Читать книгу Woodcarving Illustrated Issue 66 Spring 2014 - Группа авторов - Страница 6
ОглавлениеWoodcarving Illustrated
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SPRING 2014
4
editor’s
note
Identification Statement: Woodcarving Illustrated vol. 18, no. 1
(Spring 2014) (ISSN#1096-2816) is published four times a year in the months
of February, May, August, and November by Fox Chapel Publishing Co. Inc.,
1970 Broad Street, East Petersburg, PA 17520.
Periodical Postage paid at
East Petersburg, PA, and additional mailing offices.
POSTMASTER: Send address changes to Woodcarving Illustrated,
1970 Broad Street, East Petersburg, PA 17520.
Woodcarving and the use of associated equipment can potentially result in health hazards and
injuries.
While we cannot impose safety standards in every article, we do ask that you make safety
your number one priority.
Protect your respiratory system, hearing, vision, and the rest of your body
with the proper safety equipment and prudent precautions.
Read manuals supplied with your tools.
Be aware most accidents occur when you are tired or distracted.
And when in doubt, seek advice from
professionals on how to keep your tools sharp and maintained.
Volume 18, Number 1 (Issue No. 66)
How-To Magazine for Carvers™
Internet: www.WoodcarvingIllustrated.com
Woodcarving Illustrated Magazine
1970 Broad Street, East Petersburg, PA 17520
Phone: 717-560-4703
Fax: 717-560-4702
Our Mission:
To promote woodcarving as an
artform and an enjoyable pastime.
Publisher
Alan Giagnocavo
Editor
Mindy Kinsey
Technical Editor
Bob Duncan
Creative Director
Troy Thorne
Art Director
Jon Deck
Founding Editor
Roger Schroeder
Studio Photographer
Scott Kriner
Advertising
Jane Patukas
Advertising Account Manager
Cindy Fahs
Technical Illustrators
Irene Bertils
Jon Deck
Carolyn Mosher
Newsstand Distribution: Curtis Circulation Company
Circulation Consultant: National Publisher Services
Printed by Fry Communications
©2014 by Fox Chapel Publishing Co. Inc.
All Rights Reserved. Printed in USA
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Spring 2014
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Printed in USA
Signs of Spring
During my sophomore year of college in upstate New York,
it started snowing in November and didn’t stop ’til early
April. I love snow, but that was a bit much. As the days slowly
warmed and the snow grudgingly melted, my roommate and
I made a game of searching for “signs of spring”—patches of
green grass, buds on trees, the first spears of snowdrops and
crocuses in the flowerbeds, and goslings on the lake.
Many years have passed since that reluctant spring, but
my former roommate and I still send each other photos of the
signs of spring as we find them each year. So although there
is snow on the ground as I write, I planned this Spring issue with an eye
toward signs of the season.
I can’t offer you the bright color and feathery soft feeling of new
grass, but we do have a riot of flowers. Wanda Marsh shares step-by-
step instructions for power-carving and painting a delicate and realistic
morning glory, complete with leaves and twining stem (page 76). Or, try
the Thai method of soap carving and make Sue Wagner’s cheery flower
(page 26). This is a great project to share with a new carver, whether
child or adult. And speaking of painting, with this issue Betty Padden
starts a year-long series on painting techniques by demonstrating
blending on a pretty tulip plaque (page 66).
Wayne Barton’s flower decorates a chip-carved bread board (page
38). Wayne used a simple pattern and natural wood tones to depict
the delicate design, and adds a monogram for the personal touch. I’m
sure this board will be a favorite for Mother’s Day this year. And for
Valentine’s Day we have a gorgeous hearts-and-flowers lovespoon from
Barry Onslow (page 45). Lovespoons originated as romantic gifts that
showcase carving skills, so it’s the perfect project for February.
While I’m a little short on wobbly-legged lambs and darling
ducklings, turn to page 28 for a charming caricature skunk from Bob
Hershey. You can personalize the carving by adding a sign, changing
the hat, or choosing a different color scheme. For a completely different
but equally appealing design, consider Terry Everitt’s semi-realistic
cardinal (page 60). Painted in the muted colors of a nesting female bird,
the cardinal is an ideal symbol of the season.
Spring is often a time of renewal, rebirth, and trying new things.
Here at the office, we’ve been experimenting with woodturning. We
happen to enjoy turning pens, but we’ve also been thinking about
turning carving blanks. On page 52, you’ll find a brief introduction to
lathes, and on pages 19 and 54 are two very different projects made
from turned blanks. You can make either
one with purchased blanks, but if you
happen to have access to a lathe, try
turning your own—it gives you complete
control over the size, shape, and wood
in your carvings and ensures that your
projects are truly made “from scratch.”
Finally, send me photos of your signs
of spring—either your versions of these
projects or the little indications that
winter is giving way to warmer weather,
and kinder days are on their way. Enjoy!
Mindy Kinsey
Kinsey@FoxChapelPublishing.com
Wanda Marsh’s power carved
morning glory project can be
found on page 76.
