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A Companion to Modern and Contemporary Latin American and Latina/o Art
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Страница 1
Table of Contents
List of Illustrations
Guide
Pages
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Notes on Contributors
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Introduction: Latin American and Latina/o Art
References
Note
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1 Art After the Mexican Revolution: Muralism, Prints, Photography
1.1 Introduction
1.2 Mural Painting
1.2.1 Diego Rivera
1.2.2 José Clemente Orozco
1.2.3 David Alfaro Siqueiros
1.2.4 Rufino Tamayo
1.2.5 Tepito Arte Acá and Other Alternative Mural Production
1.3 Prints
1.4 Photography
1.5 Conclusion
Notes
References
2 The Reinvention of the “Semana de Arte Moderna”
2.1 1922
2.2 1932
2.3 1942
2.4 1952 and After
Notes
References
3 José Carlos Mariátegui and the Eternal Dawn of Revolution
3.1 Epoch and Revolution
3.2 Socialism, Indigenism, and the Nation
3.3 Conclusion: Mariátegui, His Times and Beyond
Notes
References
4 National Values: The Havana Vanguard in the
Revista de Avance
and the Lyceum Gallery
Note
References
5 Photography, Avant‐Garde, and Modernity
5.1 A Violent and Expansive Medium
5.2 The Gender of Modernity
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5.3 Picturing Other, Picturing Self
5.4 Errant Europe
Notes
References
Further Reading
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6 Wifredo Lam, Aimé Césaire, Eugenio Granell, André Breton: Agents of Surrealism in the Caribbean
Notes
References
7 The Oscillation Between Myth and Criticism: Octavio Paz Between Duchamp and Tamayo
7.1 The Ancient Modern (1950)
7.2 Mexican But Universal
7.3 Duchamp and Analogy: The Criticism of Things
Notes
References
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