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Wolfgang Ernst has been Full Professor for Media Theories at the Institute of Musicology and Media Studies, Humboldt University, Berlin, since 2003. He studied history, classics, and archaeology; in the 1980s and 1990s his academic focus was the theory of history, museology, and the archive. His current research fields embrace time-based and time-critical media, their chrono-poetical capacities and implicit sonicity. He has published many books in German, including, recently, Chronopoetik: Zeitweisen und Zeitgaben technischer Medien (Chrono-poetics: Time in and of technological media; Kulturverlag Kadmos, 2012), Gleichursprünglichkeit. Zeitwesen und Zeitgegebenheit technischer Medien (Equiprimoridality: The temporal being and the being-in-time of technical media; Kulturverlag Kadmos, 2012), and Signale aus der Vergangenheit: Eine kleine Geschichtskritik (Signals from the past: A small historical critique; Wilhelm Fink, 2013). In English he has most recently published Digital Memory and the Archive, edited and with an introduction by Jussi Parikka (University of Minnesota Press, 2013).

Michelle Henning is Senior Lecturer in Photography and Visual Culture in the Media Department, College of Arts and Humanities at the University of Brighton. She is also a Visiting Senior Research Fellow in the Digital Cultures Research Centre at the University of the West of England, Bristol. Prior to this she was Associate Professor of Media and Culture at the University of the West of England, Bristol. She is a practicing photographer and designer and has written widely on museums, media, and display techniques in her book Museums, Media and Cultural Theory (Open University Press, 2006), as well as in numerous collections.