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THE CHICK EMERGES

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It was a great day for Anthony when in the late autumn he once more saw the dust of the approaching vehicles and the children returned. Reality was once more brought home to him. There were several new girls. One, who arrived nearly always a little late in a car behind a lazy, fat pony, especially delighted him. She was about his own size and her wriggles were noteworthy. He could not quite make out her features. The cart always disappeared when he was just about to catch a full glimpse of her face into the lane behind the wall. It was impossible to look closer for the edge of the roof cut off his view. He tried to imagine her into the court but she had no face. Somehow, too, he had lost the trick of evoking vivid dreams. The reality was now so much plainer. The glimpses of her enchanting arrivals and departures grew more and more tantalizing. See her face, speak to her, he must.

He began to investigate the plan of the corridors beyond the huge, half-vacant wing of the convent that he already knew. He soon discovered an important fact. While the children were present, all the nuns in the other part of the building were absent from their rooms. This gave him courage. He began to explore more thoroughly.

On the third day, he found the corridor that led to the door. Breathless and on tiptoe, more frightened even than when he had climbed the tree, he ventured to the threshold and looked out. The world lay before him on its own level. All he had to do was to put his feet upon it and walk out. He did so cautiously, then brazenly. As the shadow of the roof passed from his head and the full sunlight burst upon him, he ceased from half-crouching and stood up manfully. At last, and forever, he knew himself to be free. The spell of the place had been broken conclusively. No one had led him. He had found the way out himself.

Even now, however, he still found himself in a lane with the convent on one side and a high wall on the other. In both directions it made a slight curve and he could not see beyond. He turned to the right and started to walk. He passed a place in the wall of the convent that was filled up with new bricks of a brighter colour than the rest, a blind window. Then the trees started to meet overhead and became vaguely familiar. Suddenly he found himself before the door of the priest's house. "Come in," said Father Xavier's voice.

Anthony walked in and sat down. He felt weak with apprehension. It was some minutes before he could bring himself to believe that the priest had not noticed the unusual direction of his approach. Not to have been found out upon this occasion gave him a confidence which he never lost. That afternoon Father Xavier began to talk to Anthony about his future. To the priest's suggestion of the seminary the boy made no comment. He sat silent, puzzling over the direction of the lane. "In a few years if you are attentive and do well, you can go to Rome," Father Xavier was saying. Anthony was wondering where the lane led when you turned the other way. The next day he found out for himself.

It was lucky, thought Anthony, that the little girl whose face he could not see always came late. He watched her one morning from the tree approaching after all the others had arrived. The pony took considerable persuading. The boy slithered to the ground and darting through the corridors ran out and placed himself in an offset of the wall until she drove up. A half-grown Italian lad held the reins. Anthony was dressed in nothing but a long, ragged cassock that flapped about his bare feet. It had once belonged to Father Xavier and the row of rusty buttons ran from the neck to the ground. The boy had a good view of the little girl. Under a mop of brown hair, she had a fair, chubby face and blue eyes. Anthony lounged close to the wall and said nothing. Neither the little girl nor her driver paid any attention to him beyond giving him a glance. The sight of acolytes lounging about near chapels was not novel to them. The little girl took her satchel and went into school. Beyond making a face at Anthony when he drove away even the driver ignored him.

Morning after morning, whenever circumstances would permit him to leave the court without being noticed, and regardless of the weather, Anthony continued to wait by the same nook in the wall. Some time during the second week he was rewarded by a smile. A little later he ventured to hold the pony while she left the cart, and to strike up a friendship with the lad who drove her. Anthony was now rewarded with a "good morning" to which after some days he ventured to reply. Secretly, to both children, the sound of their own voices thus exchanged was thrilling, but especially to Anthony. The little girl was proud that he came to hold her pony. No one did so for the other girls. Knowing that she would be teased about it if she said anything, she held her tongue.

