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1 Brent, John. 1993. Charles Sanders Peirce: A Life, 49. Bloomington, IN: Indiana University Press.

2 Danto, Arthur C. 1981. The Transfiguration of the Commonplace: A Philosophy of Art. Cambridge, MA: Harvard University Press.

3 –––––. 1986. The Philosophical Disenfranchisement of Art, 210. New York: Columbia University Press.

4 –––––. 1992. Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective. New York: Farrar, Straus and Giroux.

5 –––––. 1997. After the End of Art: Contemporary Art and the Pale of History. Princeton, NJ: Princeton University Press.

6 –––––. 2000. The Madonna of the Future: Essays in a Pluralistic Artworld. New York: Farrar, Strauss, and Giroux.

7 –––––. 2003. The Abuse of Beauty and the Concept of Art. Chicago and LaSalle, IL: Open Court.

8 –––––. 2010. Andy Warhol, 29. New Haven, CT: Yale University Press.

9 –––––. 2012. “Replies to Essays.” In Danto and His Critics, edited by Mark Rollins, 2nd edn, 285–311. Oxford: Blackwell.

10 –––––. 2013. What Art Is. New Haven, CT: Yale University Press.

11 Peirce, Charles S. 1967. Manuscript Text in Harvard’s Houghton Library’s Collection of Peirce Papers, Catalogued by Richard Robin, Item 1334, 40. http://www.iupui.edu/~peirce/robin/robin_fm/toc_frm.htm

12 –––––. 1998. “The Three Normative Sciences.” In The Essential Peirce, Vol. 2, 196–207. Bloomington, IN: Indiana University Press.

13 Rollins, Mark. 1993. Danto and His Critics. Oxford: Blackwell.

14 –––––. 2012. Danto and His Critics, 2nd edn. Oxford: Blackwell.

15 Shusterman, Richard. 1992. Pragmatist Aesthetics: Living Beauty, Rethinking Art. Oxford, UK: Blackwell.

16 –––––. 1997. “The End of Aesthetic Experience.” Journal of Aesthetics and Art Criticism 55(1): 29–41. Reprinted in Performing Live: Aesthetic Alternatives for the End of Art. Ithaca, NY: Cornell University Press.

17 –––––. 2001. “Art as Dramatization.” Journal of Aesthetics and Art Criticism 59(4): 363–72. Reprinted in Surface and Depth (2002). Ithaca, NY: Cornell University Press.

18 –––––. 2011. “The Pragmatist Aesthetics of William James.” British Journal of Aesthetics 51(4): 347–61.

19 –––––. 2012. “Thought in the Strenuous Mood: Pragmatism as a Philosophy of Feeling.” New Literary History 43(3): 433–54.

20 –––––. 2013a. “Affective Cognition: From Pragmatism to Somaesthetics.” Intellectica 60: 49–68.

21 –––––. 2013b. Chemins de l’art: Transfigurations du pragmatism au zen, avec une postface par Arthur Danto. Translated by Raphael Cuir. Paris: Al Dante.

22 –––––. 2014. “The Invention of Pragmatist Aesthetics: Genealogical Reflections on a Notion and a Name.” In Practicing Pragmatist Aesthetics, edited by Wojciech Malecki, 13–32. Amsterdam: Rodopi.