Читать книгу Anthony Adverse - Hervey Allen - Страница 32

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Anthony was driven back to the convent the next morning in the cart with Florence. He was received with tears by Sister Agatha. There was a message for him to report to the mother superior. She had already relented and had made up her mind to give the boy only a sharp lesson and allow him to continue with Father Xavier. That the priest had already made other arrangements for bestowing the lad, she did not yet know.

His room and the court seemed warm and pleasantly familiar to Anthony. It was home after all. He was glad to see the madonna, but it was with a sinking sensation in the pit of his stomach that he threaded the maze of long corridors leading to the mother superior's room. One was not summoned there for trifles. Already the outside world seemed distant and ineffectual. His feet raised stony echoes that might call a dangerous attention to himself. He began to walk on tiptoe.

Mother Marie José's cheek band had been illy laundered. It was rough and chafed her under the chin. She had removed it and was changing her head-dress when Anthony appeared silently and unexpectedly at the door. Looking in, the boy saw a perfectly smooth-shaven head shining like a skull, a face unexpectedly broad with two glittering, brown eyes staring out of it, and a birthmark that flowed down over the woman's chin into the breast of her black gown. Between the chin and the eyes the face seemed terribly vacant by contrast. It was an almost supernatural countenance. A comet seemed passing beneath two burning stars. Intense fear and horror contorted the face of the boy. Mother Marie José gave a faint scream and snatched at her head-dress which covered the secret of her life. From its broad, linen band only her fine wide forehead and her statuesque profile now showed. She had indeed taken the veil again, but from her eyes there still darted an intensely feminine fire. She approached Anthony deliberately and laid hold of his arm.

"Never tell what you saw," she said through her teeth. The grasp tightened. "Do you understand, you boy!" She began to shake him. Her face drew nearer. With a sudden desperate jerk he tore his arm free and dashed down the corridor. He flashed headlong into his room and stood there while a mixture of rage, fear, indignation, and surprise clutched his throat in dry, hard sobs. Presently he saw the calm face of the madonna through his tears. He snatched her to him from her niche and peeped out of the door. Old Sister Agatha had gone from the court. He took the statue, climbed with it into the tree, and hid himself.

Mother Marie José was also trembling with conflicting emotion in which anger and fear predominated. She rang her bell and sent urgently for Father Xavier. She spoke to him imperatively when he appeared. Her one idea now was to get Anthony away.

"I am sorry he has been impudent to you," he replied.

She accepted his unconscious explanation eagerly.

"Take him to your house until you have made your arrangements for him. I will not permit him to stay here. It is impossible. Not an hour. I . . ."

"Recollect yourself, madam," said the priest.

She saw she had gone too far. "Do as I ask you then," she said beseechingly. "I will send his belongings and a certificate of character to you shortly, but get him beyond these walls."

The priest looked at her sorrowfully and turned away. No matter what had occurred, he thought her haste petulant to say the least. He was surprised that she should show such feeling. One never knew what a woman would do. He had intended to take Anthony to town tomorrow. So it must be today, then! Today? His heart sank. He tried to shut the image of the child out of his mind. It would never do to torture himself for a whole day longer. Now, it must be now. Anthony was not in his room. Father Xavier bundled a few of the child's pitiful belongings into a pillow case. A broken wooden horse smote his eyes dim. He turned to the door and called.

The boy did not answer at first. Then he saw that Father Xavier was weeping. "I am here, father," he called. His bright hair and face peered out of the leaves half-way up the tree.

"Come down, my son, I have something to tell you that you must hear." He kept trying to smile. The boy climbed down and approached him bravely.

"You are to come with me," said Father Xavier, and took him by the hand. They went down the lane to the house together silently. Anthony was still holding fast to the statue of the madonna.

The priest had intended to keep the lad with him all afternoon. He had carefully prepared in his own mind the things which he most wished to impress upon Anthony, a last and memorable lesson as it were, and he had also counted upon explaining some of the things which would be required of the boy in the strange, new world where he would shortly find himself. Faced by the actual fact of parting, and shaken by the unexpected violence of Mother Marie José, the heart and nerves of the man had combined to drive his excellent little homily from his head. A genuine ascetic, Father Xavier was also shocked to find himself yearning over this orphan whom chance had thrown in his way as if he had been a child of his own flesh. "The flesh is indeed weak," he told himself. Affection shown at leave-taking would be weakening with himself. To save himself from that, he knew that he might become stern. He did not want to do that. He could not be sure of himself either way. Plainly it would never do to prolong things. He had intended to send out for a decent suit for the boy. Well, he would have to go in his ragged cassock now. The priest walked up and down keeping his face from Anthony. "How long would the Mother Superior take with her certificate and the other things? One might think a prince was departing with paraphernalia. Did she know she was torturing him?" Presently the portress came with a black, mildewed bag.

"Is that all?" said Father Xavier.

"There was a statue of the madonna in his room which is also his. It is to go too, the mother superior said," replied the woman. "Here is the certificate. You will please be sure to have this receipt signed for all of his things, father. I was told to be sure not to forget to tell you that."

