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1 Adam, Leonhard. 2006. “Has Australian Aboriginal Art a Future?” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Stephen, Ann, Andrew McNamara, and Philip Goad, 2008. 448–458. Melbourne: Miegunyah Press. Originally published in Angry Penguins (Autumn 1944): 42–50.

2 Allen, Christopher. 1997. Art in Australia: From Colonization to Postmodernism. London: Thames and Hudson.

3 Anderson, Jaynie. 2011. “Art Historiography in Australia and New Zealand.” Journal of Art Historiography 4: 1–6. Accessed January 29, 2015. https://arthistoriography.wordpress.com/number-4-june-2011.

4 Anderson, Patricia. 2009. “A Marathon for Australian Art.” Quadrant. Accessed February 3, 2016. https://quadrant.org.au/magazine/2009/03/a-marathon-for-australian-art

5 Astbury, Leigh. 1985. City Bushmen: The Heidelberg School and the Rural Mythology. Melbourne: Oxford University Press.

6 Barker, Heather and Charles Green. 2011. “No Place like Home: Australian Art History and Contemporary Art at the Start of the 1970s.” Journal of Art Historiography 4: 1–17. Accessed February 3, 2016. https://arthistoriography.files.wordpress.com/2011/05/barker-green-no-place.pdf.

7 Batchen, Geoffrey. 1991. “Introduction-Pictography: The Art History of Ian Burn.” In Dialogue: Writings in Art History, edited by Ian Burn, ix-xix. Sydney: Allen & Unwin.

8 Batchen, Geoffrey. 2015. “Postscript.” In The Photograph and Australia, edited by Judy Annear, 260-265. Sydney: Art Gallery of New South Wales.

9 Berndt, Ronald, ed. 1964. Australian Aboriginal Art. Sydney: Ure Smith.

10 Bonyhady, Tim. 1985. Images in Opposition: Australian Landscape Painting, 1801–1890. Melbourne: Oxford University Press.

11 Bonyhady, Tim. 2000. The Colonial Earth. Melbourne: Melbourne University Press.

12 Boyd, Robin. 2006. “The Descent into Chaos.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 922–926. Melbourne: Miegunyah Press. Originally published in The Australian Ugliness (Melbourne: Chesire, 1960).

13 Burke, Janine. 1980. Australian Women Artists: 1840–1940. Melbourne: Greenhouse.

14 Burn, Ian. 1980. “Beating about the Bush: The Landscapes of the Heidelberg School.” In Australian Art and Architecture: Essays Presented to Bernard Smith, edited by Anthony Bradley and Terry Smith, 83–98. Melbourne: Oxford University Press.

15 Burn, Ian. 1984. “The 1960s: Crisis and Aftermath.” In Anything Goes: Art in Australia 1970–1980, edited by Paul Taylor, 8–25. Melbourne: Art& Text. Originally published in Art & Text 1981.

16 Burn, Ian. 1990. National Life and Landscapes: Australian Painting, 1900–1940. Sydney: Bay Books.

17 Burn, Ian, Nigel Lendon, Charles Merewether, and Ann Stephen. 1988. The Necessity of Australian Art: An Essay about Interpretation. Sydney: Power Publications, Power Institute of Fine Arts, University of Sydney.

18 Burn, Ian and Ann Stephen. 2005. “Albert Namatjira: The White Mask.” In Radical Revisionism: An Anthology of Writings on Australian Art, edited by Rex Butler, 225–232. Brisbane: Institute of Modern Art. Originally published in Ruth Megaw, ed. The Heritage of Namatjira (Melbourne: Heinemann, 1992).

19 Butler, Rex, ed. 2005a. Radical Revisionism: An Anthology of Writings on Australian Art. Brisbane: Institute of Modern Art.

20 Butler, Rex. 2005b. “Introduction.” In Radical Revisionism: An Anthology of Writings on Australian Art, edited by Rex Butler, 7–36. Brisbane: Institute of Modern Art.

21 Callaway, Anita. 2000. Visual Ephemera: Theatrical Art in Nineteenth-Century Australia. Sydney: University of New South Wales Press.

