Zapantera Negra
Реклама. ООО «ЛитРес», ИНН: 7719571260.
Оглавление
Группа авторов. Zapantera Negra
Praise for Zapantera Negra
ZAPANTERA NEGRA
CONTENTS
ACKNOWLEDGEMENTS
PREFACE
INTRODUCTION
ZAPANTERA NEGRA DIALOGUES. ZAPATISTA BLACK PANTHER PROJECT, PRESENTATION BY MIA EVE ROLLOW, EMORY DOUGLAS, AND SAÚL KAK. HOSTED BY THE LEONARD & BINA ELLEN ART GALLERY, CONCORDIA UNIVERSITY, JUNE 27, 2014
INTERVIEW WITH MIA EVE ROLLOW, EMORY DOUGLAS, AND SAÚL KAK AT THE LEONARD & BINA ELLEN ART GALLERY, CONCORDIA UNIVERSITY, JUNE 27, 2014
INTERVIEW WITH EMORY DOUGLAS, MIA EVE ROLLOW AND SAÚL KAK AT THE LEONARD & BINA ELLEN ART GALLERY, CONCORDIA UNIVERSITY, JUNE 28, 2014
JOURNEY TO ZAPANTERA NEGRA
ONE-WAY TICKET:AN INTERVIEW WITH CALEB DUARTE PIÑON
THE BLACK PANTHER PARTY FOR SELF-DEFENSE TEN-POINT PLATFORM AND PROGRAM
ORDER FROM THE BLACK PANTHER NATIONAL CENTRAL COMMITTEE
POSITION PAPER ON REVOLUTIONARY ART
FOURTH DECLARATION OF THE LACANDÓN JUNGLE
SIXTH DECLARATION OF THE LACANDÓN JUNGLE
THE OTHER PLAYER
CONTRIBUTORS
MORE FROM COMMON NOTIONS
Отрывок из книги
“Zapantera Negra is a rare document from the US and Mexico that intertwines art, dialogues, and processes between artists and cultural spaces that open collaborative intersections of politics and creation far outside the confines of art as commerce and rigid politics. Blending striking images and personal stories of the Black Panther Party and the Zapatistas, the book spans revolutionary tendencies and histories rooted in collective liberation. With hope and determination, Zapantera Negra shows us the power that art has to open liberatory possibilities for living unwritten futures.”
—scott crow, author of Black Flags and Windmills: Hope, Anarchy and the Common Ground Collective and Emergency Hearts, Molotov Dreams
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“Zapantera Negra is an incredible endeavor, the depth of which is not often found in social practice: a direct and embodied connection between a key actor in a major social movement in US history (the Black Panthers) and the people of Chiapas, carrying the legacy and expressions of an equally revolutionary struggle in Mexico (the Zapatistas), some thirty years apart. This project, and its implications for a globally engaged arts-based activism, is truly impressive.”
—Suzanne Lacy, artist and author of Leaving Art and Mapping the Terrain: New Genre Public Art
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