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IClement Greenberg, The Collected Essays and Criticism, Vol. 1IIClement Greenberg, The Collected Essays and Criticism, Vol. 2IIIClement Greenberg, The Collected Essays and Criticism, Vol. 3IVClement Greenberg, The Collected Essays and Criticism, Vol. 4AAMT.J. Clark, “Arguments About Modernism”ABRobert Pippin, After the BeautifulADJacques Rancière, Aesthetics and its DiscontentsAEAArthur Danto, After the End of ArtANAPeter Osborne, Anywhere or Not at AllAOMichael Fried, Art and ObjecthoodAOARobert Jackson, “The Anxiousness of Objects and Artworks”AAPJoseph Kosuth, “Art After Philosophy”ATMichael Fried, Absorption and TheatricalityAWArthur Danto, Andy WarholBBJElaine Scarry, On Beauty and Being JustBNDHal Foster, Bad New DaysCGTAT.J. Clark, “Clement Greenberg’s Theory of Art”CJImmanuel Kant, Critique of JudgmentCRMichael Fried, Courbet’s RealismDBGavin Parkinson, The Duchamp BookESJacques Rancière, The Emancipated SpectatorFIT.J. Clark, Farewell to an IdeaGDGraham Harman, “Greenberg, Duchamp, and the Next Avant-Garde”HEClement Greenberg, Homemade EstheticsHMWMichael Fried, “How Modernism Works”KADThierry de Duve, Kant After DuchampLWClement Greenberg, Late WritingsMMMichael Fried, Manet’s ModernismNOBettina Funcke, “Not Objects so Much as Images”OAGRosalind Krauss, The Originality of the Avant-GardeOCLeo Steinberg, Other CriteriaOOSRoger Rothman, “Object-Oriented Surrealism”OURosalind Krauss, The Optical UnconsciousPAJacques Rancière, The Politics of AestheticsRRHal Foster, The Return of the RealTCArthur Danto, The Transfiguration of the CommonplaceTNHarold Rosenberg, The Tradition of the New