Читать книгу A Companion to Children's Literature - Группа авторов - Страница 61

1 Ahlberg, J. and Ahlberg, A. (1986). The Jolly Postman or Other People’s Letters. London: Penguin.

2 Allan, C. (2012). Playing with Picturebooks. Postmodernism and the Postmodernesque. Basingstoke: Palgrave Macmillan.

3 Alloway, L. (1997). Popular culture and pop art. In: Pop Art. A Critical History (ed. S.H. Madoff), 167–174. Berkeley: University of California Press.

4 Awdry, W.V. (1945–1972). Railway series. 23 vols. London: Edmund Ward.

5 Bader, B. (1976). From Noah’s Ark to the Beast Within. New York: Macmillan.

6 Banyai, I. (1995a). Zoom. New York: Viking.

7 Banyai, I. (1995b). Re-Zoom. New York: Viking.

8 Beckett, S.L. (2012). Crossover Picturebooks: A Genre for All Ages. New York: Routledge.

9 Blake, Q. (1995). Clown. London: Jonathan Cape.

10 Bosch, E. (2018). Wordless picturebooks. In: The Routledge Companion to Picturebooks (ed. B. Kümmerling-Meibauer), 191–200. New York: Routledge.

11 Briggs, R. (1973). Father Christmas. London: Hamish Hamilton.

12 Browne, A. (1983). Gorilla. London: Walker Books.

13 Browne, A. (1997). Willy the Dreamer. London: Walker Books.

14 Browne, A. (1998). Voices in the Park. London: Walker Books.

15 Bruna, D. (1963–2006). Nijntje books. 24 vols. The Hague: Mercis. [Eng. trans. Miffy books. London: Methuen, 1964–2007.]

16 Burningham, J. (1984). Granpa. London: Jonathan Cape.

17 Campagnaro, M. (2017). Bruno Munari’s visual mapping of the city of Milan: A historical analysis of the picturebook Nella nebbia di Milano. In: Maps and Mapping in Children’s Literature. Landscapes, Seascapes, and Cityscapes (ed. N. Goga and B. Kümmerling-Meibauer), 147–166. Amsterdam: John Benjamins.

18 Carle, E. (1969). The Very Hungry Caterpillar. New York: Putnam.

19 Christensen, N. (2003). Den danske billedbog 1950–1999. Teori, analyse, historie. Frederiksberg: Center for Børnelitteratur/Roskilde Universitetsforlag.

20 Cole, B. (1986). Princess Smartypants. London: Hamish Hamilton.

21 Darbois, D. (1952–1975). Enfants du monde. 20 vols. Paris: Fernand Nathan.

22 Doderer, K. and Müller, H. (1973). Das Bilderbuch. Weinheim: Beltz.

23 Drucker, J. (2018). Artists ‘books and picturebooks: Generative dialogues. In: The Routledge Companion to Picturebooks, (ed. B. Kümmerling-Meibauer), 291–301. New York: Routledge.

24 Druker, E. (2008). Modernismens bilder. Den moderna bilderboken i Norden. Stockholm: Makadam.

25 Ehriander, H. (2011). Everyday and exotic: Astrid Lindgren’s co-operation with Anna Riwkin-Brick. In: Beyond Pippi Longstocking. Intermedial and International Aspects of Astrid Lindgren’s Works, (ed. B. Kümmerling-Meibauer and A. Surmatz), 155–172. New York: Routledge.

26 Fatio, L. (1955). The Happy Lion (illus. R. Duvoisin). New York: McGraw Hill.

27 Foreman, M. (1989). War Boy. London: Pavilion Books.

28 Frasconi, A. (1955). See and Say. A Picturebook in Four Languages. New York: Harcourt.

29 Gallaz, C. (1985). Rose Blanche (illus. R. Innocenti). Eng. trans. Mankato, MN: Creative Education, 1985.

30 Gidal, S. and Gidal, T. (1956–1972). My Village series. 23 vols. New York: Pantheon.

31 Granpa. (1989). Dir. D. Jackson. London: </TVS/Channel 4 Television.

32 Hamer, N. (2018). Picturebooks, merchandising, and franchising. In: The Routledge Companion to Picturebooks (ed. B. Kümmerling-Meibauer), 504–514. New York: Routledge.