The priest nodded, and pointed to the madonna lying on the chair. "All here," he said. The good Contessina turned to go. Anthony was sitting by the window watching the chickens. Suddenly he found himself in the woman's arms. She was crying over him, hugging him.

"The saints be with you, my bright little pigeon. May you fly far. Mary go with you!--my God! Good-bye, good-bye!" Then she was gone. A natural phenomenon had dimmed the scene from Father Xavier's eyes. Pretending not to notice, he busied himself by putting the madonna into the bag. He now closed it and looked up. Anthony was standing with a blank face.

"I am going away?" he asked.

"Yes."

"Now?"

The priest nodded slowly.

"Because of what I have done?"

"No," said the man in spite of himself.

"Tell me, then!" cried the boy. A sudden hope leaped into his eyes. "Is it to Signore Udney? Ma donna there is not like . . ."

"Like whom?"

The boy faltered. "Thou knowest," he said finally.

"Come," said Father Xavier. "I shall tell you as we go." He took the bag from the table and led the boy from the room. As they passed down the lane a certain bricked-up window in the wall gaped at them like a mouth that had been stopped with clay.

It was a good two miles to Livorno, a hot day, and a dusty road. The stones of the highway hurt the feet of the boy used only to the smooth courts of the convent. He limped, but he listened so intently to what Father Xavier was telling him that he scarcely had time to notice his feet.

The priest's voice was once more calm. In affectionate tones he was creating for Anthony a new vista in life. "Apprenticed"--Father Xavier had to explain what that meant. Yes, he had arranged it all the night before. "While I was sleeping at Signore Udney's," thought Anthony. He looked back. Nothing was to be seen now of the convent except its red roofs and the pigeons circling about the top of his tree. They swooped down and disappeared. Contessina was feeding them then. So, they could get along without him! He pondered the fact. "But I shall come several times a week, my son," the father's voice was saying, "to continue your instruction--for at least a while." The man sighed. "Then, who knows?" Anthony looked up as the tones faltered again. "Often?" he asked. The priest nodded with a determined look. The boy smiled. "I am glad," he said.

They walked on in silence. Anthony did not look back again. It was a relief when he felt the warm, smooth flagstones of the approach to the Porta Pisa under his feet. There was a throng of country carts lined up there from which two Austrian soldiers in glistening, white uniforms, with muskets slung behind them, were collecting small copper coins. Anthony stared. They passed by the striped sentry boxes with the grand ducal arms, and turned toward the water front. The whirl and colour of a seaport dizened itself into his eyes. For a moment it threatened to engulf him.

He had never imagined there were so many people in the world, or so many tongues. Along the rivers of the streets poured in both directions a mass of vehicles; wheelbarrows piloted by whistling, bawling porters; creaking oxcarts. Donkeys with huge barrels slung on either side crowded pedestrians to the wall and swept all before them triumphantly. Army wagons like canal boats on wheels laden with wine and forage for the garrison, jolted toward the Castello Vecchio. They often seemed to dam up the whole street. As they turned the corner of the Piazza d'Arme a flood of low-hung drays piled with bales, or loaded with live cattle and poultry swept past them, whips cracking.

Father Xavier and Anthony stood back against the wall to avoid the whisking tails of horses and mules that slithered by with ears laid back. The dust rolled, streaked with pencilled sunlight at the cross streets. Porters jostled them, and merchants in laced coats laughed. Anthony could scarcely repress an impulse to take refuge in the dark, cool alleyways, or to dart into one of the many courtyards filled with bright, fluttering clothes. At times he seemed lost in a forest of legs, knee breeches, and the flapping trousers of British tars. Above his head their black glazed hats sailed past, a yard of ribbon fluttering behind. He tripped over a beggar who cursed him horribly. The stench of everything-at-once overpowered him, and clutched at his throat. Suddenly they turned a corner and came out on the long cobble-paved water front of the minor, inner port or Darsena.

As long as he lived Anthony never forgot that moment. There was a vividness about it which was, at the time, more than he could appreciate. For the first time the lenses of his senses now came to a completely clear and perfectly blent focus. Into the still bare, and somewhat misty room of his mind burst the glorious, light-flooded vision of reality. There was not still-life only as heretofore. On this crowded water front there was motion and song. He lifted his head to drink it all in. He felt his heritage as one of the swarm fully conferred upon him. The vision beyond and the beholder for the first time lost themselves in each other and became one.

For years it was impossible, except at rare moments, or by the aid of closed eyelids to separate them again. That, as he came to know afterwards, was both the reward and the stumbling-block of a good mind in a healthy body.

But this first impression of Livorno was his awakening. As he thought of it years later, it seemed to him that at the convent his vision of life had taken place mysteriously in the camera obscura of a child's mind. Indeed, as he looked back, there was even a kind of charm about it, a rather dark, melancholy tinge with bright tufts of colour standing out beautifully. Looking at a street scene reflected in a black, polished stone in a jeweller's window at Paris many years afterward, he was forcibly reminded again of his days at the convent. Things grew and disappeared in the black mirror in a vista without reason. They moved by a totally disconnected motion with a volition all their own. One could be a polytheist in a world like that. It was lovely, dimly god-like and beautiful, but entirely unreal.

