Читать книгу Sindòn The Mysterious Shroud Of Turin - Guido Pagliarino - Страница 9

The back and front image of a human body is clearly imprinted on the linen cloth. Essentially, this figure appears as a photographic negative; but, once exposed on a photographic film, or earlier on a photographic plate, it emerged as a photographic positive. It is as the Man on the Shroud had looked himself in the mirror and his reflected image had been imprinted on it as a photographic negative: like in each negative and like in a mirrored image, the right side appears as the left one, and vice versa.

For clarity, I'm going to compare a positive and negative picture of a Byzantine painted icon with a photographic positive and negative of the Shroud Man's face: