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XIII. SUNDRY IDEAS

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Death.—It is Schopenhauer's argument in his essay "On Suicide," that the possibility of easy and painless self-destruction is the only thing that constantly and considerably ameliorates the horror of human life. Suicide is a means of escape from the world and its tortures—and therefore it is good. It is an ever-present refuge for the weak, the weary and the hopeless. It is, in Pliny's phrase, "the greatest of all blessings which Nature gives to man," and one which even God himself lacks, for "he could not compass his own death, if he willed to die." In all of this exaltation of surrender, of course, there is nothing whatever in common with the dionysian philosophy of defiance. Nietzsche's teaching is all in the other direction. He urges, not surrender, but battle; not flight, but war to the end. His curse falls upon those "preachers of death" who counsel "an abandonment of life"—whether this abandonment be partial, as in asceticism, or actual, as in suicide. And yet Zarathustra sings the song of "free death" and says that the higher man must learn "to die at the right time." Herein an inconsistency appears, but it is on the surface only. Schopenhauer regards suicide as a means of escape, Nietzsche sees in it a means of good riddance. It is time to die, says Zarathustra, when the purpose of life ceases to be attainable—when the fighter breaks his sword arm or falls into his enemy's hands. And it is time to die, too, when the purpose of life is attained—when the fighter triumphs and sees before him no more worlds to conquer. "He who hath a goal and an heir wisheth death to come at the right time for goal and heir." One who has "waxed too old for victories," one who is "yellow and wrinkled," one with a "toothless mouth"—for such an one a certain and speedy death. The earth has no room for cumberers and pensioners. For them the highest of duties is the payment of nature's debt, that there may be more room for those still able to wield a sword and bear a burden in the heat of the day. The best death is that which comes in battle "at the moment of victory;" the second best is death in battle in the hour of defeat. "Would that a storm came," sings Zarathustra, "to shake from the tree of life all those apples that are putrid and gnawed by worms. It is cowardice that maketh them stick to their branches"—cowardice which makes them afraid to die. But there is another cowardice which makes men afraid to live, and this is the cowardice of the Schopenhauerean pessimist. Nietzsche has no patience with it. To him a too early death seems as abominable as a death postponed too long. "Too early died that Jew whom the preachers of slow death revere. Would that he had remained in the desert and far away from the good and just! Perhaps he would have learned how to live and how to love the earth—and even how to laugh. He died too early. He himself would have revoked his doctrine, had he reached mine age!"1 Therefore Nietzsche pleads for an intelligent regulation of death. One must not die too soon and one must not die too late. "Natural death," he says, "is destitute of rationality. It is really irrational death, for the pitiable substance of the shell determines how long the kernel shall exist. The pining, sottish prison-warder decides the hour at which his noble prisoner is to die.... The enlightened regulation and control of death belongs to the morality of the future. At present religion makes it seem immoral, for religion presupposes that when the time for death comes, God gives the command."2

The Attitude at Death.—Nietzsche rejects entirely that pious belief in signs and portents which sees a significance in death-bed confessions and "dying words." The average man, he says, dies pretty much as he has lived, and in this Dr. Osler3 and other unusually competent and accurate observers agree with him. When the dying man exhibits unusual emotions or expresses ideas out of tune with his known creed, the explanation is to be found in the fact that, toward the time of death the mind commonly gives way and the customary processes of thought are disordered. "The way in which a man thinks of death, in the full bloom of his life and strength, is certainly a good index of his general character and habits of mind, but at the hour of death itself his attitude is of little importance or significance. The exhaustion of the last hours—especially when an old man is dying—the irregular or insufficient nourishment of the brain, the occasional spasms of severe physical pain, the horror and novelty of the whole situation, the atavistic return of early impressions and superstitions, and the feeling that death is a thing unutterably vast and important and that bridges of an awful kind are about to be crossed—all of these things make it irrational to accept a man's attitude at death as an indication of his character during life. Moreover, it is not true that a dying man is more honest than a man in full vigor. On the contrary, almost every dying man is led, by the solemnity of those at his bedside, and by their restrained or flowing torrents of tears, to conscious or unconscious conceit and make-believe. He becomes, in brief, an actor in a comedy.... No doubt the seriousness with which every dying man is treated has given many a poor devil his only moment of real triumph and enjoyment. He is, ipso facto, the star of the play, and so he is indemnified for a life of privation and subservience."4

