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1 Blake, William. 1982. “Descriptions of the Last Judgment.” In The Complete Poetry of William Blake, edited by David Erdman, 552–4. New York: Doubleday.

2 Didi‐Huberman, Georges. 2004. “Knowledge: Movement (The Man Who Spoke to Butterflies).” Foreword to Michaud, Philippe‐Alain, Aby Warburg and the Image in Motion, translated by Sophie Hawkes, 7–19. New York: Zone Books.

3 Forensic Architecture. n.d. Eyal Weizman > Forensic Architecture. https://forensic‐architecture.org/about/team/member/eyal‐weizman.

4 Goodman, Nelson. 1968. Languages of Art: An Approach to a Theory of Symbols. Indianapolis, IN: Bobbs‐Merrill.

5 Massumi, Brian. 2002. Parables for the Virtual. Durham, NC: Duke University Press.

6 Mitchell, W. J. T. 2005. “The Work of Art in the Age of Biocybernetic Reproduction.” In W. J. T. Mitchell, What Do Pictures Want? Chicago, IL: University of Chicago Press.

7 Mirzoeff, Nicholas. 2011. The Right to Look: A Counterhistory of Visuality. Durham, NC: Duke University Press.

8 Wilden, Anthony. 1972. System and Structure: Essays in Communication and Exchange. London: Tavistock Publications.