From Angelo the driver, Anthony gradually learned all there was to know about his "puella." The older boy laughed at his queer jargon of convent Latin and Italian, correcting him loftily. Anthony had the good sense to be humble before this older boy and thus lived in his good graces. He, Angelo, worked for Meester Udney, the English consul at Livorno. Mees Florence was the consul's daughter. The Udneys had two great houses and were very rich. All of the Inglese were rich. Most of them were heretics. Angelo crossed himself. He lived in great fear of the evil eye. It was from the villa that they drove every day, only sometimes in town. The pony was slow, and they had permission from the mother superior to be late--when necessary. It was always necessary. Angelo grinned. Miss Florence, it appeared, usually had her own way.

One morning Anthony presented her with some pigeon eggs in a little nest of woven leaves which he had made. The gift was acceptable. About Totnes she had once hunted for birds' eggs with her cousins. Here at Livorno it was not permitted. She was the consul's daughter! The eggs were adorable. In return she brought Anthony a pair of shoes. They were too short for him but he cut out the toes and after that refrained from meeting her in entirely bare feet.

He told her about the pigeons and how he had first seen her from the tree where the birds lived. The restraint gradually wore off from their brief morning talks. Every day they had some childish news to exchange, usually about animals. Anthony about his pigeons and the cats; the girl about her pets at home. Before the term was over it was arranged between them that Anthony should come to see her rabbits. There were also several puppies that had become the heroes of an animal epic recounted from day to day.

Angelo demurred to this plan at first. Anthony would have to ride to the villa in the pony cart. It appeared slightly irregular. Orders had been given by Mr. Udney that no one should be given rides in the cart. Miss Florence stamped her foot, however, and argued her case. After several days of appeal, cajolery, and threats Angelo succumbed. Anthony was to lie in the back of the cart with a wrap thrown over him. How he was to return did not concern either himself or the other conspirators--as yet.

One afternoon he borrowed Father Xavier's hat and whisking himself to the end of the lane stood waiting patiently till the rumble of the departing carriages ceased. Some minutes later the pony cart with Angelo and Florence passed by slowly as had been arranged. Climbing into it hastily, Anthony wriggled under the rug in the back, and they were off.

It was a marvellous sensation bumping along by the efforts of someone else. Miss Florence was bubbling with suppressed excitement and laughter. Angelo put the pony through what paces it might be said to have had. He succeeded at least in making it wheeze. It is doubtful if Elijah enjoyed the triumph of his chariot journey to Heaven as keenly as did Anthony his trip in the pony cart to the modest villa of Mr. Udney. Both were a transit to paradise. But to be able to peep out from the blanket and to see the scenes which he had so often observed from the tree actually passing before his eyes, to catch a glimpse now and then of a laughing face, a real one, smiling down at him--what were the rewards of a mere prophet compared to all this? Besides, the speed, particularly downhill, was prodigious. He could scarcely believe he was not dreaming when he closed his eyes under the blanket. The very pain of the bumps gave him pleasure. They were so reassuring. Presently they turned into an avenue lined with poplars. Anthony was commanded to cover up and keep still. After some delay, strange voices, and the smell of a strange place, Angelo uncovered him and the boy found himself in the stable yard of the villa. He was being shown the horses, huge beasts he thought, when Florence came out and joined him. She had changed out of her school dress and was in a long, blue frock with ribbons. She was more beautiful than anything Anthony had ever seen. Miss Florence was a very small girl but she was not too young to enjoy being admired even by a ragged acolyte. After giving him more than sufficient time to recover his breath, they went to see her rabbit hutch.

Confronted by such an ideal beast as a rabbit for the first time; actually permitted to hold one in his hands, Anthony was reduced to tears. He could not help himself. It was too much.

"They are lovely," whispered Florence. "I like the white ones best."

He nodded sympathetically, wiping his eyes on Father Xavier's best hat. They both agreed that the tweaking nose of the largest rabbit was a miracle of rare device. From the rabbits they passed out into the rear courtyard which, it appeared, was the abode of the pups.

By this time Anthony had forgotten his entire past, and the future did not yet exist. Lost solely in each other, and in the animal riot about their feet, the sylvan voices of the two children laughing uncontrollably at the comical pranks of dogdom floated into the library window to the ears of Mrs. Udney. She crossed the room to look out, stood for a minute amazed, and then turned her head to say in a half whisper, "Come here, Henry." Mr. Udney--who was perusing a document the last line of which averred, "your petitioner will ever pray"--was glad to be recalled to life. He dropped the paper on the floor and joined his wife. It was a singular scene upon which they now looked down.

Standing in the middle of the yard was their daughter Florence with her frock in the most admired disorder. She was looking up with an expression of extreme happiness into the face of a figure whose grotesqueness passed belief.

Presented to the view of Mr. and Mrs. Udney was the back of a huge triangular priest's hat clapped upon the invisible head of a young body in a long, black, clerical gown that fell in one sheer line from neck to bare, brown calves. One point of the hat, which was worn at the angle of a shed roof, was exactly between a pair of shoulder blades that appeared through the gown as did two elbows from their ragged sleeves. The effect upon the spectator was that of having been suddenly presented with the eye of Don Quixote, or, that Lazarus had taken orders. While the Udneys gasped, the laughter in the court continued till the stable arches rang.

The laughter was the least bit hysterical now. Mrs. Udney giggled. "My dear," said she, "where do you suppose she found him?" "I'll be demned!" said Mr. Udney, changing the sound of one vowel out of deference to his spouse. "Let us have them up." He cleared his throat in a preparatory manner--"Florence!" Laughter in the court ceased. The children felt they were seen. Anthony felt an impulse to run, mastered it, and turned toward the direction of the voice. "Take off your hat," whispered the little girl, "it's mother." The boy removed his hat with an unavoidable flourish owing to its size and tucked it like a picture frame under his arm. He looked up.

The removal of the hat did not disclose an ecclesiastical gnome but the fair face of an English boy rather deeply tanned, yet still unmistakable, under delicate ringlets of yellow hair. His features were more than usually aquiline. There was a firm little jaw, a broad brow, and grey-blue eyes. If anything, the face was perhaps a little too thin. But this not unpleasant hint of keenness was tempered by far-looking eyes and half-parted lips into the expression of one not fully awakened yet from a remembered dream. The head sat upon a firm neck, while the narrow-waisted, black gown with its long row of buttons made the boy look taller than he actually was. In the afternoon's sunlight he seemed to radiate a certain indescribable lustre like the leaves of a fresh plant after rain. Mrs. Udney, who had no son as yet, felt her bodice move. Her husband laughed unconsciously. "Upon my word!" he said. "Florence," he called, "bring up your prince of the church for tea." He turned away from the window chuckling.

"How do you suppose a face like that got to Italy?" he asked his wife. "Leghorn is a peculiar place. King George seems to have lost a subject somehow." The consul in him felt a dim impulse to inquire--at which Mr. Udney smiled. His wife remained by the window. Their cogitations upon different lines were now interrupted by the arrival of one Signore Terrini, a dandified young painter, whose tailor aped English styles in an Italian way.

Florence took Anthony by the hand not engaged with the hat and led him up to the library. The boy could never forget that room; the long white curtains rippling in and out through the shaft of sunlight, the warm, brown rows of calf-bound volumes, Mr. Udney's desk heaped with papers, the ink, sand, and black seals. The smell of sealing wax forever after served to summon it to view. There was Mrs. Udney in a soft, white, low-bosomed dress, seated by the tea table, the silver, the sound of low, happy voices within, that of poplar trees without. That such places existed, he had no inkling. He had never seen a lady. He stood entranced and showed it.

They were talking Italian to the artist to whom Anthony was now introduced. Mrs. Udney took the boy by both hands, looked in his face, and declared he was an angel. He blushed, but liked it. Florence was enormously proud of her acquisition who was soon seated on a chaise longue eating a raspberry tart and drinking weak tea, neither of which delights he had ever tasted before. A mist came over his eyes. He experienced the sensation of being at home.

Terrini leaned forward. He would give anything to catch that expression for a copy of the young St. John he was doing. The face of the original he worked from was blurred. The slight plumpness of the lower part of the fingers and back of the hands--one should remember that in portraits of little boys. The children of merchants were the artist's chief subject and stock in trade. What a model! One could repeat it indefinitely. He began to ask Anthony about himself.

Miss Florence broke in and was permitted to help explain. She did so with giggles which were contagious. The atmosphere grew even easier. They were gay at no one's expense. Soon Anthony was talking about himself. His queer jargon of obsolete Tuscan interspersed with learned and stilted phrases from Latin and French amazed and secretly convulsed them. In this lingo the brief annals of his quiet existence were soon told. Mr. Udney became interested and led Anthony about the room talking to him. The avid mind and the starved curiosity of the boy were at once apparent to him. The audience looked on quietly, amazed at the lad's exclamations over the ordinary furniture of domestic life and his familiarity with classics. A lecture on the use of the library globes, which Mr. Udney's encouragement drew forth, was inimitable. The gentleman was "demned" again.

From the standpoint of the British consul the whole exhibition was a confirmation of his own opinion as to the wrong-headed education provided by the Romish clergy. Probably his own daughter was having much the same kind of stuff driven into her head by the nuns. It was a sore point between him and his wife. To be sure, there was no other school, but . . . He would have enlarged, on the subject to her had it not been for the presence of the Italian artist who was, of course, of the "opposite persuasion." Besides it occurred to him again, as he looked at Anthony sidewise, that the boy did look English. His own son, if he ever had one, might look like that, he flattered himself.

Mrs. Udney, on the other hand, was quietly scheming behind the teacups to have Anthony remain for the night. Instinctively she wanted him in the house. By these vague prejudices and emotions passing unrecorded through the hearts and brains of strangers the future of the boy was irrevocably shaped.

Mrs. Udney advanced her proposition only tentatively, but she was heartily seconded by Florence. To her surprise, her husband seemed amused and easily consented. Even Signore Terrini entered into the spirit of the occasion, as he always made a point of doing, and sketched Anthony with his hat on while Mr. Udney wrote a note. A charming sketch of Florence followed as a slight hint of what might be done. This with a magnificent flourish the artist signed "Terrini, Livorno, 1785," and handed to Mrs. Udney. As for Anthony, he was invited forthwith to late dinner which proved to be the climax of a clearly miraculous day.

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Mother Marie José was considerably disturbed when she was informed about an hour before vespers that Anthony was missing. It annoyed her to find that old Sister Agatha was more worried about the child than the consequences which might follow his disappearance. The woman was too venerable, weak, and frightened to be disciplined any longer. The mother superior blamed herself for not having acted promptly upon Father Xavier's recommendation of some months before. After another thorough search of the convent she sent for the priest. They agreed that if Anthony did not appear shortly, inquiry should be made next day leading to his return. There was a difference of opinion between them as to how he should then be disposed of. Father Xavier was for continuing his instructions at the convent until he could send him to Rome. Mother Marie was for placing him with some honest tradesman as an apprentice.

In the continued presence of Anthony at the convent she saw many and increasing difficulties. Above all she hoped that he might now return without having caused any talk. Her school was in too flourishing a condition to be blown upon by gossip. She recollected that the boy was now ten years old and this worried her. On the other hand, she was infinitely indebted to Father Xavier. Without him she could scarcely have obtained her more fashionable hopefuls. The priest's securing of the English consul's daughter had been especially satisfactory. The patronage of the English element in the town was essential.