The Origin of Philosophy.—Nietzsche believed that introspection and self-analysis, as they were ordinarily manifested, were signs of disease, and that the higher man and superman would waste little time upon them. The first thinkers, he said, were necessarily sufferers, for it was only suffering that made a man think and only disability that gave him leisure to do so. "Under primitive conditions," he said, "the individual, fully conscious of his power, is ever intent upon transforming it into action. Sometimes this action takes the form of hunting, robbery, ambuscade, maltreatment or murder, and at other times it appears as those feebler imitations of these things which alone are countenanced by the community. But when the individual's power declines—when he feels fatigued, ill, melancholy or satiated, and in consequence, temporarily lacks the yearning to function—he is a comparatively better and less dangerous man." That is to say, he contents himself with thinking instead of doing, and so puts into thought and words "his impressions and feelings regarding his companions, his wife or his gods." Naturally enough, since his efficiency is lowered and his mood is gloomy his judgments are evil ones. He finds fault and ponders revenges. He gloats over enemies or envies his friends. "In such a state of mind he turns prophet and so adds to his store of superstitions or devises new acts of devotion or prophesies the downfall of his enemies. Whatever he thinks, his thoughts reflect his state of mind: his fear and weariness are more than normal; his tendency to action and enjoyment are less than normal. Herein we see the genesis of the poetic, thoughtful, priestly mood. Evil thoughts must rule supreme therein.... In later stages of culture, there arose a caste of poets, thinkers, priests and medicine men who all acted the same as, in earlier years, individuals used to act in their comparatively rare hours of illness and depression. These persons led sad, inactive lives and judged maliciously.... The masses, perhaps, yearned to turn them out of the community, because they were parasites, but in this enterprise there was great risk, because these men were on terms of familiarity with the gods and so possessed vast and mysterious power. Thus the most ancient philosophers were viewed. The masses hearkened unto them in proportion to the amount of dread they inspired. In such a way contemplation made its appearance in the world, with an evil heart and a troubled head. It was both weak and terrible, and both secretly abhorred and openly worshipped.... Pudenda origo!"5

Priestcraft.—So long as man feels capable of taking care of himself he has no need of priests to intercede for him with the deity. Efficiency is proverbially identified with impiety: it is only when the devil is sick that the devil a monk would be. Therefore "the priest must be regarded as the saviour, shepherd and advocate of the sick.... It is his providence to rule over the sufferers...." In order that he may understand them and appeal to them he must be sick himself, and to attain this end there is the device of asceticism. The purpose of asceticism, as we have seen, is to make a man voluntarily destroy his own efficiency. But the priest must have a certain strength, nevertheless, for he must inspire both confidence and dread in his charges, and must be able to defend them—against whom? "Undoubtedly against the sound and strong.... He must be the natural adversary and despiser of all barbarous, impetuous, unbridled, fierce, violent, beast-of-prey healthiness and power."6 Thus he must fashion himself into a new sort of fighter—"a new zoological terror, in which the polar bear, the nimble and cool tiger and the fox are blended into a unity as attractive as it is awe-inspiring." He appears in the midst of the strong as "the herald and mouthpiece of mysterious powers, with the determination to sow upon the soil, whenever and wherever possible, the seeds of suffering, dissension and contradiction.... Undoubtedly he brings balms and balsams with him, but he must first inflict the wound, before he may act as physician.... It is only the unpleasantness of disease that is combated by him—not the cause, not the disease itself!" He dispenses, not specifics, but narcotics. He brings surcease from sorrow, not by showing men how to attain the happiness of efficiency, but by teaching them that their sufferings have been laid upon them by a god who will one day repay them with bliss illimitable.

