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1 András, E. (2012). Provincializing the West: Interview with Piotr Piotrowski. Art Margins (9 October). https://artmargins.com/provincializing‐the‐west/ (accessed 8 January 2019).

2 Avelar, I. (1997). Toward a genealogy of Latin Americanism. Dispositio 49: 121–134.

3 Eder, R. (2012 [1979]). Why a Latin American art? In: Resisting Categories: Latin American and/or Latino (ed. H. Olea and M. Kervandjian), 684. Houston: Museum Fine Arts Houston, International Center for the Arts of the Americas.

4 García Canclini, N. (1995). Modernity after postmodernity. In: Beyond the Fantastic. Contemporary Art Criticism from Latin America (ed. G. Mosquera), 20–52. Cambridge, MA: MIT Press.

5 Grobat, M. (2013). The invention of Latin America: A transnational history of anti‐imperialism, democracy, and race. American Historical Review 118 (December): 1345–1375.

6 Lauer, M. and Oquendo, A. (2004). Presentación. Hueso Húmero 44 (May): 1.

7 Miller, N. and Hart, S. (eds.) (2007). When Was Latin America Modern? New York: Palgrave.

8 Sánchez, L.A. (2012). Does Latin America exist? In: Resisting Categories: Latin American and/or Latino (ed. H. Olea and M. Kervandjian), 132–140. Houston: Museum Fine Arts Houston, International Center for the Arts of the Americas.

9 Traba, M. (1979). Artes plásticas latinoamericanas: La tradición de lo nacional. Hispamérica 8 (23–24) (August–December): 43–69.

10 Traba, M. (2012 [1975]). We are Latin Americans: The war of Resistance. In: Resisting Categories: Latin American and/or Latino (ed. H. Olea and M. Kervandjian), 749–751. Houston: Museum Fine Arts Houston, International Center for the Arts of the Americas.