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[7]List of Figures

Fig. 2.1 Louie Palu, Screen capture still photograph from video made by the Taliban in Kandahar, Afghanistan as it appears in Louie Palu’s documentary “Kandahar Journals” (76 minutes 2015). 2015 Photo © Louie Palu

Fig. 2.2 Louie Palu, Screen capture still photograph from video made by ISIS of the murder of American Journalist James Foley in 2014.

Fig. 2.3 Louie Palu, “Detainees in orange jumpsuits sit in a holding area under the watchful eyes of Military Police at Camp X-Ray at Naval Base Guantanamo Bay, Cuba, during in-processing to the temporary detention facility on Jan. 11, 2002.” DoD photo by Petty Officer 1st class Shane T. McCoy, U.S. Navy.

Fig. 5.1 Dave Hullfish Bailey and Sam Watson, Maiwar Performance 2014 (stills); video, colour, sound, edition of 5. Duration 0:12:00, looped. Courtesy David Pestorious Projects, Brisbane, Australia.

Fig. 5.2 Dave Hullfish Bailey and Sam Watson, Maiwar Performance 2014 (stills); video, colour, sound, edition of 5. Duration 0:12:00, looped. Courtesy David Pestorious Projects, Brisbane, Australia.

Fig. 5.3 Richard Bell, Uz vs Them 2006; single-channel digital video, edition 2/5. Duration 0:2:20. Collection of The University of Queensland, Gift of Richard Bell through the Australian Government’s Cultural Gifts Program, 2009. Reproduced courtesy of the artist and Milani Gallery, Brisbane, Australia.

Fig. 6.1 Behind the Shadow of the Pain (Tras la sombra del dolor) by Luis Cuba Arango (Pampamarca, Vinchos). Reprinted with permission from Servicio Educativos Rurales, Colectivo Yuyarisun (2004), Rescate por la memoria. Ayacucho: Colectivo Yuyarisun, Ministerio Británico para el Desarrollo International, Organización Holandesa para la Cooperación International al Desarrollo, p. 17.

[8]Fig. 6.2 Edilberto Jiménez Quispe, Llaqta Maqta (A Dance). Reprinted with artist’s permission from Chungui: Violenciay trazos de memoria. Lima: Comisdeh (2005), p. 71.

Fig. 6.3 Edilberto Jiménez Quispe, The Senderistas Sacked Yerbabuena (Yerbabuena, Chungui, May 12, 1984). Reprinted with artist’s permission from Chungui: Violenciay trazos de memoria. Lima: Comisdeh, p. 73.

Fig. 6.4 Edilberto Jiménez Quispe, When Sendero Arrived (Chungui, 1983) Reprinted with artist’s permission from Chungui: Violenciay trazos de memoria. Lima: Comisdeh, p. 79.

Fig. 6.5 Edilberto Jiménez Quispe, They Would Have Killed Us If We Didn’t Go with Them (Chungui, 1985). Reprinted with artist’s permission from Chungui: Violencia y trazos de memoria. Lima: Comisdeh, p. 151.

Fig. 6.6 Edilberto Jiménez Quispe, They Said, “You Must Obey Those in Charge” (Chillihua, Chungui, 1984). Reprinted with artist’s permission from Chungui: Violencia y trazos de memoria. Lima: Comisdeh, p. 85.

Fig. 6.7 Edilberto Jiménez Quispe, As Day Was Night (Oronqoy, Chungui, 1984). Reprinted with artist’s permission from Chungui: Violencia y trazos de memoria. Lima: Comisdeh, p. 181.

Fig. 6.8 Edilberto Jiménez Quispe, Working Together (Concertación). Reprinted with artist’s permission from Chungui: Violencia y trazos de memoria. Lima: Comisdeh, p. 209.

Fig. 10.1 Wij/Zij. Actors are demarcating lines (photo: Theatre Bronks). Reproduced with permission.

Fig. 10.2 Wij/Zij. Detonator and wires (photo: Theatre Bronks). Reproduced with permission.

[9]Fig. 11.1 Richard Misrach, ‘Norco Cumulus Cloud, Shell Oil Refinery, Norco, Louisiana’, 1998. © Richard Misrach, courtesy Fraenkel Gallery, San Francisco, Pace/MacGill Gallery, New York and Marc Selwyn Fine Art, Los Angeles. Reproduced with permission.

Fig. 11.2 Rafiki Ubaldo, ‘Clearly visible on this ID are the terms Hutu, Tutsi, Twa and Naturalisé. Having a Tutsi marked ID meant death. This ID card is kept in a glass cupboard in the underground section of Nyamata Church Genocide Memorial. The Memorial is located in the Bugesera region, Eastern Province, about 35 kilometres outside Kigali, the capital’. Photograph and caption: Rafiki Ubaldo; reproduced with permission.

Fig. 11.3 ‘Nobody is illegal – papers for all!’ (Praça Martim Moniz, Lisbon, August 27, 2009). Photograph: Frank Möller.

Fig. 11.4 Pieter Hugo, ‘SITE OF A ROADBLOCK. GATYAZO.GIKONGORO.’ Reproduced courtesy of the Stevenson Gallery, Cape Town-Johannesburg / Yossi Milo Gallery, New York.