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1 Appadurai, Arjun. 1986. “Introduction: Commodities and the Politics of Value.” In The Social Life of Things: Commodities in Cultural Perspective, edited by Arjun Appadurai, 3–63. Cambridge: Cambridge University Press.

2 Barthes, Roland. 1980. Camera Lucida: Reflections on Photography, translated by Richard Howard. New York: Hill & Wang.

3 Bennett, Jane. 2010. Vibrant Matter: A Political Ecology of Things. Durham, NC: Duke University Press.

4 Blocker, Jane. 2015. “History in the Present Progressive: Sonic Imposture at The Pedicord Apts.” TDR: The Drama Review 59(4): 36–50.

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6 Brown, Bill. 2001. “Thing Theory.” Critical Inquiry 28(1): 1–22.

7 Crimp, Douglas. 1993. On the Museum’s Ruins. Cambridge, MA: MIT Press.

8 Derrida, Jacques. 1998. Archive Fever: A Freudian Impression, translated by Eric Prenowitz. Chicago, IL: University of Chicago Press.

9 Dickens, Charles. 1998 [1865]. Our Mutual Friend. London: Oxford University Press.

10 Duncan, Carol. 1995. Civilizing Rituals: Inside Public Art Museums. New York: Routledge.

11 Foucault, Michel. 1970. The Order of Things: An Archaeology of the Human Sciences. New York: Random House.

12 Geimer, Peter. 2009. “The Art of Resurrection: Malraux’s Museé imaginaire.” In Fotografie: Als Instrument und Medium der Kunstgeschichte, edited by Constanza Caraffa, 77–89. Berlin: Deutscher Kunstverlag.

13  Gonzáles, Jennifer. 2011. Subject to Display: Reframing Race in Contemporary Installation Art. Cambridge, MA: MIT Press.

14 Heidegger, Martin. 1967. What is a Thing? translated by W. B. BartonJr. and Vera Deutsch. Chicago, IL: Henry Regnery Company.

15 Hiller, Susan. 2000. Witness. London: Artangel.

16 Karp, Ivan and Steven Lavine, eds. 1991. Exhibiting Cultures: The Poetics and Politics of Museum Display. Washington, DC: Smithsonian Institution Press.

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18 Malraux, André. 1967. Museum Without Walls, translated by Stuart Gilbert and Francis Price. Garden City, NY: Doubleday.

19 Massumi, Brian. 2002. Parables of the Virtual: Movement, Affect, Sensation. Durham, NC: Duke University Press.

20 Massumi, Brian. 2010. “The Future Birth of the Affective Fact: The Political Ontology of Threat.” In The Affect Theory Reader, edited by Melissa Gregg and Gregory Seigworth, 52–70. Durham, NC: Duke University Press.

21 Milne, Louise. 2004. “On the Side of the Angels: Witness and Other Works.” In Susan Hiller: Recall: Selected Works, 1969–2004, edited by James Lingwood, 141–9. Gateshead: BALTIC Centre for Contemporary Art.

22 Phillips, Adam. 2001. Promises, Promises: Essays on Psychoanalysis. New York: Basic Books.

23 Phillips, Adam. 2007. Side Effects. New York: Harper Perennial.

24 Robinson, Denise. 2004. “‘…scarce stains the dust…’ Freud’s Museum: The Work of Susan Hiller.” In Susan Hiller: Recall: Selected Works, 1969–2004, edited by James Lingwood, 99–104. Gateshead: BALTIC Centre for Contemporary Art.

25 Roethke, Theodore. 1975. The Collected Poems of Theodore Roethke. New York: Doubleday Anchor.

26 Sebald, W. G. 2001. Austerlitz. New York: Modern Library.

27 Steedman, Carolyn. 2002. Dust: The Archive and Cultural History. New Brunswick, NJ: Rutgers University Press.

28 Stewart, Susan. 1984. On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. Durham, NC: Duke University Press.

29 Voegelin, Salomé. 2010. Listening to Noise and Silence: Towards a Philosophy of Sound Art. New York: Continuum.