22 Callaway, Anita and Candace Bruce. 1991. “Dancing in the Dark: Black Corroboree or White Spectacle?” Australian Journal of Art 9: 79–104.

23 Carter, Paul. 1987. The Road to Botany Bay: An Essay in Spatial History. London: Faber and Faber .

24 Carter, Paul. 1992. Living in a New Country: History, Travelling, Language. London: Faber and Faber.

25 Chanin, Eileen and Steven Miller. 2005. Degenerates and Perverts: The 1939 Herald Exhibition of French and British Contemporary Art. Carlton, Vic: Miegunyah Press.

26 Clark, Jane and Bridget Whitelaw. 1985. Golden Summers: Heidelberg and Beyond. Melbourne: National Gallery of Victoria.

27 Clarke, Marcus. 1975. “The Weird Melancholy of the Australian Bush.” In Documents on Art and Taste in Australia: The Colonial Period, 1770–1914, edited by Bernard Smith, 132-136. Melbourne: Oxford University Press. Originally published in Pictures in the National Gallery (Melbourne: Public Library, 1874).

28 Counihan, Noel. 2006. “How Albert Tucker Misrepresents Marxism.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 435–443. Melbourne: Miegunyah Press. Originally published in Angry Penguins 5 (1943): n.p.

29 Dickinson, Sidney. 1975. “What Should Australian Artists Paint?” In Documents on Art and Taste in Australia: The Colonial Period, 1770–1914, edited by Bernard Smith, 247–250. Melbourne: Oxford University Press. Originally published in The Australasian Critic 1, 1 (October 1890): 21–22.

30 Dixon, Robert. 1985. The Course of Empire: Neo-Classical Culture in New South Wales 1788–1860. Melbourne: Oxford University Press.

31 Dixon, Christine and Terry Smith. 1984. Aspects of Australian Figurative Painting,1942–1962. Sydney: The Power Institute of Fine Arts, University of Sydney.

32 Eagle, Mary. 1984. “Ideologies of an Art Revolution.” In Anything Goes: Art in Australia 1970–1980, edited by Paul Taylor, 144–147. Melbourne: Art & Text. Originally published in The Age (1979).

33 Edwards, Deborah and Denise Mimmocchi, eds. 2013. Sydney Moderns: Art for a New World. Sydney: Art Gallery of New South Wales.

34 Edwards, Deborah, Rose Peel and Denise Mimmocchi. 2005. Margaret Preston. Sydney: Art Gallery of New South Wales.

35 Esau, Erika. Images of the Pacific Rim: Australia and California 1850–1935. Sydney: Power Publications.

36 Galbally, Ann. 1985. “Introduction.” In Golden Summers: Heidelberg and Beyond, edited by Jane Clarke and Bridget Whitelaw, 9-10. Sydney: International Cultural Corporation of Australia Limited.

37 Galbally, Ann. 2003. Charles Conder: The Last Bohemian. Carlton, Vic: Melbourne University Press.

38 Galbally, Ann. 2011. “National Life and Landscape: The Heidelberg School as Mythmaker 1880–1905.” In The Cambridge Companion to Australian Art, edited by Jaynie Anderson, 71–83. Melbourne: Cambridge University Press.

39 Gray, Anne. 2007. George W. Lambert Retrospective: Heroes & Icons. Canberra: National Gallery of Australia.

40 Haese, Richard. 1981. Rebels and Precursors: The Revolutionary Years of Australian Art. Ringwood, Vic.: Allen Lane.

41 Hansen, David. 2010. “Seeing Truganini.” Australian Book Review May 321: 45–53.

42 Hoorn, Jeanette, ed. 1994. Strange Women: Essays in Art and Gender. Melbourne: Melbourne University Press. 1994.

43 Hoorn, Jeanette. 2005a. “Joseph Lycett: Exposing the Lie of Terra Nullius.” In Radical Revisionism: An Anthology of Writings on Australia Art, edited by Rex Butler, 127–131. Brisbane: Institute of Modern Art. Originally published in Art & Australia 31:1 (1993).