33 Handford, M. (1987–1997). Where’s Wally? series. 10 vols. London: Walker Books.

34 Hughes, S. (1979). Up and Up. London: Penguin Books.

35 Hutchins, P. (1968). Rosie’s Walk. London: Bodley Head.

36 Ionesco, E. (1968). Conte numero 1, pour enfants de moins de trois ans (illus. Étienne Delessert). Paris: Harlin Quist and François Ruy-Vidal. [Eng. trans. Story Number 1, for Children under Three Years of Age. New York: Harlin Quist, 1968.]

37 Johnson, C. (1955). Harold and the Purple Crayon. New York: Harper & Row.

38 Jumanji. (1995). Dir. J. Johnston. USA: TriStar Pictures, Interscope Communications, Teitler Film.

39 Kästner, E. (1949). Die Konferenz Der Tiere (illus. W. Trier). Zurich: Europa Verlag. [Eng. trans. The Animals’ Conference. London: D. McCay, 1949.]

40 Keats, E.J. (1962). The Snowy Day. New York: Viking Press.

41 Kümmerling-Meibauer, B. (1999). Metalinguistic awareness and the child’s developing sense of irony: The relationship between pictures and texts in ironic picturebooks. The Lion and the Unicorn 23: 157–183.

42 Kümmerling-Meibauer, B. (2010). Remembering the past in words and pictures: How autobiographical stories become picturebooks. In: New Directions in Picturebook Research (ed. T. Colomer, B. Kümmerling-Meibauer, and C. Silva-Díaz), 205–216. New York: Routledge.

43 Kümmerling-Meibauer, B. (2013). Manga/Comics hybrids in picturebooks. In: Manga’s Cultural Crossroads (ed. J. Berndt and B. Kümmerling-Meibauer), 98–118. New York: Routledge.

44 Kümmerling-Meibauer, B. (2015). What is it that makes Pop Art picturebooks so different, so appealing?In: Children’s Literature and the Avant-Garde (ed. E. Druker and B. Kümmerling-Meibauer), 241–265. Amsterdam: John Benjamins.

45 Kümmerling-Meibauer, B. and Meibauer, J. (2005). First pictures, early concepts: Early concept books. The Lion and the Unicorn 29 (3): 324–347.

46 Kümmerling-Meibauer, B. and Meibauer, J. (2013). On the strangeness of Pop Art picturebooks: Pictures, texts, paratexts. In: New Review of Children’s Literature and Librarianship, 72 (2): 103–121 (special issue, ed. E. Arizpe, M. Farrell, and J. McAdam).

47 Lavater, W. (1965). Le Petit Chaperon Rouge: une imagerie d’apres un conte de Perrault. Paris: Adrien Maeght.

48 Lemarchant, F. (2015). Dominique Darbois et la collection “Enfants du monde.” La photographie entre fiction et documentaire. In Strenae 8. http://journals.openedition.org/strenae/1386 (accessed December 7, 2017).

49 Lindgren, A. (1956). Eva möter Noriko-San. Photos by A. Riwkin-Brick. Stockholm: Rabén & Sjögren. [Eng. trans. Noriko-San, Girl of Japan. London: Methuen, 1958.]

50 Lindgren, B. (1981–1995). Max books. 10 vols. (illus. E. Eriksson). Stockholm: Rabén & Sjögren.

51 Lionni, L. (1957). Little Blue and Little Yellow. New York: HarperCollins.

52 Lobato Suero, M.J. and Hoster Cabo, B. (2014). An approximation to intertextuality in picturebooks: Anthony Browne and his hypotexts. In: Picturebooks. Representation and Narration (ed. B. Kümmerling-Meibauer), 165–184. New York: Routledge.

53 Macaulay, D. (1990). Black and White. Boston, MA: Houghton Mifflin.

54 Mari, E. and Mari, I. (1960). La mela e la farfalla. Milan: Bompiani. [Eng. trans. The Apple and the Moth, New York: Pantheon, 1970.]

55 Martin, D. (1989). The Telling Line. Essays on Fifteen Contemporary Book Illustrators. London: Julia McRae Books.

56 Martin, M. (2004). Brown Gold. Milestones of African-American Children’s Picture Books, 1845–2002. New York: Routledge.