It was with some reluctance, therefore, after carefully weighing the matter, that she finally consented to the priest's plea, and then only with the understanding that he would make himself responsible for the boy's whereabouts and good behaviour if he continued to remain at the convent. Father Xavier was surprised to find how relieved and happy he was at this outcome. He had become more interested in the child than he had realized.

Such was the state of affairs when Mr. Udney's groom arrived with a note for the mother superior. The messenger desired an answer. Mother Marie turned pale. The note was the confirmation of her worst fears. In her agitation she saw the work of a decade about to tumble about her ears.

. . . Kindly carry my compliments to Father Xavier and inform him that his hat has been very much admired here . . .

Mr. Udney had not quite been able to restrain himself.

Mother Marie did not understand. She was scandalized she should be asked to "convey compliments" from one man to another. At the thought of the ragged orphan riding "concealed in a carriage" with the daughter of one of her most valued patrons the roots of her hair crept. It outraged every convention of a hard training and an unimaginative soul. She forgot the children were very small. Mr. Udney's "explanation" had only made matters worse. She changed her mind on the instant. Anthony would have to go.

Father Xavier had never seen her so vehement. He was secretly somewhat afraid of Mother Marie. It would never do to oppose her now. He could see that. If he was going to do anything for the boy, prevent him from being turned into a peasant or a carpenter, for instance, he would have to act promptly. He would have to act that night! So he agreed with the mother superior.

"And this note?" she groaned.

"Allow me to carry the answer myself," he suggested. "I shall call on Mr. Udney immediately--to get my hat."

"Your hat!" cried she indignantly.

"But I shall also take the opportunity," continued Father Xavier, "of explaining matters there. I can do so I am sure. Also," he hurried on, seeing her look of doubt still lingering, "when I return I shall have disposed of your orphan. I am well known to Signore Udney, you know." He spread his hands out appealingly, and with a hint of caution. "You will be well advised I think if you leave the matter to me." She nodded. "It is a lonely life we lead, sometimes, my sister, is it not? We orphans, you know," he said as he passed out. She nodded again. "Yes, sometimes," he heard her reply in a low voice. "Do as you wish with him." But he did not hear that. He had gone.

She sat in a mist of recollection longer than she knew. For the first time in ten years they waited for her at vespers. Before she rose from her knees she had changed her mind again. Father Xavier should keep his pupil.

The priest in the meanwhile in his best gown but hatless was being driven to Mr. Udney's. He arrived there when they were half through dinner to be welcomed warmly by all including Anthony whose cup was now running over with happiness.

"I have come for my hat and for the young rascal who took it," Father Xavier declared as he sat down.

"In the meantime let this refurbish you internally as well," said Mr. Udney loading his plate. He was fond of the priest who did not insist on his cloth. "A wise and kindly man," thought the Englishman cutting him a choice slice of mutton. They had in fact been able to help each other on several occasions. It was not the first time Mr. Udney had carved for the priest. Over the wine--while Mrs. Udney, Signore Terrini and the children gathered about her spinet in the next room--Father Xavier related all that he knew of the story of Anthony to Mr. Udney . . .

"And so, my good friend," he ended,--the genuine eloquence of affection having already lent wings to his plea,--"I would I could say my co-religionist, I want your assistance in this matter, just as you lately were in want of mine." Mr. Udney held up his hand.

"Have you any plans?" he asked.

"There is the Casa da Bonnyfeather. I had thought of that." Mr. Udney smiled at the priest's evident familiarity with lay affairs in the town.

"Yes, I could help you there. Old Bonnyfeather is, or was a Jacobite, yet in his trading here, and everywhere, he needs his British protection. You see I made certain concessions about his oath of allegiance. Nothing really irregular, you know," he added hastily. The priest smiled.

"I also made certain concessions."

"Ah, he is of your persuasion then. You are his confessor?" Mr. Udney did not press that point. The father sipped his port.