44 Hughes, Robert. 1970. The Art of Australia. revised edition. Ringwood, Vic.: Penguin Books Australia.

45 Hughes, Robert. 2006. “Introduction.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 708–713. Melbourne: Miegunyah Press. Originally published in Recent Australian Painting (1961).

46 Jaynie, Anderson, ed. 2011. The Cambridge Companion to Australian Art. Melbourne: Cambridge University Press.

47 Kerr, Joan, ed. 1992. The Dictionary of Australian Artists: Painters, Sketchers, Photographers and Engravers to 1870. Melbourne: Oxford University Press.

48 Kerr, Joan and Jo Holder, eds. 1999. Past Present: The National Women’s Art Anthology. North Ryde, Sydney: Craftsman House.

49 Lane, Terence, ed. 2007. Australian Impressionism. Melbourne: National Gallery of Victoria.

50 Lowish, Susan. 2011. “Setting the Scene: Early Writing on Australian Aboriginal Art.” Journal of Art Historiography 4: 1–12. Accessed November 18, 2020. https://arthistoriography.files.wordpress.com/2011/05/lowish-ed.pdf

51 Lindsay, Norman. 1916. “A Modern Malady.” Art in Australia 1 1916: n.p.

52 Lock-Weir, Tracey. 2008. Misty Moderns: Australian Tonalists 1915–1950. Adelaide: Art Gallery of South Australia.

53 Lynn, Elwyn. 2006. “Abstract and Kitsch.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 679–681. Melbourne: Miegunyah Press. Originally published in CAS Broadsheet (April 1955).

54 McAuliffe, Chris. 1996. Art and Suburbia: A World Art Book. Roseville East, NSW: Craftsman House.

55 MacDonald, J.S. 2006. “Arthur Streeton.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 679–681. Melbourne: Miegunyah Press. Originally published in Art in Australia (October 1931): n.p.

56 McCaughey, Patrick. 1968. “The Significance of the Field.” Art and Australia 6, 3 December 1968: 235–242.

57 McCaughey, Patrick. 2014. Strange Country: Why Australian Painting Matters. Melbourne: Miegunyah Press.

58 McCubbin, Frederick. 1975. “Some Remarks on the History of Australian Art.” In Documents on Art and Taste in Australia: The Colonial Period, 1770–1914, edited by Bernard Smith, 269–281. Melbourne: Oxford University Press. Originally published in The Art of Frederick McCubbin (1916).

59 McCulloch, Alan. 1968a. Encyclopedia of Australian Art. Richmond, Vic.: Hutchinson.

60 McCulloch, Alan. 1968b. “Entertainment, Yes, But Is This Really Art?” The Herald, Melbourne (24 August 1968).

61 McQueen, Humphrey. 1979. The Black Swan of Trespass: The Emergence of Modernist Painting in Australia to 1944. Sydney: Alternative Publishing Cooperative Ltd.

62 Meadmore, Clement. 2006. “New York Scene II – Color as an Idiom.” In Modernism and Australia: Documents on Art, Design and Architecture, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 768. Carlton, Vic.: Miegunyah Press. Originally published in Art and Australia 3 (March, 1966).

63 Moore, Catriona. 2005. “Margaret Preston at Home.” In Radical Revisionism: An Anthology of Writings on Australian Art, edited by Rex Butler, 200-212. Brisbane: Institute of Modern Art.

64 Moore, John D. 2006. “Thoughts in Reference to Modern Art.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 68–71. Melbourne: Miegunyah Press. Originally published in Undergrowth: A Magazine of Youth and Ideal (Jan–Feb 1927).

65 Moore, William. 1934. The Story of Australian Art: From the Earliest Known Art of the Continent to the Art of To-Day. Sydney: Angus and Robertson Ltd.

66 Morphy, Howard. 2011. “Moving the Body Painting into the Art Gallery – Knowing about and Appreciating Works of Aboriginal Art.” Journal of Art Historiography 4: 1–20. Accessed January 29, 2015. https://arthistoriography.files.wordpress.com/2011/05/moving-the-body-images-_formatted_01dec1.pdf.

