Читать книгу A Companion to American Poetry - Группа авторов - Страница 28

1 Allen, W.F., Ware, C.P., and Garrison, L.M. (eds.) (1867). Slave Songs of the United States. New York: A. Simpson.

2 Alter, R. (1989). The Pleasures of Reading in an Ideological Age. New York: Touchstone, Simon and Schuster.

3 Barrett, F. (2018). Great and noble lines: Dave the Potter, George Moses Horton, and the possibilities of poetry. In: Where Is All My Relation?: The Poetics of Dave the Potter (ed. M.A.Chaney). New York (NY): Oxford UP.

4 Epstein, D.J. (1977). Sinful Tunes and Spirituals: Black Folk Music to the Civil War. Urbana, IL: U of Illinois P.

5 Johnson, J.W. (1922). The Book of American Negro Poetry. New York: Harcourt, Brace and Co. Inc.

6 Johnson, J.W. and Johnson, J.R. (eds.) (1925). The Book of American Negro Spirituals. New York: The Viking Press.

7 Lovell, J., Jr. (1969). The social implications of the Negro spiritual. In: The Social Implications of Early Negro Music in the United States, (ed. B. Katz), 130. New York: Arno Press and the New York Times.

8 Lovell, J., Jr. (1972). Black Song: The Forge and the Flame—The Story of How the Afro-American Spiritual Was Hammered Out. New York (NY): Macmillan.

9 Ramey, L. (2008). Slave Songs and the Birth of African American Poetry. New York: Palgrave Macmillan.

10 Ramey, L. (2019). A History of African American Poetry. Cambridge: Cambridge UP.

11 Rediker, M. (2007). The Slave Ship: A Human History. New York: Penguin Books.

12 Southern, E. (1983). Readings in Black American Music, 2nd ed. New York: W.W. Norton.

13 Thompson, K.D. (2014). Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery. Urbana: U of Illinois P.