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References

Оглавление

1 Cull, N.J. (2008). The Cold War and the United States Information Agency: American Propaganda and Public Diplomacy, 1945–1989. New York: Cambridge University Press.

2 Fay, J. (2008). Theaters of Occupation: Hollywood and the Reeducation of Postwar Germany. Minneapolis: University of Minnesota Press.

3 Goldstein, C.S. (2009). Capturing the German Eye: American Visual Propaganda in Occupied Germany. Chicago: University of Chicago Press.

4 Immerwah, D. (2015). Thinking Small: The United States and the Lure of Community Development. Cambridge, MA: Harvard University Press.

5 Kahana, J. (2008). Intelligence Work. New York: Columbia University Press.

6 Kitamura, H. (2010). Screening Enlightenment: Hollywood and the Cultural Reconstruction of Defeated Japan. Ithaca, NY: Cornell University Press.

7 Lerner, N. (2005). Aaron Copland, Norman Rockwell, and the “Four Freedoms’”: The Office of War Information’s Vision and Sound in The Cummington Story (1945). In: Aaron Copland and His World (eds. C.J. Oja and J. Tick), 351–378. Princeton, NJ: Princeton University Press.

8 Lovejoy, A. (2018). “A Treacherous Tightrope”: The Office of War Information, PWD/SHAEF, and Film Distribution in Liberated Europe. In: Cinema’s Military Industrial Complex (eds. H. Wasson and L. Grieveson), 305–320. Berkeley: University of California Press.

9 MacCann, R.D. (1973). The People’s Films: A Political History of U.S. Government Motion Pictures. New York: Hastings House.

10 MacDonald, S. (1997–1998). The City as the Country: The New York City Symphony from Rudy Burckhardt to Spike Lee. Film Quarterly 51 (2): 2–20.

11 McCarthy, A. (2010). The Citizen Machine: Governing by Television in 1950s America. New York: New York University Press.

12 Sackley, N. (2011). The Village as Cold War Site: Experts, Development, and the History of Rural Reconstruction. Journal of Global History. 6 (3): 481–504.

13 Scott, I. (2006). From Toscanini to Tennessee: Robert Riskin, the OWI and the Construction of American Propaganda in World War II. Journal of American Studies 40 (2): 347–366.

14 Smulyan, S. (2007). Popular Ideologies: Mass Culture at Mid‐Century. Philadelphia: University of Pennsylvania Press.

15 Wagnleitner, R. (1994). Coca‐Colonization and the Cold War: The Cultural Mission of the United States in Austria after World War II (Trans. D.M. Wolf). Chapel Hill: The University of North Carolina Press.

A Companion to Documentary Film History

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