches them the contrary."

Perhaps he might have added more, but the sound of footsteps on the terrace above caught his ear, and he and Leonora at once turned to see who approached. The steps were slow and deliberate, and were not directed toward the spot where the young people sat; but they instantly checked further conversation on the subjects previously discussed, while from time to time each of the three gave a glance toward two gentlemen who had just appeared upon the terrace. The one was a man somewhat advanced in years, though not exactly what might be called an old man. His hair and beard were very gray, it is true, but his frame was not bent, and his step was still firm and stately. He was richly dressed, and wore a large, heavy sword, of a somewhat antique fashion. Lorenzo asked no questions concerning him, for he knew him already as the grandfather of his young cousin, Bianca Maria. The other was a younger man, dressed in black velvet, except where the arms were seen from under the long hanging sleeves of his upper garment, showing part of an under coat of cloth of silver. He was tall and thin, and his face would have deserved the name of handsome had it not been that the eyes, which were fine in themselves, and overshadowed by strongly-marked eyebrows, were too close together, and had a slight obliquity inward. It was not what could be absolutely called a squint, but it gave a sinister expression to his countenance, which was not relieved by a habit of keeping his teeth and lips closely compressed, as if holding a rigid guard over what the tongue might be inclined to utter.

They took their way to the extreme end of the terrace, and then walked back till they came on a line with the spot where the three young people sat, still silent, for there is a freemasonry in youth that loves not to have even its most trifling secrets laid bare to other eyes, or its most innocent councils broken in upon.

There the two gentlemen paused, and the younger seemed to end some conversation which had been passing between them by saying, "I know not much, Signor Rovera, of the history or views of other times, or for what men lived and strove for in those days; but I do know, and pretty well, the history of my own times, and the rules by which we have to guide ourselves in them. If we have not ourselves power, we must serve those who have power; and while we keep ourselves from what you would call an evil will on our own part, we must not be over nice in executing the will of those above us. Theirs is the deed, and theirs the responsibility. The race of Sforza is not, methinks, a higher or a better race than the race of Borgia. Both are peasants compared to you or me, but the Borgias are rising, and destined to rise high above us both; the Sforzas have risen, and are about to fall, or I mistake the signs of the times. Men may play with a kitten more safely than with a lion; and when Ludovico called this King of France into Italy, he put his head in the wild beast's mouth."

"Ah, that that were all!" exclaimed the old Count of Rovera. "I should little care to see that wild beast close his heavy jaws upon the skull of his inviter, if that would satisfy him; but Italy--what is to become of Italy?"

"God knows," answered the other drily. "She has taken so little care of her children, that, good faith! they must take care of themselves and let her do the same, my noble cousin. We are both too old to lose much by her fall, and neither of us young enough to hope to see her rise. Phoenixes are rare in these days, Signor Count. There," he continued, pointing to the little group upon the steps, "there are the only things that are likely to spring up, except corn, and mulberry-trees, and such vegetables. Why, how the girl has grown already! She is well-nigh a woman. She will need a husband soon, and then baby-clothes, and so forth. I must speak with her. Leonora! Leonora!"

At the sound of his voice, Leonora, who had been sitting with her head bent down and her eyes fixed upon the marble at her feet, sprang up like a startled deer, and ran up the steps toward him; but when within a step, she paused, and bent before him without speaking.