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II
PARIS AND LONDON
(1875-1881)
To William James

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The brief allusion at the end of this letter to two memorable visits will recall the picture he long afterwards made of them, and of the lady who inducted him, in The Middle Years. The closing paragraph of Daisy Miller, it may be mentioned, gives a glance at the hero's subsequent history and a hint that he became 'much interested in a clever foreign lady.' The story about to appear in the Cornhill was An International Episode.

Devonshire Club, St. James's, S.W.

Nov. 14th, '78.

My dear William,

I was much depressed on reading your letter by your painful reflections on The Europeans; but now, an hour having elapsed, I am beginning to hold up my head a little; the more so as I think I myself estimate the book very justly and am aware of its extreme slightness. I think you take these things too rigidly and unimaginatively—too much as if an artistic experiment were a piece of conduct, to which one's life were somehow committed; but I think also that you're quite right in pronouncing the book 'thin' and empty. I don't at all despair, yet, of doing something fat. Meanwhile I hope you will continue to give me, when you can, your free impression of my performances. It is a great thing to have some one write to one of one's things as if one were a third person, and you are the only individual who will do this. I don't think however you are always right, by any means. As for instance in your objection to the closing paragraph of Daisy Miller, which seems to me queer and narrow, and as regards which I don't seize your point of view. J'en appelle to the sentiment of any other story-teller whatsoever; I am sure none such would wish the paragraph away. You may say—'Ah, but other readers would.' But that is the same; for the teller is but a more developed reader. I don't trust your judgment altogether (if you will permit me to say so) about details; but I think you are altogether right in returning always to the importance of subject. I hold to this, strongly; and if I don't as yet seem to proceed upon it more, it is because, being 'very artistic,' I have a constant impulse to try experiments of form, in which I wish to not run the risk of wasting or gratuitously using big situations. But to these I am coming now. It is something to have learned how to write, and when I look round me and see how few people (doing my sort of work) know how (to my sense,) I don't regret my step-by-step evolution. I don't advise you however to read the two last things I have written—one a thing in the Dec. and Jan. Cornhill, which I will send home; and the other a piece I am just sending to Howells. They are each quite in the same manner as The Europeans.

I have written you a letter after all. I am tired and must stop. I went into the country the other day to stay with a friend a couple of days (Mrs. Greville) and went with her to lunch with Tennyson, who, after lunch, read us Locksley Hall. The next day we went to George Eliot's.

Blessings on Alice. Ever your

H. J. jr.

The Letters of Henry James. Vol. I

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