Читать книгу Hilary Mantel Collection - Hilary Mantel - Страница 30

It is magnificent. At the moment of impact, the king's eyes are open, his body braced for the atteint; he takes the blow perfectly, its force absorbed by a body securely armoured, moving in the right direction, moving at the right speed. His colour does not alter. His voice does not shake.

‘Healthy?’ he says. ‘Then I thank God for his favour to us. As I thank you, my lords, for this comfortable intelligence.’

He thinks, Henry has been rehearsing. I suppose we all have.

The king walks away towards his own rooms. Says over his shoulder, ‘Call her Elizabeth. Cancel the jousts.’

A bleat from a Boleyn: ‘The other ceremonies as planned?’

No reply. Cranmer says, all as planned, till we hear different. I am to stand godfather to the … the princess. He falters. He can hardly believe it. For himself, he ordered a daughter, and he got a daughter. His eyes follow Henry's retreating back. ‘He did not ask after the queen. He did not ask how she does.’

‘It hardly matters, does it?’ Edward Seymour, saying brutally what everyone is thinking.

Then Henry, on his long solitary walk, stops, turns back. ‘My lord archbishop. Cromwell. But you only.’

In Henry's closet: ‘Had you imagined this?’

Some would smile. He does not. The king drops into a chair. The urge arises to put a hand on his shoulder, as one does for any inconsolable being. He resists it; simply folds his fingers, protectively, into the fist which holds the king's heart. ‘One day we will make a great marriage for her.’

‘Poor scrap. Her own mother will wish her away.’

‘Your Majesty is young enough,’ Cranmer says. ‘The queen is strong and her family are fertile. You can get another child soon. And perhaps God intends some peculiar blessing by this princess.’

‘My dear friend, I am sure you are right.’ Henry sounds dubious, but he looks around to take strength from his surroundings, as if God might have left some friendly message written on the wall: though there is only precedent for the hostile kind. He takes a breath and stands up and shakes out his sleeves. He smiles: and one can catch in flight, as if it were a bird with a strong-beating heart, the act of will that transforms a desolate wretch into the beacon of his nation.

He whispers to Cranmer later, ‘It was like watching Lazarus get up.’

Soon Henry is striding about the palace at Greenwich, putting the celebrations under way. We are young enough, he says, and next time it will be a boy. One day we will make a great marriage for her. Believe me, God intends some peculiar blessing by this princess.

Boleyn faces brighten. It's Sunday, four in the afternoon. He goes and laughs a bit at the clerks who have ‘prince’ written on their proclamations, and who now have to squeeze extra letters in, then he goes back to working out the expenses for the new princess's household. He has advised that Gertrude, Lady Exeter, be among the child's godparents. Why should only the Maid have a vision of her? It will do her good to be seen by the whole court, smiling a forced smile and holding Anne's baby at the font.

The Maid herself, brought to London, is kept in a private house, where the beds are soft and the voices around her, the voices of Cromwell women, hardly disturb her prayers; where the key is turned in the oiled lock with a click as small as the snap of a bird's bone. ‘Does she eat?’ he asks Mercy, and she says, she eats as heartily as you: well, no, Thomas, perhaps not quite so heartily as you.

‘I wonder what happened to her project of living on the Communion host?’

‘They can't see her dining now, can they? Those priests and monks who set her on this course.’

Away from their scrutiny, the nun has started to act like an ordinary woman, acknowledging the simple claims of her body, like anyone who wants to live; but it may be too late. He likes it that Mercy doesn't say, ahh, the poor harmless soul. That she is not harmless by nature is clear when they have her over to Lambeth Palace to question her. You would think Lord Chancellor Audley, his chain of office hung about his splendid person, would be enough to subdue any country girl. Throw in the Archbishop of Canterbury, and you would imagine a young nun might feel some awe. Not a bit of it. The Maid treats Cranmer with condescension – as if he were a novice in the religious life. When he challenges her on any point and says, ‘How do you know that?’ she smiles pityingly and says, ‘An angel told me.’

Audley brings Richard Riche with him to their second session, to take notes for them, and put any points that occur to him. He is Sir Richard now, knighted and promoted to Solicitor General. In his student days he was known for a sharp slanderous tongue, for irreverence to his seniors, for drinking and gaming for high stakes. But who would hold up his head, if people judged us by what we were like at twenty? Riche turns out to have a talent for drafting legislation which is second only to his own. His features, beneath his soft fair hair, are pinched with concentration; the boys call him Sir Purse. You'd never think, to see him precisely laying out his papers, that he was once the great disgrace of the Inner Temple. He says so, in an undertone, teasing him, while they wait for the girl to be brought in. Well, Master Cromwell! Riche says; what about you and that abbess in Halifax?