God.—"A god who is omniscient and omnipotent and yet neglects to make his wishes and intentions certainly known to his creatures—certainly this is not a god of goodness. One who for thousands of years has allowed the countless scruples and doubts of men to afflict them and yet holds out terrible consequences for involuntary errors—certainly this is not a god of justice. Is he not a cruel god if he knows the truth and yet looks down upon millions miserably searching for it? Perhaps he is good, but is unable to communicate with his creatures more intelligibly. Perhaps he is wanting in intelligence—or in eloquence. So much the worse! For, in that case, he may be mistaken in what he calls the truth. He may, indeed, be a brother to the 'poor, duped devils' below him. If so, must he not suffer agonies on seeing his creatures, in their struggle for knowledge of him, submit to tortures for all eternity? Must it not strike him with grief to realize that he cannot advise them or help them, except by uncertain and ambiguous signs?... All religions bear traces of the fact that they arose during the intellectual immaturity of the human race—before it had learned the obligation to speak the truth. Not one of them makes it the duty of its god to be truthful and understandable in his communications with man."7

Self-Control.—Self-control, says Nietzsche, consists merely in combating a given desire with a stronger one. Thus the yearning to commit a murder may be combated and overcome by the yearning to escape the gallows and to retain the name and dignity of a law-abiding citizen. The second yearning is as much unconscious and instinctive as the first, and in the battle between them the intellect plays but a small part. In general there are but six ways in which a given craving may be overcome. First, we may avoid opportunities for its gratification and so, by a long disuse, weaken and destroy it. Secondly, we may regulate its gratification, and by thus encompassing its flux and reflux within fixed limits, gain intervals during which it is faint. Thirdly, we may intentionally give ourselves over to it and so wear it out by excess—provided we do not act like the rider who lets a runaway horse gallop itself to death and, in so doing, breaks his own neck,—which unluckily is the rule in this method. Fourthly, by an intellectual trick, we may associate gratification with an unpleasant idea, as we have associated sexual gratification, for example, with the idea of indecency. Fifthly, we may find a substitute in some other craving that is measurably less dangerous, Sixthly, we may find safety in a general war upon all cravings, good and bad alike, after the manner of the ascetic, who, in seeking to destroy his sensuality, at the same time destroys his physical strength, his reason and, not infrequently, his life.

The Beautiful.—Man's notion of beauty is the fruit of his delight in his own continued existence. Whatever makes this existence easy, or is associated, in any manner, with life or vigor, seems to him to be beautiful. "Man mirrors himself in things. He counts everything beautiful which reflects his likeness. The word 'beautiful' represents the conceit of his species.... Nothing is truly ugly except the degenerating man. But other things are called ugly, too, when they happen to weaken or trouble man. They remind him of impotence, deterioration and danger: in their presence he actually suffers a loss of power. Therefore he calls them ugly. Whenever man is at all depressed he has an intuition of the proximity of something 'ugly.' His sense of power, his will to power, his feeling of pride and efficiency—all sink with the ugly and rise with the beautiful. The ugly is instinctively understood to be a sign and symptom of degeneration. That which reminds one, in the remotest degree, of degeneracy seems ugly. Every indication of exhaustion, heaviness, age, or lassitude, every constraint—such as cramp or paralysis—and above all, every odor, color or counterfeit of decomposition—though it may be no more than a far-fetched symbol—calls forth the idea of ugliness. Aversion is thereby excited—man's aversion to the decline of his type."8 The phrase "art for art's sake" voices a protest against subordinating art to morality—that is, against making it a device for preaching sermons—but as a matter of fact, all art must praise and glorify and so must lay down values. It is the function of the artist, indeed, to select, to choose, to bring into prominence. The very fact that he is able to do this makes us call him an artist. And when do we approve his choice? Only when it agrees with our fundamental instinct—only when it exhibits "the desirableness of life." "Therefore art is the great stimulus to life. We cannot conceive it as being purposeless or aimless. 'Art for art's sake' is a phrase without meaning."9