67 Neville, Richard. 2012. Mr JW Lewin: Painter and Naturalist. Sydney: New South Publishing.

68 Peers, Juliette. 1992. “Women Artists and the Cult of Plein Air.” In Completing the Picture: Women Artists and the Heidelberg School, edited by Victoria Hammond and Juliette Peers, 17-31. Hawthorn East, Vic: Artmoves.

69 Peers, Juliette. 2005. “The Heidelberg School in a New Millennium.” In Radical Revisionism: An Anthology of Writings on Australian Art, edited by Rex Butler, 182–188. Brisbane: IMA.

70 Peers, Juliette. 2011. “Women Artists as Drivers of Early Art Historical Activities and Alternative Art Historical Narratives in Australia.” Journal of Art Historiography 4: 1–18. Accessed January 29, 2015. https://arthistoriography.wordpress.com/number-4-june-2011.

71 Phillips, A.A. 2006. “The Cultural Cringe.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 623–627. Melbourne: Miegunyah Press. Originally published in Meanjin 9, 4 (Summer 1950): 299–302.

72 Plant, Margaret. 1987. “The Lost Art of Federation: Australia’s Quest for Modernism.” Art Bulletin of Victoria 28: 110–129.

73 Preston, Margaret. 1941. “Aboriginal Art of Australia.” In Art of Australia: 1788–1941, edited by Sydney Ure Smith. New York: MoMA.

74 Preston, Margaret. 2006a. “Why I Became a Convert to Modern Art.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 65–68. Melbourne: Miegunyah Press. Originally published in Home 4, 2 (June 1923): 20.

75 Preston, Margaret. 2006b. “The Indigenous Art of Australia.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 155–160. Melbourne: Miegunyah Press. Originally published in Art in Australia 11 (March 1925): 32–45).

76 Proctor, Thea. 2006. “Design.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 160–162. Melbourne: Miegunyah Press. Originally published in “Miss Thea Proctor’s talk to the Students” Undergrowth (Sep–Oct 1926).

77 Pullin, Ruth. 2011. Eugene Von Guérard: Nature Revealed. Melbourne: National Gallery of Victoria.

78 Radford, Ron. 2001. Our Country: Australian Federation Landscapes 1900–1914. Adelaide: Art Gallery of South Australia.

79 Sayers, Andrew. 1994. Aboriginal Artists of the Nineteenth Century. Melbourne: Oxford University Press in association with the National Gallery of Australia.

80 Sayers, Andrew. 2001. Australian Art. Oxford and New York: Oxford University Press.

81 Sayers, Andrew. 2011. “Curators and Australian Art History: A Personal View.” Journal of Art Historiography 4: 1–10. Accessed January 29, 2015. https://arthistoriography.files.wordpress.com/2011/05/sayers-3.pdf.

82 Smith, Bernard. 1960. European Vision and the South Pacific, 1768–1850: A Study in the History of Art and Ideas. Oxford: Clarendon Press.

83 Smith, Bernard. 1962. Australian Painting: 1788–1960. London: Oxford University Press.

84 Smith, Bernard. 1971. Australian Painting: 1788–1970. 2nd. Melbourne: Oxford University Press.

85 Smith, Bernard, ed. 1975. Documents on Art and Taste in Australia: The Colonial Period, 1770–1914. Melbourne: Oxford University Press.

86 Smith, Bernard. 1979. Place, Taste and Tradition: A Study of Australian Art since 1788. 2nd. rev. Melbourne: Oxford University Press.

87 Smith, Bernard. 2006. “Extracts from Australian Painting Today. ” In Modernism & Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 713–732. Melbourne: Miegunyah Press. Originally published in Australian Painting Today (St Lucia, Qld.: University of Queensland Press, 1962).

88 Smith, Bernard, Charles Blackman, Arthur Boyd, David Boyd, John Brack, Bob Dickerson, John Perceval, and Clifton Pugh. 2006. “The Antipodean Manifesto.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 694–697. Melbourne: Miegunyah Press. Originally published in Victorian Artists’ Society Gallery, Antipodeans: 4th–15th Aug 1959 (1959).

