Читать книгу The Complete Strain Trilogy: The Strain, The Fall, The Night Eternal - Чак Хоган, Гильермо дель Торо, Guillermo Toro del - Страница 24

THE OLD MAN STOOD ALONE ON THE CRAMPED SALES floor of his pawnshop on East 118th Street, in Spanish Harlem. An hour after closing and his stomach was rumbling, yet he was reluctant to go upstairs. The gates were all pulled down over the doors and windows, like steel eyelids, the night people having claimed the streets outside. At night, you don’t go out.

He went to the bank of dimmers behind the loan desk, and darkened the store lamp by lamp. He was in an elegiac mood. He looked at his shop, the display cases of chrome and streaked glass. The wristwatches showcased on felt instead of velvet, the polished silver he couldn’t get rid of, the bits of diamond and gold. The full tea sets under glass. The leather coats and now-controversial furs. The new music players that went fast, and the radios and televisions he didn’t bother taking in anymore. And there were, here and there, treasures: a pair of beautiful antique safes (lined with asbestos, but just don’t eat it); a suitcase-size wood-and-steel Quasar VCR from the 1970s; an antique 16mm film projector.

But, on balance, lots of low-turnover junk. A pawnshop is part bazaar, part museum, part neighborhood reliquary. The pawnbroker provides a service no one else can. He is the poor man’s banker, someone people can come to and borrow twenty-five dollars with no concern as to credit history, employment, references. And, in the grip of an economic recession, twenty-five dollars is real money to many people. Twenty-five dollars can mean the difference between shelter or homelessness. Twenty-five dollars can put life-prolonging medicine within reach. So long as a man or woman has collateral, something of value to borrow against, he or she can walk out of his door with cash in hand. Beautiful.

He trudged on upstairs, turning out more lights as he went. He was fortunate to own his building, bought in the early 1970s for seven dollars and change. Okay, maybe not for so little, but not for so much either. They were burning down buildings for heat back then. Knickerbocker Loans and Curios (the name came with the shop) was never a means to wealth for Setrakian, but rather a conduit, a point of entry into the pre-Internet underground marketplace of the crossroads city of the world, for a man interested in Old World tools, artifacts, curios, and other arcana.

Thirty-five years of haggling over cheap jewelry by day, while amassing tools and armaments by night. Thirty-five years of biding his time, of preparation and waiting. Now his time was running out.

At the door, he touched the mezuzah and kissed his crooked, wrinkled fingertips before entering. The ancient mirror in the hallway was so scratched and faded that he had to crane his neck in order to find a reflective patch in which to view himself. His alabaster white hair, starting high up on his creased forehead and sweeping back below his ears and neck, was long overdue for a trim. His face continued to fall, his chin and earlobes and eyes succumbing to that bully named gravity. His hands, so broken and badly mended so many decades before, had curved into arthritic talons that he kept permanently hidden behind wool gloves with cut-off fingertips. Yet, beneath and within this crumbling facade of a man: strength. Fire. Grit.

The secret of his interior wellspring of youth? One simple element.

Revenge.

Many years before, in Warsaw and later in Budapest, there was a man named Abraham Setrakian who had been an esteemed professor of Eastern European literature and folklore. A Holocaust survivor who survived the scandal of marrying a student, and whose field of study took him to some of the darkest corners of the world.

Now, an aged pawnbroker in America, still haunted by unfinished business.

He had good soup left over, delicious chicken soup with kreplach and egg noodles, that a regular had brought him all the way from Liebman’s, in the Bronx. He put the bowl in the microwave and worked at his loose necktie knot with his gnarled fingers. After the beeping, he carried the hot bowl over to the table, pulling a linen napkin—never paper!—from the holder and tucking it snugly into his collar.

Blowing on soup. A ritual of comfort, of reassurance. He remembered his grandmother, his bubbeh—but this was more than mere memory; it was sense, a feeling—blowing on it for him when he was a boy, sitting next to him at the rickety wooden table in the cold kitchen of their house in Romania. Before the troubles. Her old breath stirring the rising steam into his young face, the quiet magic of that simple act. Like blowing life into the child. And now, as he blew, an old man himself, he watched his breath given shape by the steam, and wondered just how many of these respirations he had left.

He took the spoon, one of a drawer full of fancy, mismatched implements, into the crooked fingers of his left hand. Blowing onto the spoon now, rippling the tiny pool of broth there, before taking it into his mouth. Taste came and went, the buds on his tongue dying like old soldiers: the victims of many decades of pipe smoking, a professor’s vice.

He found the thin remote for the outdated Sony TV—a kitchen model finished in white—and the thirteen-inch screen warmed up, further illuminating the room. He rose and walked to the pantry, leaning his hands on the stacks of books squeezing the hallway into a narrow tread of worn rug—books were everywhere, piled high against the walls, many of them read, all of them impossible to part with—and lifting the cover off the cake tin to retrieve the last of the good rye bread he had been saving. He carried the paper-wrapped loaf back to his cushioned kitchen chair, settling heavily, and went about picking off the little bits of mold as he enjoyed another tender sip of the delicious broth.

Slowly, the image on the screen claimed his attention: a jumbo jet parked on a tarmac somewhere, lit up like an ivory piece upon jeweler’s black felt. He pulled on the black-rimmed glasses that hung at his chest, squinting in order to make out the bottom graphic. Today’s crisis was taking place across the river, at JFK Airport.

The old professor watched and listened, focused on the pristine-looking airplane. One minute became two, then three, the room fading around him. He was transfixed—nearly transported—by the news report, the soup spoon still in his no-longer-tremulous hand.

The television image of the dormant airplane played across the lenses of his eyeglasses like a future foretold. The broth in the bowl cooled, its steam fading, dying, the picked-apart slice of rye bread remaining uneaten.

He knew.

Pick-pick-pick.

The old man knew—

Pick-pick-pick.

His malformed hands began to ache. What he saw before him was not an omen—it was an incursion. It was the act itself. The thing he had been waiting for. That he had been preparing for. All his life until now.

Any relief he had felt initially—at not having been outlived by this horror; at getting one last-minute chance at vengeance—was replaced immediately by sharp, painlike fear. The words left his mouth on a gust of steam.

He is here … He is here…