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10 Butler, Rex. 2004b. “Introduction.” In What Is Appropriation? an Anthology of Writings on Australian Art in the 1980s and 1990s, edited by Rex Butler, 13–48. 2nd. Brisbane: Institute of Modern art.

11 Butler, Rex and A.D.S. Donaldson. 2011. “Cities within Cities: Australian and New Zealand Art in the twentieth century.” Journal of Art Historiography 4: 1–15. Accessed January 29, 2015. https://arthistoriography.wordpress.com/number-4-june-2011.

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15 Clark, John. 2011.“Asian Art and Australia.” In The Cambridge Companion to Australian Art, edited by Jaynie Anderson, 217–230. Melbourne: Cambridge University Press.

16 Clarke, Marcus. 2006. “The Weird Melancholy of the Australian Bush.” In Documents on Art and Taste in Australia: The Colonial Period, 1770–1914, edited by Bernard Smith, 133–140. Melbourne: Oxford University Press. Originally published in Trustees of the Public Library and Museums of Victoria. [The National Gallery Collection] (Melbourne, 1874).

17 Darian-Smith, Kate, Richard Gillespie, Caroline Jordan, and Elizabeth Willis, eds. 2008. Seize the Day: Exhibitions, Australia and the World. Clayton, Vic.: Monash University ePress.

18 Douglas, Louise. 2008. “Representing Colonial Australia at British, American and European International Exhibitions.” Recollections 3: 1. Accessed January 29, 2015. http://recollections.nma.gov.au/issues/vol_3_no_1/papers/representing_colonial_australia.

19 Eagle, Mary. 1978. “Modernism in Sydney in the 1920s.” In Studies in Australian Art, edited by Ann Galbally, and Margaret Plant, 79–90. Melbourne: University of Melbourne.

20 Elkin, A.P. 2006. “Foreword.” In Modernism & Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 375–378. Melbourne: Miegunyah Press. Originally published in Frederick McCarthy. Australian Aboriginal Decorative Art (Sydney, 1938).

21 Flinders, Matthew. 1814. A Voyage to Terra Australis. London: G & W. Nichol.

22 Fry, Tony and Anne-Marie Willis. 1989. “Aboriginal Art: Symptom or Success?” Art in America July 1989: 159–163.

23 Gallery, Watters. 1994. “The D’Oyley Show: An Exhibition of Women’s Domestic Fancywork.” In Dissonance: Feminism and the Arts 1970–1990, edited by Catriona Moore, 57–70. St Leonards, NSW: Allen & Unwin.

24 Gardner, Anthony. 2011. “Post-Provincial, Still Peripheral: Australian Art on the Global Stage 1980–2009.” In The Cambridge Companion to Australian Art, edited by Jaynie Anderson, 231–247. Melbourne: Cambridge University Press.

25 Gardner, Anthony and Huw Hallam. 2011. “On the Contemporary – And Contemporary Art History.” Journal of Art Historiography 4: 1–9. Accessed January 29, 2015. https://arthistoriography.files.wordpress.com/2011/05/gardnerhallam.pd.

26 Garran, Andrew, ed. 1888. The Picturesque Atlas of Australasia. Sydney: Picturesque Atlas Publishing Company.

27 Gleeson, James. 2006. “The Necessity for Surrealism.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 406–409. Melbourne: Miegunyah Press. Originally published in Comment (May 1941): n.p.

28 Grey, George. 1841. Journal of Two Expeditions of Discovery in North-West and Western Australia during the Years 1837, 38, and 39. London: T & W Boone.

29 Grishin, Sasha. 2013. Australian Art: A History. Carlton, Vic: Miegunyah Press.

30 Grishin, Sasha. 2015. ST Gill & His Audiences. Canberra: National Library of Australia.

31 Hammond, Victoria and Juliet Peers. 1992. Completing the Picture: Women Artists and the Heidelberg Era. Melbourne: Artmoves.

32 Hansen, David. 2003. John Glover and the Colonial Picturesque. Hobart, Tas: Tasmanian Museum and Art Gallery.

33 Hansen, David. 2007. “Death Dance.” Australian Book Review April 290: 27–32.

34 Heathcote, Christopher. 1995. A Quiet Revolution: The Rise of Australian Art, 1946–1968. Melbourne: The Text Publishing Company.

35 Henry, Lucien. 1975. “Australian Decorative Arts.” In Documents on Art and Taste in Australia: The Colonial Period, 1770–1914, edited by Bernard Smith, 238–244. Melbourne: Oxford University Press. Originally published in Australian Art (February 1888): 9–12.

36 Hughes-D’Aeth, Tony. 2001. Paper Nation: The Story of the Picturesque Atlas of Australasia 1866-1888. Carlton, Vic.: Melbourne University Press.

37 Kerr, Joan. 1999. “Introduction.” In Past Present: The National Women’s Art Anthology, edited by Joan Kerr, and Jo Holder, ix–xii. North Ryde, Sydney: Craftsman House.

38 Lewin, Thomas. 1975. “The Extraordinary Insects of New South Wales.” In Documents on Art and Taste in Australia: The Colonial Period, 1770–1914, edited by Bernard Smith, 24–25. Melbourne: Oxford University Press. Originally published in John Lewin, Prodromus Entomology (1805).

39 Lhotsky, John. 1975. “The State of Art in New South Wales and Van Diemen’s Land.” In Documents on Art and Taste in Australia: The Colonial Period, 1770–1914, edited by Bernard Smith, 71–75. Melbourne: Oxford University Press. Originally published in “Australia in its Historical Evolution.” The Art Union (July 1839): 99–100.