The one exception to this had been his first vision from the treetop.

Now--now as he stood at the street corner just where the land met the sea--life became more than a mere proper focus of several clear lenses. It seemed as if the windows of his soul had suddenly been thrown wide open. He felt the air, he heard a clangour, the light streamed in and flooded the room. Whimsical circumstance decreed that all this wealth of the senses, the very odour of it, should forever be carried for him in a Fortunatus purse of orange peel.

For in the quay opposite, a felucca from Sardinia was unloading. Piles of oranges lay heaped upon its deck. Some had been crushed beneath the feet of the crew and the air reeked with them. Father Xavier held up his hand and a dark sailor in a red jacket tossed him a yellow globe. As the two stood at the corner sharing it, Anthony's eyes continued to wander along the water front.

Landwise stretched an apparently endless row of long, white buildings facing the harbour. Between them and the quays was a broad, cobble-paved way crawling with jolting, roaring drays, piled with sea stores and merchandise. On the water side sharp bows, gilded figureheads, and bowsprits pierced and overhung the roadway, while a geometrical forest of dark masts, spars, and cordage swept clear around and bordered the inner port. Amid this, like snowdrifts caught here and there in the boughs of a leafless wood, hung drying sails. The sun twinkled at a thousand points on polished brass. It seemed to Anthony that each ship was alive, looking at him narrowly out of its eyelike hawseholes. Farther off was the flashing water beyond the molo, or outer harbour, with a glimpse of the white tower on the breakwater and the dark purple of the sea beyond.

Father Xavier also stood looking at it. While he finished his half of the orange he unconsciously permitted himself a few moments of purely sensuous enjoyment by beholding the view as if through the boy's eyes. The spell was broken as a ship's bell suddenly clanged out. The strokes were instantly taken up and swept the harbour front in a gust of molten sound. The priest threw his orange away, picked up the bag, and grasping Anthony by the hand continued along the narrow sidewalk.

It was somewhat difficult now to make way there. The sound of the ship's bells had been the signal releasing a throng of clerks and apprentices. They poured out of a hundred doors and gates laughing, bawling out, and chaffing one another. Besides that, certain Italian urchins of the crowd began to attach themselves to Father Xavier and his charge. In the tall, thin-waisted priest with the huge hat who carried a peculiar black bag, in the tow-headed acolyte whose ragged cassock flapped about his bare calves there was something rare and too earnest, an air of visitors from another world bound upon some destiny that smacked of strangeness and drama. Despite all they could do to hurry on, a small procession began to form behind the backs of Father Xavier and Anthony. It grew like a snowball, but moved like a queue to the accompaniment of whistles and catcalls. At last they began to pass under the cool arcade of a long, low building whose arches looped for some distance along the water front.

Just above the head of Anthony large, oval windows heavily barred peered out from under a heavy parapet like a row of eyes under the shaded brim of a monstrous hat. Under the arches these eyes seemed to be staring through gigantic spectacles. The total expression of the house was one of annoyed surprise. Since it had commenced life as a nobleman's palace and ended as a warehouse, there was some reason for that. Indeed, what had once been known as the Palacio Gobo now bore shamefacedly along its entire forehead, as if it had been caught in the act and branded, a scarlet legend that could be read afar from the decks of ships, CASA DA BONNYFEATHER. Yet an air of ill-used magnificence still continued to haunt it doubtfully as if loath to depart. It succeeded in concealing itself somehow and eluded the passers-by in the deep grooves and convolutions of the rusticated marble front.

Before the central bronze gates of this peculiar edifice, upon which some vestiges of gilding could still be traced, Father Xavier and his charge came to a sudden halt. The crowd of youngsters following became expectantly silent but finally hooted when after some time no one came. In the meanwhile Anthony peered through the grille.

Beyond the dark, tunnelled archway of the entrance, he could see a sun-flooded courtyard. There was a dilapidated fountain in pie-crust style, and behind that a broad flight of steps led up rather too grandly to a great double door only one leaf of which was open. As he leaned forward to peer in, someone from behind tweaked his cassock violently. It ripped up the back exuberantly. There was a shout of delight. Another urchin laid hold of him.

"Cosa volete, birbante?" yelled Father Xavier shaking the culprit.

Matters were obviously approaching a crisis when one of the crowd shouted that the facchino was coming, and a Swiss porter opened the gate. Holding his torn skirt about him, Anthony stepped through after Father Xavier.

He was not quite quick enough, however. There was a sudden rush behind him and his cassock was this time ripped clear off his back and whisked away. A shower of rubbish followed him as the gate clanged. He ran a little distance down the archway and stood shivering. Father Xavier's face was still red, but both he and the porter now started to laugh heartily.

It was thus, naked as when he was born, that Anthony first found shelter in the Casa da Bonnyfeather.