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When a young man, who has never done a day’s work except “to amuse himself,” comes down with a crash from ten thousand pounds a-year to about five hundred, it seems to him at first as though Life (with a capital L) were finished. Later on, the adaptability of the human animal begins to assert itself; a new standard of values replaces the old one; and the man—as apart from his chattels—emerges. Bruised, broken or strengthened according to his nature.

Peter’s cousin, Francis Gordon, had come down with just such a crash: but in Francis’ case the human animal had more than altered conditions to which it needed adapt itself. For Francis Gordon at the very moment when Life (with a capital L) had looked its blackest, met a girl, the girl, the ideal to whom his soul had been, was, and would always be, faithful.

He looked up now—from the papers on the table where he sat working—at her photograph, the only one in the room.

Beatrice Cochrane! A very ordinary, very human, very idealistic American girl. The sort of girl a man may meet in her hundreds from Los Angeles to Atlantic City; from New Orleans to Flushing, Long Island; from Dubuque, Iowa to Dallas, Texas. A girl still in her ’teens; slender-handed; with pale-gold hair and pale-gray thoughtful eyes.

A very ordinary American girl, of the old Anglo-Saxon stock—but tempered and refined by struggle: child of very ordinary American parents, educated rather to beauty of thought than to “beauty roses.” But, in the mind of Francis Gordon, she stood for all the flowers; for poetry and romance, for self-sacrifice and achievement, for every decent impulse which had helped him through the black hours of crisis.

He had not married her, not even asked her to marry him. He had not—in that brief fortnight of a shipboard friendship—deemed himself worthy. It had seemed to him as though God—a visible speaking God—forbade their union; commanding His creature, Francis Gordon, abandon that dream; take up, in its stead, the burden of vocation, the Work of writing for which He had endowed him with a tiny spark of His own genius.

And so Francis—who imagined himself to have seen, for a moment, behind that Veil of God which does not lift until the time appointed—returned to London; sold his house in Curzon Street, his cars and his pictures, his gold plate and his Aubusson carpets; and retired, taking with him only Prout, his old manservant, to this high apartment at the top of the eighteenth-century Georgian building in Mecklenburgh Square.

All “literary” London knew a Francis Gordon, a versifier whose technique they admired, whose pose they applauded. But the Francis, they did not know. Nor, had they known him, would they have, at that time, admired.

For the Francis—the man who, for all his fine aspirations, was still utterly incapable of formulating clean thought into simple words—had conceived another dream. And this was the shape of it.

He had learned from Beatrice, and from her parents, something—though very little—of the real America. He had taught her something—though very little—of the real England. He realized, as few Englishmen of his time, how the two nations had drifted apart; misunderstood one another. And it seemed to him, in his presumption, that a few words, a trumpery poem, could set this misunderstanding right.

Of course—(he was too much in love with the phantom of Beatrice for any except a prejudiced judgment)—he blamed his own countrymen exclusively. Equally of course, the great poem of his projecting, became—the moment pen touched paper—an artificial web of phrases through which the man’s real belief in a Spiritual Federation of the English-speaking Peoples oozed to nothingness. Still, it says something for the influence of a girl who only wrote in calm friendship, confident of his ultimate success as a writer, but by no manner of means—consciously at any rate—in love with him, that Francis Gordon should have held to this belief, unflinchingly, through all those weary months when other Englishmen—better informed on material points though utterly ignorant of the spiritual reluctance to realize that a world-crime was being committed (which reluctance alone kept America so long out of the War)—were saying to themselves, “Can’t they see things? Won’t they see things? Must we fight this greatest of all battles without them?”

“Mr. and Mrs. Jameson, Sir,” announced the elderly manservant.

Peter Jameson

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