Читать книгу The Light’s On At Signpost - George MacDonald Fraser - Страница 16

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INTERLUDE


Orcs and Goblins

WITH THE FIRST FILM OF The Lord of the Rings trilogy having rekindled the controversies about allegories and symbolism which broke out after the books’ publication more than forty years ago, and new disputes about where Tolkein got his inspiration (the Warwickshire countryside? the Ribble Valley? the Western Front?) it is highly satisfactory to be able to settle absolutely one minor question in the great panorama of Tolkeinery. Namely, are the goblins of The Hobbit the same creatures as the orcs of the Ring stories, or are they of different species?

This debate divided the canteen of The Glasgow Herald in the 1960s, so I wrote to Tolkein for a ruling and received a courteous and detailed reply, written in the famous spidery hand so familiar to students of his works. Yes, orcs and goblins were identical, and he added the fascinating information that they had been inspired by his childhood reading of The Princess and the Goblin and The Princess and Curdie, eerie spellbinders which had helped to freshen my own infant nightmares. Their author was a Scottish minister named George MacDonald (I was about to say “no relation” until I discovered that he was descended from a survivor of the Massacre of Glencoe, and therefore kin to my paternal grandmother).

That is my tiny contribution to Tolkein scholarship. His orcs and goblins are George MacDonald’s, but as to other inspirations, who knows? It is a common mistake to think that one can spot with certainty the wellsprings of an author’s imagination, as I know only too well, having had a critic state flatly that I was plainly much influenced by Conrad – of whom I had not read a single word at that time. I will not enrage Tolkein admirers by noting that Conan the Barbarian preceded the Ring books by many years in the field of sword-and-sorcery, since I would bet heavily that Tolkein never even heard of Conan, but I have wondered if he ever encountered that remarkable fantasy of E. R. Eddison’s, The Worm Ouroboros, which has been casting its spell for more than seventy years. Probably not, but I’m fairly certain that Tolkein enthusiasts would find Eddison to their taste.

The Light’s On At Signpost

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