He knows better than to deny it: or any of those stories the cardinal told about him. ‘Oh, that,’ he says. ‘It was nothing – they expect it in Yorkshire.’

He is afraid the girl may have caught the tail end of the exchange, because today, as she takes the chair they have placed for her, she gives him a particularly hard stare. She arranges her skirts, folds her arms and waits for them to entertain her. His niece Alice Wellyfed sits on a stool by the door: just there in case of fainting, or other upset. Though a glance at the Maid tells you she is no more likely to faint than Audley is.

‘Shall I?’ Riche says. ‘Start?’

‘Oh, why not?’ Audley says. ‘You are young and hearty.’

‘These prophecies of yours – you are always changing the timing of the disaster you foresee, but I understood you said that the king would not reign one month after he married Lady Anne. Well, the months have passed, Lady Anne is crowned queen, and has given the king a fine daughter. So what do you say now?’

‘I say in the eyes of the world he seems to be king. But in the eyes of God,’ she shrugs, ‘not any more. He is no more the real king than he,’ she nods towards Cranmer, ‘is really archbishop.’

Riche is not to be sidetracked. ‘So it would be justified to raise rebellion against him? To depose him? To assassinate him? To put another in his place?’

‘Well, what do you think?’

‘And among the claimants your choice has fallen on the Courtenay family, not the Poles. Henry, Marquis of Exeter. Not Henry, Lord Montague.’

‘Or,’ he says sympathetically, ‘do you get them mixed up?’

‘Of course not.’ She flushes. ‘I have met both those gentlemen.’

Riche makes a note.

Audley says, ‘Now Courtenay, that is Lord Exeter, descends from a daughter of King Edward. Lord Montague descends from King Edward's brother, the Duke of Clarence. How do you weigh their claims? Because if we are talking of true kings and false kings, some say Edward was a bastard his mother got by an archer. I wonder if you can cast any light?’

‘Why would she?’ Riche says.

Audley rolls his eyes. ‘Because she talks to the saints on high. They'd know.’

He looks at Riche and it is as if he can read his thoughts: Niccolò's book says, the wise prince exterminates the envious, and if I, Riche, were king, those claimants and their families would be dead. The girl is braced for the next question: how is it she has seen two queens in her vision? ‘I suppose it will sort itself out,’ he says, ‘in the fighting? It's good to have a few kings and queens in reserve, if you're going to start a war in a country.’

‘It is not necessary to have a war,’ the nun says. Oh? Sir Purse sits up: this is new. ‘God is sending a plague on England instead. Henry will be dead in six months. So will she, Thomas Boleyn's daughter.’

‘And me?’

‘You too.’

‘And all in this room? Except you, of course? All including Alice Wellyfed, who never did you harm?’

‘All the women of your house are heretics, and the plague will rot them body and soul.’

‘And what about the princess Elizabeth?’

She turns in her seat, to aim her words at Cranmer. ‘They say when you christened her you warmed the water to spare her a shock. You should have poured it boiling.’

Oh, Christ in Heaven, Riche says. He throws his pen down. He is a tender young father, with a daughter in the cradle.

He drops a consoling hand on his, the Solicitor General's. You would think Alice would need consoling; but when the Maid condemned her to death, he had looked down the room at his niece to note that her face was the perfect picture of derision. He says to Riche, ‘She didn't think it up herself, the boiling water. It is a thing they are saying on the streets.’

Cranmer huddles into himself; the Maid has bruised him, she has scored a point. He, Cromwell, says, ‘I saw the princess yesterday. She is thriving, in spite of her ill-wishers.’ His voice suggests calm: we must get the archbishop back in the saddle. He turns to the Maid: ‘Tell me: did you locate the cardinal?’

‘What?’ Audley says.

‘Dame Elizabeth said she would look out for my old master, on one of her excursions to Heaven, Hell and Purgatory, and I offered to pay her travelling expenses on the occasion. I gave her people a down-payment – I hope we see some progress?’

‘Wolsey would have had another fifteen years of life,’ the girl says. He nods: he has said the same himself. ‘But then God cut him off, as an example. I have seen devils disputing for his soul.’

‘You know the result?’ he asks.

‘There is no result. I searched for him all over. I thought God had extinguished him. Then one night I saw him.’ A long, tactical hesitation. ‘I saw his soul seated among the unborn.’

There is a silence. Cranmer shrinks in his seat. Riche gently nibbles the end of his pen. Audley twists a button on his sleeve, round and round till the thread tightens.

‘If you like I can pray for him,’ the Maid says. ‘God usually answers my requests.’

‘Formerly, when you had your advisers about you, Father Bocking and Father Gold and Father Risby and the rest, you would start bargaining at this point. I would propose a further sum for your goodwill, and your spiritual directors would drive it up.’

‘Wait.’ Cranmer lays a hand over his ribcage. ‘Can we go back? Lord Chancellor?’

