The Sisters. Complete

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Георг Эберс. The Sisters. Complete

PREFACE

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

CHAPTER VIII

CHAPTER IX

CHAPTER X

CHAPTER XI

CHAPTER XII

CHAPTER XIII

CHAPTER XIV

CHAPTER XV

CHAPTER XVI

CHAPTER XVII

CHAPTER XVIII

CHAPTER XIX

CHAPTER XX

CHAPTER XXI

CHAPTER XXII

CHAPTER XXIII

CHAPTER XXIV

CHAPTER XXV

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On the wide, desert plain of the Necropolis of Memphis stands the extensive and stately pile of masonry which constitutes the Greek temple of Serapis; by its side are the smaller sanctuaries of Asclepios, of Anubis and of Astarte, and a row of long, low houses, built of unburnt bricks, stretches away behind them as a troop of beggar children might follow in the train of some splendidly attired king.

The more dazzlingly brilliant the smooth, yellow sandstone walls of the temple appear in the light of the morning sun, the more squalid and mean do the dingy houses look as they crouch in the outskirts. When the winds blow round them and the hot sunbeams fall upon them, the dust rises from them in clouds as from a dry path swept by the gale. Even the rooms inside are never plastered, and as the bricks are of dried Nile-mud mixed with chopped straw, of which the sharp little ends stick out from the wall in every direction, the surface is as disagreeable to touch as it is unpleasing to look at. When they were first built on the ground between the temple itself and the wall which encloses the precincts, and which, on the eastern side, divides the acacia-grove of Serapis in half, they were concealed from the votaries visiting the temple by the back wall of a colonnade on the eastern side of the great forecourt; but a portion of this colonnade has now fallen down, and through the breach, part of these modest structures are plainly visible with their doors and windows opening towards the sanctuary—or, to speak more accurately, certain rudely constructed openings for looking out of or for entering by. Where there is a door there is no window, and where a gap in the wall serves for a window, a door is dispensed with; none of the chambers, however, of this long row of low one-storied buildings communicate with each other.

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“She has eaten enough for two, and here she stands, on her tiptoes, reaching up to my window, as if it were not an over-fed girl that stood in her garments, but some airy sprite. We may laugh, but Klea, poor thing, she must be hungry?”

Irene made no reply, but she stood taller on tiptoe than ever, put her face up to Serapion, nodding her pretty head at him again and again, and as she looked roguishly and yet imploringly into his eyes Serapion went on:

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