57 Maruki, T. (1980). Hiroshima No Pika. New York: Lothrop, Lee & Shepard Books.

58 McAfee, A. (1984). The Visitors Who Came to Stay (illus. A. Browne). London: Walker Books.

59 Mitgutsch, A. (1968). Rundherum in meiner Stadt. Ravensburg: Otto Maier Verlag.

60 Müller, J. (1990). Das Buch Im Buch Im Buch. Aarau: Sauerländer.

61 Munari, B. (1967). Libro illeggible N.Y. 1. New York: The Museum of Modern Art.

62 Munari, B. (1968). Nella nebbia Di Milano. Milan: Emme Edizioni. [Eng. trans. The Circus in the Mist. New York: Putnam, 1969.]

63 Munari, B. (1980). I prelibri. Milan: Danese Edizioni per Bambini.

64 Munsch, R. (1980). The Paper Bag Princess (illus. M. Martchenko). New York: Scholastic.

65 Nel, P. (2007). The Annotated Cat in the Hat: Under the Hat of Seuss and His Cats. New York: Random House.

66 Nel, P. (2012). Crocket Johnson and Ruth Krauss. Jackson, MS: University Press of Mississippi.

67 Nodelman, P. (1988). Words about Pictures. The Narrative Art of Children’s Picturebooks. Athens, GA: University of Georgia Press.

68 Nordqvist, S. (1984–2012). Pettson och Findus series. 10 vols. Stockholm: Opal. [Eng. trans. Pettson and Findus. Stroud: Hawthorn Press, 1986–2014.]

69 Nygren, T. (1987). Den röda tråden. Stockholm: Raben & Sjögren. [Eng. trans. The Red Thread. Stockholm: R & S Books, 1988.]

70 Paley, N. (1989). Why the books of Harlin Quist disappeared – or did they? Children’s Literature Association Quarterly 14 (3): 111–114.

71 The Polar Express. (2004). Dir. R. Zemeckis. USA: Castle Rock Entertainment, Shangri-La Entertainment, ImageMovers Playtone.

72 Raymond Briggs’ The Snowman. (1993). Dir. D. Jackson. Culver City, CA: Columbia TriStar Home.

73 Rémi, C. (2011). Reading as playing: The cognitive challenge of the wimmelbook. In: Emergent Literacy. Children’s Books from 0 to 3 (ed. B. Kümmerling-Meibauer), 115–139. Amsterdam: John Benjamins.

74 Rey, H.A. and Rey, M. (1941–1966). Curious George series. 6 vols. Boston, MA: Houghton Mifflin.

75 Sasek, M. (1959). This Is Paris. New York: Macmillan.

76 Say, A. (1993). Grandfather’s Journey. Boston, MA: Houghton Mifflin.

77 Schwarcz, J. (1982). Ways of the Illustrator: Visual Communication in Children’s Literature. Chicago: American Library Association.

78 Scieszka, J. (1989). The True Story of the Three Little Pigs (illus. L. Smith). New York: Harper & Row.

79 Scieszka, J. (1992). The Stinky Cheese Man and Other Fairly Stupid Stories (illus. L. Smith). New York: Viking Penguin.

80 Sendak, M. (1963). Where the Wild Things Are. New York: Harper & Row.

81 Sendak, M. (1970). In the Night Kitchen. New York: HarperCollins.

82 Seuss, D. (1957). The Cat in the Hat. New York: Random House.

83 Sipe, L.R. and Pantaleo, S. (eds.) (2008). Postmodern Picturebooks: Play, Parody, and Self-Referentiality. New York: Routledge.

84 Sís, P. (1998). Tibet through the Red Box. New York: Farrar, Straus and Giroux.

85 Snyder, D. (1988). The Boy of the Three-Year Nap (illus. A. Say). Boston, MA: Houghton Mifflin.

86 Steig, W. (1990). Shrek. New York: Farrar, Straus and Giroux.

87 Tydecks, J. (2018). Film versions of picturebooks. In: The Routledge Companion to Picturebooks (ed. B. Kümmerling-Meibauer), 495–504. New York: Routledge.

88 Van Allsburg, C. (1981). Jumanji. Boston, MA: Houghton Mifflin.

89 Van Allsburg, C. (1985). The Polar Express. Boston, MA: Houghton Mifflin.

90 Ward, L. (1973). The Silver Pony. Boston, MA: Houghton Mifflin.

91 Wiesner, D. (1991). Tuesday. New York: Clarion Books.

92 Wiesner, D. (2001). The Three Pigs. New York: Clarion Books.

93 Wiesner, D. (2006). Flotsam. New York: Clarion Books.