Читать книгу A Companion to Documentary Film History - Группа авторов - Страница 23

1 Aston, J., Gaudenzi, S., and Rose, M. (2017). i‐Docs: The Evolving Practices of Interactive Documentary. New York: Columbia University Press.

2 Druick, Z. (2008). “Reaching the Multimillions”: Liberal Internationalism and the Establishment of Documentary Film. In: Inventing Film Studies (eds. L. Grieveson and H. Wasson), 66–92. Durham: Duke University Press.

3 Druick, Z. and Williams, D. (2014). The Grierson Effect: Tracing Documentary's International Movement. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan on behalf of the British Film Institute (Cultural Histories of Cinema).

4 Grant, B. and Sloniowski, J. (1998). Documenting the Documentary: Close Readings of Documentary Film and Video. Detroit: Wayne State University Press.

5 Grieveson, L. (2011). The Cinema and the (Common) Wealth of Nations. In: Empire and Film (eds. L. Grieveson and C. MacCabe), 73–113. London: BFI.

6 Hogenkamp, B. (2001). Film, Television and the Left in Britain, 1950–1970. London: Lawrence & Wishart.

7 Jeníček, J. (1940). Krátký Film. Prague: Nakladatelství Václav Petr.

8 Kahana, J. (2008). Intelligence Work: The Politics of American Documentary. New York: Columbia University Press.

9 Malitsky, J. (2013). Post‐revolution Nonfiction Film: Building the Soviet and Cuban Nations. Bloomington: Indiana University Press.

10 Nichols, B. (2001). Documentary Film and the Modernist Avant‐Garde. Critical Inquiry 27 (4): 580–610.

11 Rotha, P. (1930). The Film till Now: A Survey of the Cinema. New York: Jonathan Cape & Harrison Smith.

12 Tallents, S. (1932). The Projection of England. London: Faber & Faber.

13 Waugh, T. (2016). The Conscience of Cinema: The Works of Joris Ivens, 1912–1989. Amsterdam: Amsterdam University Press.