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II
PARIS AND LONDON
(1875-1881)
To Mrs. Fanny Kemble

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Hôtel de la Ville, Milan.

March 24th, '81.

My dear Mrs. Kemble,

Your good letter of nearly four weeks ago lies before me—where it has been lying for some days past—making me think of you so much that I ended by feeling as if I had answered it. On reflection I see that I haven't, however—that is, not in any way that you will appreciate. Shall you appreciate a letter from Milan on a day blustering and hateful as any you yourself can lately have been visited with? I have been spending the last eight days at this place, but I take myself off—for southern parts—to-morrow; so that by waiting a little I might have sent you a little more of the genuine breath of Italy. But I can do that—and I shall do it—at any rate, and meanwhile let my Milanese news go for what it is worth. You see I travel very deliberately, as I started for Rome six weeks ago, and I have only got thus far. My slowness has had various causes; among others my not being in a particular hurry to join the little nest of my compatriots (and yours) who cluster about the Piazza di Spagna. I have enjoyed the independence of lingering in places where I had no visits to pay—and this indeed has been the only charm of Milan, which has seemed prosaic and winterish, as if it were on the wrong side of the Alps. I have written a good deal (not letters), and seen that mouldering old fresco of Leonardo, which is so magnificent in its ruin, and the lovely young Raphael in the Brera (the Sposalizio) which is still so fresh and juvenile, and Lucrezia Borgia's straw-coloured lock of hair at the Ambrosian Library, and several other small and great curiosities. I have kept pretty well out of the Cathedral, as the chill of Dante's frozen circle abides within it, and I have had a sore throat ever since I left soft San Remo. On the other hand I have also been to the Scala, which is a mighty theatre, and where I heard Der Freyschütz done à l'italienne, and sat through about an hour and three quarters of a ballet which was to last three. The Italians, truly, are eternal children. They paid infinitely more attention to the ballet than to the opera, and followed with breathless attention, and an air of the most serious credulity, the interminable adventures of a danseuse who went through every possible alternation of human experience on the points of her toes. The more I see of them the more struck I am with their having no sense of the ridiculous.

It must have been at Marseilles, I think, that I wrote you before; so that there is an hiatus in my biography to fill up. I went from Marseilles to Nice, which I found more than usually detestable, and pervaded, to an intolerable pitch, with a bad French carnival, which set me on the road again till I reached San Remo, which you may know, and which if you don't you ought to. I spent more than a fortnight there, among the olives and the oranges, between a big yellow sun and a bright blue sea. The walks and drives are lovely, and in the course of one of them (a drive) I called upon our friends the George Howards, who have been wintering at Bordighera, a few miles away. But he was away in England getting himself elected to Parliament (you may have heard that he has just been returned for East Cumberland,) and she was away with him, helping him. The idea of leaving the oranges and olives for that! I saw, however, a most delightful little maid, their eldest daughter, of about 15, who had a mixture of shyness and frankness, the softness of the papa and the decision of the mother, with which I quite fell in love. I didn't fall in love with Mrs. William Morris, the strange, pale, livid, gaunt, silent, and yet in a manner graceful and picturesque, wife of the poet and paper-maker, who is spending the winter with the Howards; though doubtless she too has her merits. She has, for instance, wonderful aesthetic hair. From San Remo I came along the rest of the coast to Genoa, not by carriage however, as I might have done, for I was rather afraid of three days "on end" of my own society: that is, not on end, but sitting down. When I am tired of myself in common situations I can get up and walk away; so, in a word, I came in the train, and the train came in a tunnel—for it was almost all one—for five or six hours. I have been going to Venice—but it is so cold and blustering that I think to-morrow, when I depart from this place, the idea of reaching the southernmost point will get the better of me, and I shall make straight for Rome. I will write you from there—where I first beheld you: that is, familiarity (if I may be allowed the expression). Enough meanwhile about myself, my intentions and delays: let me hear, or at least let me ask, about your own circumstances and propensities.... You must have felt spattered, like all the world, with the blood of the poor Russian Czar! Aren't you glad you are not an Empress? But you are. God save your Majesty!—Mrs. Greville sent me Swinburne's complicated dirge upon her poor simple mother, and I thought it wanting in all the qualities that one liked in Mrs T. I should like very much to send a tender message to Mrs Gordon: indefinite—but very tender! To you I am both tender and definite (save when I cross).

Ever very faithfully yours,

H. JAMES jr.

The Letters of Henry James. Vol. I

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