Liberty.—The worth of a thing often lies, not in what one attains by it, but in the difficulty one experiences in getting it. The struggle for political liberty, for example, has done more than any other one thing to develop strength, courage and resourcefulness in the human race, and yet liberty itself, as we know it today, is nothing more or less than organized morality, and as such, is necessarily degrading and degenerating. "It undermines the will to power, it levels the racial mountains and valleys, it makes man small, cowardly and voluptuous. Under political liberty the herd-animal always triumphs." But the very fight to attain this burdensome equality develops the self-reliance and unconformity which stand opposed to it, and these qualities often persist. Warfare, in brief, makes men fit for real, as opposed to political freedom. "And what is freedom? The will to be responsible for one's self. The will to keep that distance which separates man from man. The will to become indifferent to hardship, severity, privation and even to life. The will to sacrifice men to one's cause and to sacrifice one's self, too.... The man who is truly free tramples under foot the contemptible species of well-being dreamt of by shop-keepers, Christians, cows, women, Englishmen and other democrats. The free man is a warrior.... How is freedom to be measured? By the resistance it has to overcome—by the effort required to maintain it. We must seek the highest type of freemen where the highest resistance must be constantly overcome: five paces from tyranny, close to the threshold of thraldom.... Those peoples who were worth something, who became worth something, never acquired their greatness under political liberty. Great danger made something of them—danger of that sort which first teaches us to know our resources, our virtues, our shields and swords, our genius—which compels us to be strong."10

Science—The object of all science is to keep us from drawing wrong inferences—from jumping to conclusions. Thus it stands utterly opposed to all faith and is essentially iconoclastic and skeptical. "The wonderful in science is the reverse of the wonderful in juggling. The juggler tries to make us see a very simple relation between things which, in point of fact, have no relation at all. The scientist, on the contrary, compels us to abandon our belief in simple casualities and to see the enormous complexity of phenomena. The simplest things, indeed, are extremely complex—a fact which will never cease to make us wonder." The effect of science is to show the absurdity of attempting to reach perfect happiness and the impossibility of experiencing utter woe. "The gulf between the highest pitch of happiness and the lowest depth of misery has been created by imaginary things."11 That is to say, the heights of religious exaltation and the depths of religious fear and trembling are alike creatures of our own myth-making. There is no such thing as perfect and infinite bliss in heaven and there is no such thing as eternal damnation in hell. Hereafter our highest happiness must be less than that of the martyrs who saw the heavenly gates opening for them, and our worst woe must be less than that of those medieval sinners who died shrieking and trembling and with the scent of brimstone in their noses. "This space is being reduced further and further by science, just as through science we have learned to make the earth occupy less and less space in the universe, until it now seems infinitely small and our whole solar system appears as a mere point."12

The Jews.—For the Jewish slave-morality which prevails in the western world today, under the label of Christianity, Nietzsche had, as we know, the most violent aversion and contempt, but he saw very clearly that this same morality admirably served and fitted the Jews themselves; that it had preserved them through long ages and against powerful enemies, and that its very persistence proved alike its own ingenuity and the vitality of its inventors as a race. "The Jews," said Nietzsche, "will either become the masters of Europe or lose Europe, as they once lost Egypt, And it seems to be improbable that they will lose again. In Europe, for eighteen centuries; they have passed through a school more terrible than that known to any other nation, and the experiences of this time of stress and storm have benefited the individual even more than the community. In consequence, the resourcefulness and alertness of the modern Jew are extraordinary.... In times of extremity, the people of Israel less often sought refuge in drink or suicide than any other race of Europe. Today, every Jew finds in the history of his forebears a voluminous record of coolness and perseverance in terrible predicaments—of artful cunning and clever fencing with chance and misfortune. The Jews have hid their bravery under the cloak of submissiveness; their heroism in facing contempt surpasses that of the saints. People tried to make them contemptible for twenty centuries by refusing them all honors and dignities and by pushing them down into the mean trades. The process did not make them cleaner, alas! but neither did it make them contemptible. They have never ceased to believe themselves qualified for the highest of activities. They have never failed to show the virtues of all suffering peoples. Their manner of honoring their parents and their children and the reasonableness of their marriage customs make them conspicuous among Europeans. Besides, they have learned how to derive a sense of power from the very trades forced upon them. We cannot help observing, in excuse for their usury, that without this pleasant means of inflicting torture upon their oppressors, they might have lost their self-respect ages ago, for self-respect depends upon being able to make reprisals. Moreover, their vengeance has never carried them too far, for they have that liberality which comes from frequent changes of place, climate, customs and neighbors. They have more experience of men than any other race and even in their passions there appears a caution born of this experience. They are so sure of themselves that, even in their bitterest straits, they never earn their bread by manual labor as common workmen, porters or peasants.... Their manners, it may be admitted, teach us that they have never been inspired by chivalrous, noble feelings, nor their bodies girt with beautiful arms: a certain vulgarity always alternates with their submissiveness. But now they are intermarrying with the gentlest blood of Europe, and in another hundred years they will have enough good manners to save them from making themselves ridiculous, as masters, in the sight of those they have subdued." It was Nietzsche's belief that the Jews would take the lead before long, in the intellectual progress of the world. He thought that their training, as a race, fitted them for this leadership. "Where," he asked, "shall the accumulated wealth of great impressions which forms the history of every Jewish family—that great wealth of passions, virtues, resolutions, resignations, struggles and victories of all sorts—where shall it find an outlet, if not in great intellectual functioning?" The Jews, he thought, would be safe guides for mankind, once they were set free from their slave-morality and all need of it. "Then again," he said, "the old God of the Jews may rejoice in Himself, in His creation and in His chosen people—and all of us will rejoice with Him."13

