Читать книгу Museum Media - Группа авторов - Страница 45

Assmann, Aleida. 2008. “Canon and Archive.” In Cultural Memory Studies: An International and Interdisciplinary Handbook, edited by Astrid Erll and Ansgar Nünning with Sara B. Young, 97–107. Berlin: De Gruyter.

Bazin, André. 1967. What Is Cinema?, vol. 1. Translated by Hugh Gray. Berkeley: University of California Press.

Beckman, Karen, and Jean Ma, eds. 2008. Still Moving: Between Cinema and Photography. Durham, NC: Duke University Press.

Benjamin, Walter. 1999. Selected Writings, vol. 2, 1927–1934. Translated by Rodney Livingstone. Cambridge, MA: Harvard University Press.

Bennett, Tony. 1995. The Birth of the Museum. London: Routledge.

Bolter, Jay. D. 2007. “Digital Media and Art: Always Already Complicit?” Criticism 49(1): 107–118.

Brown, Steven. D. 2012. “Two Minutes of Silence: Social Technologies of Public Commemoration.” Theory & Psychology 22(2): 234–252.

Cowie, Elizabeth. 2009. “On Documentary Sounds and Images in the Gallery.” Screen 50(1): 124–134.

Eleftheriotis, Dimitris. 2010 .Cinematic Journeys. Edinburgh: Edinburgh University Press.

Erll, Astrid. 2009. “Remembering across Time, Space and Cultures.” In Mediation, Remediation, and the Dynamics of Cultural Memory, edited by Astrid Erll and Ann Rigney, 109–138. Berlin: De Gruyter.

Ernst, Wolfgang. 2004. “The Archive as Metaphor.” Open 7: 46–53.

Ernst, Wolfgang. 2006. “Dis/continuities: Does the Archive Become Metaphorical in Multi-Media Space?” In New Media, Old Media: A History and Theory Reader, edited by Wendy Hui Kyong Chun and Thomas Keenan, 105–123. New York: Routledge.

Galerie Martin Janda. 2008. “Roman Ondák.” Accessed July 21, 2014. http://www.mutualart.com/OpenArticle/Roman-Ondak/3E35E1DEE8531FFA.

Gitelman, Lisa. 2006. Always Already New: Media, History and the Data of Culture. Cambridge, MA: MIT Press.

Griffiths, Alison. 2002. Wondrous Difference: Cinema, Anthropology and Turn of the Century Visual Culture. New York: Columbia University Press.

Grusin, Richard. 2004. “Premediation.” Criticism 46(1): 17–39.

Grusin, Richard. 2010. Premediation: Affect and Mediality After 9/11. Basingstoke, UK: Palgrave Macmillan.

Henning, Michelle. 2006. “New Media.” In A Companion to Museum Studies, edited by Sharon Macdonald, 302–318. Oxford: Blackwell.

Hillier, Bill, and Kali Tzortzi. 2006. “Space Syntax: The Language of Museum Space.” In A Companion to Museum Studies, edited by Sharon Macdonald, 282–301. Oxford: Blackwell.

Hoskins, Andrew. 2009. “Digital Network Memory.” In Mediation, Remediation, and the Dynamics of Cultural Memory, edited by Astrid Erll and Ann Rigney, 91–106. Berlin: De Gruyter.

Hoskins, Andrew. 2011a. “Media, Memory, Metaphor: Remembering and the Connective Turn.” Parallax 17(4): 19–31.

Hoskins, Andrew. 2011b. “7/7 and Connective Memory: Interactional Trajectories of Remembering in Post-Scarcity Culture.” Memory Studies 4(3): 269–280.

Hoskins, Andrew, and B. O’Loughlin. 2010. War and Media: The Emergence of Diffused War. Cambridge: Polity.

Huang, Hsu. 2001. “The Spatialization of Knowledge and Social Relationships.” In Proceedings of the Third International Space Syntax Symposium, 43.1–43.14. Accessed July 21, 2014. http://www.ucl.ac.uk/bartlett/3sss/papers_pdf/43_huang.pdf.

Huhtamo, Erkki, and Jussi Parikka. 2011. Media Archaeology: Approaches, Applications, and Implications. Berkeley: University of California Press.

Huyssen, Andreas. 1995. Twilight Memories: Marking Time in a Culture of Amnesia. London: Routledge.

Huyssen, Andreas. 2003. Present Pasts: Urban Palimpsests and the Politics of Memory. Stanford: Stanford University Press.

Leach, William. R. 1989. “Strategies of Display and the Production of Desire.” In Consuming Visions: Accumulation and Display of Goods in America 1880–1920, edited by Simon J. Bronner, 99–132. New York: Norton.

Lunenfeld, Peter. 2011. The Secret War between Downloading and Uploading: Tales of the Computer as Culture Machine. Cambridge, MA: MIT Press.

Maire, Julien. 2007. Exploding Camera, 2007. Accessed July 21, 2014. http://julienmaire.ideenshop.net/project5.shtml.

McLuhan, Marshall. 1964. Understanding Media: The Extensions of Man. London: Routledge.

Morse, Margaret. 1990. “Video Installation Art: The Body, the Image, and the Space-in-Between.” In Illuminating Video: An Essential Guide to Video Art, edited by Doug Hall and Sally Jo Fifer, 153–167. New York: Aperture/Bay Area Video Coalition.

Nowotny, Helga. 1994. Time: The Modern and Postmodern Experience. Cambridge: Polity.

Phillips, Mark S. 2004. “History, Memory, and Historical Distance.” In Theorizing Historical Consciousness, edited by Peter Seixas, 86–108. Toronto: University of Toronto Press.

Shaw, Jonathan, Ben Squire Scholes, and Christopher Thurgood. 2008. “Space and Place – Imperial War Museum North.” Journal of Place Management and Development 1(2): 227–231.

Stewart, Susan. 1993. On Longing. Durham, NC: Duke University Press.

Wasson, Haidee. 2005. Museum Movies: The Museum of Modern Art and the Birth of Art Cinema. Los Angeles: University of California Press.

Winter, Jay. 2006. Remembering War: The Great War between Memory and History in the Twentieth Century. New Haven: Yale University Press.

Young, James E. 1992. “The Counter-Monument: Memory against Itself in Germany Today.” Critical Inquiry 18(2): 267–296.

Young, James E. 2000. At Memory’s Edge: After Images of the Holocaust in Contemporary Art and Architecture. New Haven: Yale University Press.

Andrew Hoskins is Interdisciplinary Research Professor at the University of Glasgow. His research focuses on digital memory Studies, (hyper)connectivity theory, media/memory ecologies, and diffused war. He is founding editor-in-chief of the Sage journal Memory Studies, founding coeditor of the Palgrave Macmillan book series Memory Studies, and founding coeditor of the Routledge book series Media, War and Security. He holds an AHRC Research Fellowship (2014–15) for “Technologies of Memory and Archival Regimes: War Diaries Before and After the Connective Turn,” and leads the ESRC Google Data Analytics Project, “The Role of Internet Search in Elections in Established and Challenged Democracies” (http://voterecology.com). His latest book, Risk and Hyperconnectivity: Media, Memory, Uncertainty, coauthored with John Tulloch, is forthcoming from Oxford University Press.

Amy Holdsworth is Lecturer in Film and Television Studies in the School of Culture and Creative Arts at the University of Glasgow. She is the author of Television, Memory and Nostalgia (Palgrave Macmillan, 2011) and has contributed articles to Screen, Cinema Journal, Journal of British Cinema and Television, and Critical Studies in Television.