‘We can go in any direction you choose, my lord archbishop. Three times round the mulberry bush …’

‘You see devils?’

She nods.

‘They appear how?’

‘Birds.’

‘A relief,’ Audley says drily.

‘No, sir. Lucifer stinks. His claws are deformed. He comes as a cockerel smeared in blood and shit.’

He looks up at Alice. He is ready to send her out. He thinks, what has been done to this woman?

Cranmer says, ‘That must be disagreeable for you. But it is a characteristic of devils, I understand, to show themselves in more than one way.’

‘Yes. They do it to deceive you. He comes as a young man.’

‘Indeed?’

‘Once he brought a woman. To my cell at night.’ She pauses. ‘Pawing her.’

Riche: ‘He is known to have no shame.’

‘No more than you.’

‘And what then, Dame Elizabeth? After the pawing?’

‘Pulled up her skirts.’

‘And she didn't resist?’ Riche says. ‘You surprise me.’

Audley says, ‘Prince Lucifer, I don't doubt he has a way with him.’

‘Before my eyes, he had to do with her, on my bed.’

Riche makes a note. ‘This woman, did you know her?’ No answer. ‘And the devil did not try the same with you? You can speak freely. It will not be held against you.’

‘He came to sweet-talk me. Swaggering in his blue silk coat, it's the best he has. And new hose with diamonds down his legs.’

‘Diamonds down his legs,’ he says. ‘Now that must have been a temptation?’

She shakes her head.

‘But you are a fine young woman – good enough for any man, I'd say.’

She looks up; a flicker of a smile. ‘I am not for Master Lucifer.’

‘What did he say when you refused him?’

‘He asked me to marry him.’ Audley puts his head in his hands. ‘I said I was vowed to chastity.’

‘Was he not angry when you would not consent?’

‘Oh yes. He spat in my face.’

‘I would expect no better of him,’ Riche says.

‘I wiped his spit off with a napkin. It's black. It has the stench of Hell.’

‘What is that like?’

‘Like something rotting.’

‘Where is it now, the napkin? I suppose you didn't send it to the laundry?’

‘Dom Edward has it.’

‘Does he show it to people? For money?’

‘For offerings.’

‘For money.’

Cranmer takes his face from his hands. ‘Shall we pause?’

‘A quarter hour?’ Riche says.

Audley: ‘I told you he was young and hearty.’

‘Perhaps we will meet tomorrow,’ Cranmer says. ‘I need to pray. And a quarter of an hour will not do it.’

‘But tomorrow is Sunday,’ the nun says. ‘There was a man who went out hunting on a Sunday and he fell down a bottomless pit into Hell. Imagine that.’

‘How was it bottomless,’ Riche asks, ‘if Hell was there to receive him?’

‘I wish I were going hunting,’ Audley says. ‘Christ knows, I'd take a chance on it.’

Alice rises from her stool and signals for her escort. The Maid gets to her feet. She is smiling broadly. She has made the archbishop flinch, and himself grow cold, and the Solicitor General all but weep with her talk of scalded babies. She thinks she is winning; but she is losing, losing, losing all the time. Alice puts a gentle hand on her arm, but the Maid shakes it off.

Outside, Richard Riche says, ‘We should burn her.’

Cranmer says, ‘Much as we may mislike her talk of the late cardinal appearing to her, and devils in her bedchamber, she speaks in this way because she has been taught to ape the claims of certain nuns who have gone before her, nuns whom Rome is pleased to recognise as saints. I cannot convict them of heresy, retrospectively. Nor have I evidence to try her for heresy.’

‘Burned for treason, I meant.’

It is the woman's penalty; where a man is half-hanged and castrated, then slowly gutted by the executioner.

He says, ‘There is no overt action. She has only expressed an intent.’

‘Intent to raise rebellion, to depose the king, should that not be treason? Words have been construed as treasons, there are precedents, you know them.’

‘I should be astonished,’ Audley says, ‘if they have escaped Cromwell's attention.’

It is as if they can smell the devil's spit; they are almost jostling each other to get into the air, which is mild, damp: a faint scent of leaves, a green-gold, rustling light. He can see that, in the years ahead, treason will take new and various forms. When the last treason act was made, no one could circulate their words in a printed book or bill, because printed books were not thought of. He feels a moment of jealousy towards the dead, to those who served kings in slower times than these; nowadays the products of some bought or poisoned brain can be disseminated through Europe in a month.

‘I think new laws are needed,’ Riche says.

‘I have it in hand.’

‘And I think this woman is too leniently kept. We are too soft. We are just playing with her.’

Cranmer walks away, shoulders stooped, his trailing habit brushing up the leaves. Audley turns to him, bright and resolute, a man keen to change the subject. ‘So, the princess, you say she was well?’