The Gentleman.—A million sages and diagnosticians, in all ages of the world, have sought to define the gentleman, and their definitions have been as varied as their own minds. Nietzsche's definition is based upon the obvious fact that the gentleman is ever a man of more than average influence and power, and the further fact that this superiority is admitted by all. The vulgarian may boast of his bluff honesty, but at heart he looks up to the gentleman, who goes through life serene and imperturbable. There is in the flatter, in truth, an unmistakable air of fitness and efficiency, and it is this which makes it possible for him to be gentle and to regard those below him with tolerance. "The demeanor of high-born persons," says Nietzsche, "shows plainly that in their minds the consciousness of power is ever-present. Above all things, they strive to avoid a show of weakness, whether it takes the form of inefficiency or of a too-easy yielding to passion or emotion. They never sink exhausted into a chair. On the train, when the vulgar try to make themselves comfortable, these higher folk avoid reclining. They do not seem to get tired after hours of standing at court. They do not furnish their houses in a comfortable, but in a spacious and dignified manner, as if they were the abodes of a greater and taller race of beings. To a provoking speech, they reply with politeness and self-possession—and not as if horrified, crushed, abashed, enraged or out of breath, after the manner of plebeians. The aristocrat knows how to preserve the appearance of ever-present physical strength, and he knows, too, how to convey the impression that his soul and intellect are a match to all dangers and surprises, by keeping up an unchanging serenity and civility, even under the most trying circumstances."14

Dreams.—Dreams are symptoms of the eternal law of compensation. In our waking hours we develop a countless horde of yearnings, cravings and desires, and by the very nature of things, the majority of them must go ungratified. The feeling that something is wanting, thus left within us, is met and satisfied by our imaginary functionings during sleep. That is to say, dreams represent the reaction of our yearnings upon the phenomena actually encountered during sleep—the motions of our blood and intestines, the pressure of the bedclothes, the sounds of church-bells, domestic animals, etc., and the state of the atmosphere. These phenomena are fairly constant, but our dreams vary widely on successive nights. Therefore, the variable factor is represented by the yearnings we harbor as we go to bed. Thus, the man who loves music and must go without it all day, hears celestial harmonies in his sleep. Thus the slave dreams of soaring like an eagle. Thus the prisoner dreams that he is free and the sailor that he is safely at home. Inasmuch as the number of our conscious and unconscious desires, each day, is infinite, there is an infinite variety in dreams. But always the relation set forth may be predicated.

1. "Also sprach Zarathustra," I.

2. "Menschliches allzu Menschliches," III, § 185.

3. "Science and Immortality," New York, 1904.

4. "Menschliches allzu Menschliches," II, § 88.

5. "Morgenröte," § 42.

6. "Zur Genealogie der Moral," III, 11 to 17.

7. "Morgenröte," § 91.

8. "Götzendämmerung," IX, § 19.

9. "Götzendämmerung," IX, § 24.

10. "Götzendämmerung," IX, § 38.

11. "Morgenröte," § 6.

12. "Morgenröte," § 7.

13. "Morgenröte," § 205.

14. "Morgenröte," § 201.

The Collected Works of H. L. Mencken

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