Читать книгу A Companion to Modern and Contemporary Latin American and Latina/o Art - Группа авторов - Страница 10
Оглавление
About the Editors
Alejandro Anreus, PhD, is Professor of Art History and Latin American/Latina/o Studies at William Paterson University, New Jersey, USA. He is the author of Orozco in Gringoland (2001), Ben Shahn and the Passion of Sacco and Vanzetti (2001), the A Ver series monograph Luis Cruz Azaceta (2015), and the forthcoming Havana in the 1940s. Artists, Critics and Exhibitions (2022), and The Dark is Light Enough: Raul Milián (2023), as well as co‐editor/contributor of The Social and The Real (2006) and Mexican Muralism: A Critical History (2012). His articles and essays have appeared in Art Journal, Third Text, Art Nexus, Encuentro de la Cultura Cubana, Diario de Cuba and Commonweal. He is President Emeritus of the Joan Mitchell Foundation.
Robin Adèle Greeley, PhD, is Associate Professor of Art History at the University of Connecticut, USA, and Affiliate Faculty at Massachusetts Institute of Technology, Massachusetts, USA. Her scholarship focuses on politics in relation to modern and contemporary art from Latin America. A founding member of the Symbolic Reparations Research Project, she also analyzes policies and practices of memorialization in symbolic reparations for victims of human rights violations in the Americas. Her books include Surrealism and the Spanish Civil War (2006); Mexican Muralism: A Critical History (co‐edited, 2012); The Logic of Disorder: The Art and Writings of Abraham Cruzvillegas (2015), and Interculturalidad y sus imaginarios: Conversaciones con Néstor García Canclini (co‐authored, 2018).
Megan A. Sullivan, PhD, is Assistant Professor of Art History and the College at the University of Chicago, USA, where she teaches courses on modern and contemporary art from Latin America. Her research focuses on the relationship of modernism and modernity outside of the North Atlantic. She is the author of Radical Form: Modernist Abstraction in South America (2021), and her scholarship has also appeared in October and Oxford Art Journal.