89 Smith, Bernard and Terry Smith. 1991. Australian Painting: 1788–1990. Melbourne: Oxford University Press.

90 Smith, Bernard, Terry Smith, and Christopher Heathcote. 2001. Australian Painting: 1788–2000. South Melbourne: Oxford University Press.

91 Smith, James. 1975. “Mr. Von Guerard’s New Picture on his View of the Grampians in the Western district of the Colony.” In Documents on Art and Taste in Australia: The Colonial Period, 1770–1914, edited by Bernard Smith, 162-163. Melbourne: Oxford University Press. Originally published in the Argus (1870).

92 Smith, Terry. 2002a. Transformations in Australian Art, Volume One: The Nineteenth Century – Landscape, Colony and Nation. St Leonards, Sydney: Craftsman House.

93 Smith, Terry. 2002b. Transformations in Australian Art, Volume Two: The Twentieth Century – Modernism and Aboriginality. St Leonards, Sydney: Craftsman House.

94 Smith, Terry. 2011a. “Inside Out, Outside In: Changing Perspectives in Australian Art Historiography.” Journal of Art Historiography 4: 1–13. Accessed January 29, 2015. https://arthistoriography.wordpress.com/number-4-june-2011.

95 Smith, Terry. 2011b. Contemporary Art: World Currents. London: Laurence King Publishing.

96 Smith, Terry. 2011c. “Writing the History of Australian Art: Its Past, Present and Possible Future.” Journal of Art Historiography 4: 1–25. Originally published in Australian Journal of Art 3 (1983):10-29. Accessed January 29, 2015. https://arthistoriography.files.wordpress.com/2011/05/smith-writing-the-history.pdf.

97 Smith, Terry. 2011d. “The Provincialism Problem.” Journal of Art Historiography 4: 1–14. Originally published in Artforum XIII, 1 (1974): 54–59. Accessed January 29, 2015. https://arthistoriography.files.wordpress.com/2011/05/smith-provincialism-problem-1974.pdf.

98 Spate, Virginia. 1980. “The Sunny South: Australian Impressionism.” in World Impressionism: The International Movement, 1860-1920, edited by Norma Broude, 114–135. New York: H.N. Abrams.

99 Stephen, Ann, Andrew McNamara, and Philip Goad, eds. 2006. Modernism and Australia: Documents on Art, Design and Architecture. Carlton, Vic.: Miegunyah Press.

100 Taylor, Paul, ed. 1984a. Anything Goes: Art in Australia 1970–1980. Melbourne: Art & Text.

101 Taylor, Paul. 1984b. “Australian New Wave and the “Second Degree.” In Anything Goes: Art in Australia 1970-1980, edited by Paul Taylor, 158–167. Melbourne: Art & Text. Originally published in Art & Text (1981).

102 Thomas, Daniel. 2011. “Aboriginal Art: Who Was Interested?” Journal of Art Historiography 4: 1–10. Originally published in New Visions: Histories of Art in Australia. (Melbourne: National Gallery of Victoria, 2006). Accessed January 29, 2015. https://arthistoriography.files.wordpress.com/2011/05/daniel-thomas-document.pdf.

103 Tucker, Albert. 2006. “Art, Myth and Society.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 427–435. Melbourne: Miegunyah Press. Originally published in Angry Penguins 4 (1943): 49–54.

104 Tuckson, Tony. 2006. “Aboriginal Art and the Western World.” In Modernism and Australia: Documents on Art, Design and Architecture, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 744–757. Carlton, Vic.: Miegunyah Press. Originally published in Ronald Berndt, ed. Australian Aboriginal Art (Sydney: Ure Smith, 1964).

105 Ure Smith, Sydney, ed. 1941. Art of Australia: 1788–1941. New York: MoMA.

106 Vaughan, Gerard. 2007. “Some Reflections on Defining Australian Impressionism.” In Australian Impressionism, edited by Terrence Lane, 16-19. Melbourne: National Gallery of Victoria.

107 Wakelin, Roland. 2006. “The Modern Art Movement in Australia.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 75–77. Melbourne: Miegunyah Press. Originally published in Art in Australia 26 (December 1928): n.p.