"In other words, if both of us should call on him, say, tomorrow," continued Mr. Udney, "he might find room in his establishment for a promising orphan. It would be difficult to resist both the temporal and ecclesiastical authorities combined. Would it not, father?"

"Impossible, I think," smiled the priest. "But why not tonight?"

"Why not?" echoed his host. "Mr. Bonnyfeather will not be busy."

They came out and sat in the hall looking into the big room. Mrs. Udney was touching the keys while Signore Terrini twittered through an aria in an affected tenor. The children were sitting close together, Anthony's bare toes gleaming out of his shoes. They seemed to be reflecting the warmth of his expression of happiness. Suddenly they started to dance. Mrs. Udney had caught sight of her audience in the hall and cutting off Signore Terrini rather mercilessly, had broken into the stirring strains of "Malbrouk s'en va-t-en guerre." The notes rang and the face of the boy became exalted. Mrs. Udney managed to beckon to her husband who came near. A smile passed between them quietly as they looked at the rapt face of Anthony. "Does he really stay tonight, then?" she asked. "Yes," said he stooping lower, watching her hands flutter over the keyboard. "Father Xavier and I are making final arrangements for him, I trust. Mr. Bonnyfeather!"

"Good," said she. "Splendid! I knew you would do something."

He rejoined Father Xavier in the hall.

Presently the sound of wheels was heard above the tune. The music ceased and Anthony returned to this world to find a strange little girl seated beside him. Mrs. Udney rose and took the children to their rooms.

Between the cool, lavender-scented sheets, a totally new experience for Anthony, his body seemed to be floating in the smooth water of the pool. From somewhere down the hall came the silvery voice of a little girl wishing him good night. As he sank deeper into the complete rest of tired happiness, he looked in vain for the face of the madonna over the foot of his bed. Presently a soft glow suffusing the white wall of his chamber, and the habit of his mind combined to place her there where she belonged. He began his prayer. His lips moved making a sound like the trees outside, and like that dying away into the peace of the night.

Father Xavier and Mr. Udney trotted rapidly down the winding road to Livorno. The moon was rising. The water and air about it became visible and blent together in a pervading white shimmer. In this the whiter buildings of the town and the long harbour mole seemed to swim. The coloured lights of the shipping were caught like fireflies in a dark web of tangled rigging and masts. The streets were silent, but from a Maltese ketch some distance out came the ecstatic agony of a pulsing stringed instrument punctuated by the beating of feet on deck. An occasional weird cry arose. In the light warm air the music was alternately loud and soft.

"The boy is in good hands tonight at least," said Father Xavier softly. "I wish . . ."

"It is curious," remarked Mr. Udney, "that no men are too savage to be affected by moonlight. It is the same to us all. Like imagination it presents a familiar world in a new light." Mr. Udney was privately given to this kind of semi-profundity. He hoped Father Xavier would be impressed.

"I am wondering," said the latter, "how Mr. Bonnyfeather will take the proposal of receiving so young a lad into his establishment. Since the death of his daughter . . ."

"Tush, man! That was a decade or so ago, wasn't it? Never fear. Secretly he may be glad to have this boy. A Scot, though, would never say so, you know."

They drew up before a long building whose arches looped along the water front, and were soon knocking loudly at a high double gate. The echo boomed through the emptiness beyond. In the sombre archway a streak of lantern light suddenly flowed under the gate.

"Wha be ye poondin' at sic a rate oot there?" grumbled a voice to itself while a chain rattled. A small grille opened and a head in a red night-cap peered through.

"It's Mr. Udney, Sandy," said that gentleman reassuringly. "And Father Xavier," he added as the lantern was flashed on them both suspiciously.

"Losh, mon, come in, come in!" replied the voice as the bolts were shot back. "To think I hae kepit the Breetish consul, and the faither durlen withoot. Mind ye dinna trrip ower the besom the noo."

Mr. Udney chuckled as their footfalls wakened the stones of the court.

Mr. Bonnyfeather was at home.

Anthony Adverse

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