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1 A way to kill space (1946). Newsweek (12 August): 106–107.

2 Ades, D. (1989). Art in Latin America: The Modern Era, 1820–1980 (exh. cat.). London: South Bank Centre.

3 André Breton: La Beauté Convulsive (1991). (exh. cat.). Paris: Musée National d'Art Moderne.

4 Aguirre, M. (1946). Antillas en Wifredo Lam. Hoy (14 April) Archives SDO Wifredo Lam, Paris.

5 Aranda‐Alvarado, Rocío (2001). New world primitivism in Harlem and Havana: Constructing modern identities in the Americas, 1924–1945. Doctoral dissertation. City University of New York. Courtesy of the author.

6 Balderrama, M. (ed.) (1992). Wifredo Lam and His Contemporaries (exh. cat.). New York: The Studio Museum in Harlem.

7 Black Surrealism. (2018). In: The Art and Popular Culture Encyclopedia. http://www.artandpopularculture.com/Black_Surrealism (accessed 15 August 2018).

8 Blanc, G.V. (1992). Cuban modernism: the search for a national ethos. In: Wifredo Lam and His Contemporaries (exh. cat. ed. M. Balderrama), 57. New York: The Studio Museum in Harlem.

9 Boxer, D. and Poupeye, V. (1998). Modern Jamaican Art. Kingston, Jamaica: Ian Randle Publishers/University of the West Indies Development and Endowment Fund.

10 Breton, A. (1945). Le surréalisme et la peinture: Suivi de genèse et perspectives artistiques du surréalisme et des fragments inédits. New York: Brentano's, Inc. Reprinted as Surrealism and Painting. trans. Simon Watson Taylor. (New York: Harper and Row, 1972).

11 Breton, A. (1946). Lam. Port‐au‐Prince: Centre d'Art.

12 Breton, A. (1972). Martinique, Charmeuse de Serpent, with texts and illustrations by André Masson. Paris: Editions Jean‐Jacques Pauvert.

13 Carpentier, A. (1948). De lo real maravilloso americano. El Nacional, Archives SDO Wifredo Lam, Paris. Also published in Carpentier, Chroniques, 342–349.

14 Césaire, A. (1941). Fragments d'un poème. Tropiques 1 (April): 10–23. Paris: Edition Jean Michel Place, 1978.

15 Césaire, A. (1945–1946). Wifredo Lam de l'Antilles. Cahiers d'Art 20–21: 357–359.

16 Césaire, S. (1942). Malaise d'un civilization. Tropiques 5 (April): 43–49. Paris: Éditions Jean‐Michel Place, 1978.

17 Crevel, R. (1930a). Colonies. Le Surréalisme au Service de la Révolution 1: 9–12.

18 Crevel, R. (1930b). Bobards et fariboles. Le Surréalisme au Service de la Révolution 2: 78.

19 Franqui, C. (1945). El retorno de Wifredo Lam. Carteles (12 December): 93–95, 98.

20 Hernández Meneses, J. (1946). La pintura de Wifredo Lam. Diario de la Marina (15 July) Archives SDO Wifredo Lam, Paris.

21 Kelley, R.D. (2009). Black, Beige, and Brown: Surrealist Writings from Africa and the Diaspora. Austin: University of Texas Press.

22 Le monde au temps des Surréalistes (1929). Variétés (June): 26–27.

23 Locke, A. (1992). The legacy of the ancestral arts. In: The New Negro (ed. A. Locke), 27. New York: Atheneum Books.

24 López Oliva, M. (1986). Albisola Mare en Wifredo Lam. Granma 7 (14 September) Archives SDO Wifredo Lam, Paris.

25 Mabille, P. (1945). La jungle: De l'importance prise par la critique d'art à l'epoque contemporaine. Tropiques 12 (January): 173–187. Paris: Edition Jean Michel Place, 1978.

26 Merewether, C. (1992). Wifredo Lam: A Retrospective of Works on Paper (exh. cat.). New York: Americas Society.

27 Monnerot, J.M. (1933). A partir de quelques traits particuliers à la mentalité civilisée. Le Surréalisme au Service de la Révolution 5: 35–37.

28 Mosquera, G. (1983). Exploraciones en la plástica cubana. Havana: Editorial Letras Cubana.

29 Murderous Humanitarianism. 1932. http://racetraitor.org/murderoushumanitarianism.html. (accessed 26 July 2013).

30 Rosemont, F. (ed.) (1978). André Breton, “What Is Surrealism?” Selected Writings. New York: Monad Press.

31 Sandler, I. (1970). The Triumph of American Painting: A History of Abstract Expressionism. New York: Praeger.

32 Sims, L.S. (2012). Surrealism in the Caribbean: The art and politics of liberation at the crossroads of the world. In: Caribbean: Art at the Crossroads of the World (exh. cat. ed. E. Fuentes and D. Cullen), 223–239. New York: El Museo del Barrio, in association with Yale University Press.

33 Sims, L.S. (2002). Wifredo Lam and the International Avant‐Garde, 1923–1982. Austin: University of Texas Press.

34 Stebich, U. (1978). Haitian Art (exh. cat.). New York: The Brooklyn Museum in association with Harry N. Abrams, Inc., Publishers.

35 Surrealism and International Politics. (2010). In: The Art and Popular Cultural Encyclopedia, http://www.artandpopularculture.com/Surrealism:and_international_politics (accessed 30 June 2013).

36 Thirion, A. (1975). Revolutionaries Without Revolution (trans. J. Neugroschel). New York: Macmillan.

37 Thompson, K.A. (2006). An Eye for the Tropics: Tourism, Photography, and Framing the Caribbean Picturesque. Durham and London: Duke University Press.

38 Traba, M. (1980). Art of Latin America, 1900–1980. Washington, DC: Inter‐American Development Bank in association with Johns Hopkins University Press.

39 Vicenti, L. (1972). Mi credevano lo stregone che beve sangue. Oggi Illustrato 25 (17 July): 86–88.

40 Wifredo Lam 1902–1982. (1983). (exh. cat.). Paris: Amies du Musée d'Art Moderne de la Ville de Paris.

41 Yau, J. (1988). Please wait by the cloakroom. Arts Magazine 53 (December): 56–59.