Читать книгу Essays on the Microscope - George Comp Adams - Страница 20

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This microscope was originally thought of, and in part executed by my father; I have, however, so improved and altered it, both in construction and form, as to render it altogether a different instrument. The approbation it has received from the most experienced microscopic observers, as well as the great demand I have had for them, has fully repaid my pains and expenses, in bringing it to its present state of perfection.

As the far greater part of the objects which surround us are opake, and very few sufficiently transparent to be examined by the common microscopes, an instrument that could be readily applied to the examination of opake objects, has always been a desideratum. Even in the examination of transparent objects, many of the fine and more curious portions are lost, and drowned as it were in the light which must be transmitted through them; while different parts of the same object appear only as dark lines or spots, because they are so opake, as not to permit any light to pass through them. These difficulties, as well as many more, are obviated in the lucernal microscope; by which opake objects of various sizes may be seen with ease and distinctness; the beautiful colours with which most of them are adorned, are rendered more brilliant, without in the least changing their natural teints. The concave and convex parts of an object retain also their proper form.

The facility with which all opake objects are applied to this instrument is another considerable advantage, and almost peculiar to itself; as the texture and configuration of the more tender parts are often hurt by previous preparation, every object may be examined by this instrument, first as opake, and afterwards, if the texture will admit of it, as transparent.

The lucernal microscope does not in the least fatigue the eye; the object appears like nature itself, giving ease to the sight, and pleasure to the mind: there is also in the use of this instrument, no occasion to shut that eye which is not directed to the object.

A further advantage peculiar to this microscope is, that by it the outlines of every object may be taken, even by those who are not accustomed to draw; while those who can draw well, will receive great assistance, and execute their work with more accuracy, and in less time than they would otherwise have been able to have performed it in. Most of the designs for this work were taken with the lucernal microscope; and I hope the accuracy with which they are executed, will be deemed a sufficient testimony in favour of the instrument. In this point of view it will, I think, be found of great use to the anatomist, the botanist, the entomologist, &c. as it will enable them not only to investigate the object of their researches, but to convey to others accurate delineations of the subject they wish to describe.

By the addition of a tin lanthorn, transparent objects may be shewn on a screen, as by the solar microscope.

Transparent objects may be examined with this instrument in three or four different modes; from a blaze of light almost too great for the eye to bear, to that which is perfectly easy to it.

When this instrument is fitted up in the best way, it is generally accompanied with a small double and single microscope.

Fig. 1. Plate III. represents the IMPROVED LUCERNAL MICROSCOPE, mounted to view opake objects; A B C D E is a large mahogany pyramidical box, about fourteen inches long, and six inches square at its larger end, which forms the body of the microscope; it is supported firmly on the brass pillar F G, by means of the socket H, and the curved piece I K.

L M N is a guide for the eye, in order to direct it in the axis of the lenses; it consists of two brass tubes, one sliding within the other, and a vertical flat piece, at the top of which is the hole for the eye. The outer tube is seen at M N, the vertical piece is represented at L M. The inner tube may be pulled out, or pushed in, to adjust it to the focus of the glasses. The vertical piece may be raised or depressed, that the hole, through which the object is to be viewed, may coincide with the center of the field of view; it is fixed by a milled screw at M, which could not be shewn in this figure.

At N is a dove-tailed piece of brass, made to receive the dove-tail at the end of the tubes M N, by which it is affixed to the wooden box A B C D E. The tubes M N may be removed from this box occasionally, for the convenience of packing it up in a less compass.

O P a small tube on which the magnifiers are screwed.

O one of the magnifiers; it is screwed into the end of a tube, which slides within the tube P; the tube P may be unscrewed occasionally from the wooden body.

Q R S T V X a long square bar, which passes through the sockets Y Z, and carries the stage or frame that holds the objects; this bar may be moved backward or forward, in order to adjust it to the focus, by means of the pinion which is at a.

b e is a handle furnished with an universal joint, for more conveniently turning the pinion. When the handle is removed, the nut, Fig. 2, may be used in its stead.

d e is a brass bar, to support the curved piece K I, and keep the body A B firm and steady.

f g h i is the stage for opake objects; it fits upon the bar Q R S T by means of the socket h i, and is brought nearer to, or removed farther from the magnifying lens, by turning the pinion a; the objects are placed in the front side of the stage, which cannot be seen in this figure, between four small brass plates; the edges of two of these are seen at k l. The two upper pieces of brass are moveable; they are fixed to a plate, which is acted on by a spiral spring that presses them down, and confines the slider with the objects; this plate, and the two upper pieces of brass, are lifted up by the small nut m.

At the lower part of the stage, there is a glass semiglobe n, which is designed to receive the light from the lamp, Fig. 3, and to collect and convey it to the concave mirror o, from whence it is to be reflected on the object.

The upper part, f g r S, of the opake stage takes out, that the stage for transparent objects may be inserted in its place.

Fig. 4. represents the stage for transparent objects; the two legs 5 and 6, fit into the under part r S of the stage for opake objects; 7 is the part which confines or holds the sliders, and through which they are to be moved; 9 and 10 a brass tube, which contains the lenses for condensing the light, and throwing it upon the object; there is a second tube within that, marked 9 and 10, which may be placed at different distances from the object by the pin 11.

When this stage is used as a single microscope, without any reference to the lucernal, the magnifiers or object lenses are to be screwed into the hole 12, and to be adjusted to a proper focus by the nut 13.

N. B. At the end A B of the wooden body there is a slider, which is represented as partly drawn out at A; when quite taken out, three grooves will be perceived, one of which contains a board that forms the end of the box, the next contains a frame with a greyed glass; the third, or that farthest from the end A B, two large convex lenses.