40 Lycett, Joseph. 1975. “Picturesque Views of Australia.” In Documents on Art and Taste in Australia: The Colonial Period, 1770–1914, edited by Bernard Smith, 26–29. Melbourne: Oxford University Press. Originally published in “Advertisement.” Views in Australia (1824).

41 McDonald, John. 2000. Federation: Australian Art and Society 1901–2001. Canberra: National Gallery of Australia.

42 McDonald, John. 2008. Art of Australia. Sydney: Pan MacMillan.

43 McDonald, John. 2013. “Australia’s London Art Spectacular Is a ‘Clumsy Embarrasment’.” Sydney Morning Herald (September 13, 2013).

44 McLean, Ian. 1998. White Aborigines: Identity Politics in Australian Art. Cambridge: Cambridge University Press.

45 McLean, Ian. 2010. “Wunderkammering.” In Curious Colony: A Twenty First Century Wunderkammer, edited by Lisa Slade, 70–75. Newcastle: Newcastle Regional Art Gallery.

46 McLean, Ian, ed. 2011. How Aborigines Invented the Idea of Contemporary Art. Sydney: Institute of Modern Art, Power Publications.

47 McNeill, Peter. 2011. “What’s the Matter?: The Object in Australian Art History.” Journal of Art Historiography 4: 1–19. Accessed January 29, 2015. https://arthistoriography.wordpress.com/number-4-june-2011.

48 Moore, Catriona, ed. 1994a. Dissonance: Feminism and the Arts 1970–1990. St Leonards, NSW: Allen & Unwin.

49 Moore, Catriona. 1994b. “Introduction: Once upon a Time.” In Dissonance: Feminism and the Arts 1970–1990, edited by Catriona Moore, 1–11. St Leonards, NSW: Allen & Unwin. 1994.

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52 Neale, Margo and Sylvia Kleinert. 2000. “Introduction.” In The Oxford Companion to Aboriginal Art and Culture, edited by Margo Neale, and Sylvia Kleinert. Melbourne: Oxford University Press.

53 Newcastle Region Art Gallery. 2010. “Curious Colony: A Twenty First Century Wunderkammer.” Accessed January 29, 2015. www.newcastle.nsw.gov.au/region_art_gallery/exhibitions/past/2010/artist/curious_colony_a_twenty_first_century_wunderkammer2

54 Sear, Martha. 2008. “‘Common Neutral Ground’: Feminising the Public Sphere at Two Australian Exhibitions of Women’s Work.” In Seize the Day: Exhibitions, Australia and the World, edited by Kate Darian-Smith et al., n.p. Clayton, Vic.: Monash University ePress.

55 Slade, Lisa, ed. 2010a. Curious Colony: A Twenty First Century Wunderkammer. Newcastle: Newcastle Region Art Gallery.

56 Slade, Lisa. 2010b. “Curiouser and Curiouser.” In Curious Colony: A Twenty First Century Wunderkammer, edited by Lisa Slade, 7–18. Newcastle: Newcastle Regional Art Gallery.

57 Smith, James. 1975b. “Mr Von Guérard’s New Picture.” In Documents on Art and Taste in Australia: The Colonial Period, 1770–1914, edited by Bernard Smith, 162–165. Melbourne: Oxford University Press. Originally published in Argus (13 July 1870).

58 Spencer, Walter Baldwin. 1914. Native Tribes of the Northern Territory of Australia. London: Macmillan.

59 Sydney International Exhibition with Photo-Type Illustrations. 1980. Sydney: Govt. Printing Office.

60 Taylor, Paul. 2004. “Popism – The Art of White Aborigines.” In What Is Appropriation? an Anthology of Writings on Australian Art in the 1980s and 1990s, edited by Rex Butler, 85–88. 2nd. Brisbane: Institute of Modern art. Originally published in On the Beach 1 (1982).

61 Thomas, Daniel, ed. 1988. Creating Australia: Two Hundred Years of Art, 1788-1988. Sydney: International Cultural Corporation of Australia and Art Gallery Board of South Australia.

62 Thomas, Nicholas. 1999. Possessions: Indigenous Art/Colonial Culture. London: Thames and Hudson.

63 Tillers, Imants. 2004. “Locality Fails.” In What Is Appropriation? an Anthology of Writings on Australian Art in the 1980s and 1990s, edited by Rex Butler, 139–144. 2nd. Brisbane: Institute of Modern art. Originally published in Art & Text 6 (Winter, 1982).

64 Tuckson, Tony. “Aboriginal Art and the Western World.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 744–757. Melbourne: Miegunyah Press. Originally published in Ronald Berndt, ed. Australian Aboriginal Art (Sydney: Ure Smith, 1964).

65 Ure Smith, Sydney. 2006. “Editorial.” In Modernism and Australia: Documents on Art, Design, and Architecture 1917–1967, edited by Ann Stephen, Andrew McNamara, and Philip Goad, 88–90. Melbourne: Miegunyah Press. Originally published in Art in Australia 29 (September 1929): n.p.

66 Watling, Thomas. 1975. “A Land of Romantic Enchantment.” In Documents on Art and Taste in Australia: The Colonial Period, 1770–1914, edited by Bernard Smith, 10–14. Melbourne: Oxford University Press. Originally published in Letters from an Exile at Botany Bay (Penrith, Scotland, 1794).

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68 Wilson, Natalie. 2009. Tackling the Field. Sydney: Art Gallery of New South Wales.