The princess, unswaddled, had been placed on cushions at Anne's feet: an ugly, purple, grizzling knot of womankind, with an upstanding ruff of pale hair and a habit of kicking up her gown as if to display her most unfortunate feature. It seems stories have been put about that Anne's child was born with teeth, has six fingers on each hand, and is furred all over like a monkey, so her father has shown her off naked to the ambassadors, and her mother is keeping her on display in the hope of countering the rumours. The king has chosen Hatfield for her seat, and Anne says, ‘It seems to me waste might be saved, and the proper order of things asserted, if Spanish Mary's household were broken up and she were to become a member of the household of the princess Elizabeth my daughter.’

‘In the capacity of …?’ The child is quiet; only, he notes, because she has crammed a fist into her maw, and is cannibalising herself.

‘In the capacity of my daughter's servant. What else should she be? There can be no pretence at equality. Mary is a bastard.’

The brief respite is over; the princess sets up a screech that would bring out the dead. Anne's glance slides away sideways, and a sideways grin of infatuation takes over her whole face, and she leans down towards her daughter, but at once women swoop, flapping and bustling; the screaming creature is plucked up, wrapped up, swept away, and the queen's eyes follow pitifully as the fruit of her womb exits, in procession. He says gently, ‘I think she was hungry.’

Saturday evening: supper at Austin Friars for Stephen Vaughan, so often in transit: William Butts, Hans, Kratzer, Call-Me Risley. Conversation is in various tongues and Rafe Sadler translates adroitly, smoothly, his head turning from side to side: high topics and low, statecraft and gossip, Zwingli's theology, Cranmer's wife. About the latter, it has not been possible to suppress the talk at the Steelyard and in the city; Vaughan says, ‘Can Henry know and not know?’

‘That is perfectly possible. He is a prince of very large capacities.’

Larger by the day, Wriothesley says, laughing; Dr Butts says, he is one of those men who must be active, and recently his leg is troubling him, that old injury; but think, is it likely that a man who has not spared himself on the hunting field and in the tilt yard should not get some injury by the time he is the king's age? He is forty-three this year, you know, and I should be glad, Kratzer, to have your view on what the planets suggest, for the later years of a man whose chart is so dominated by air and fire; by the by, did I not always warn of his moon in Aries (rash and hasty planet) in the house of marriage?

He says, impatient, we heard very little about the Aries moon when he was settled with Katherine for twenty years. It is not the stars that make us, Dr Butts, it is circumstance and necessità, the choices we make under pressure; our virtues make us, but virtues are not enough, we must deploy our vices at times. Or don't you agree?

He beckons to Christophe to fill their glasses. They talk about the Mint, where Vaughan is to have a position; about Calais, where Honor Lisle seems more busy in affairs than her husband the Governor. He thinks about Guido Camillo in Paris, pacing and fretting between the wooden walls of his memory machine, while knowledge grows unseen and of itself in its cavities and concealed inner spaces. He thinks of the Holy Maid – by now established as not holy, and not a maid – no doubt at this moment sitting down to supper with his nieces. He thinks of his fellow interrogators: Cranmer on his knees in prayer, Sir Purse frowning over the day's transcripts, Audley – what will the Lord Chancellor be doing? Polishing his chain of office, he decides. He thinks of saying to Vaughan, below the conversation, was there not a girl in your house called Jenneke? What happened to her? But Wriothesley breaks in on his train of thought. ‘When shall we see my master's portrait? You have been at work on it a while, Hans, it is time it came home. We are keen to see what you have made of him.’

‘He is still busy with the French envoys,’ Kratzer says. ‘De Dinteville wants to take his picture home with him when he gets his recall …’

There is some laughter at the expense of the French ambassador, always doing his packing and having to undo it again, as his master commands him to stay where he is. ‘Anyway, I hope he does not take it too quick,’ Hans says, ‘because I mean to show it and get commissions off it. I want the king to see it, indeed I want to paint the king, do you think I can?’

‘I will ask him,’ he says easily. ‘Let me choose the time.’ He looks down the table to see Vaughan glow with pride, like Jupiter on a painted ceiling.

After they get up from the table his guests eat ginger comfits and candied fruits, and Kratzer makes some drawings. He draws the sun and the planets moving in their orbits according to the plan he has heard of from Father Copernicus. He shows how the world is turning on its axis, and nobody in the room denies it. Under your feet you can feel the tug and heft of it, the rocks groaning to tear away from their beds, the oceans tilting and slapping at their shores, the giddy lurch of Alpine passes, the forests of Germany ripping at their roots to be free. The world is not what it was when he and Vaughan were young, it is not what it was even in the cardinal's day.

The company has left when his niece Alice comes in, past his watchmen, wrapped up in a cloak; she is escorted by Thomas Rotherham, one of his wards who lives in the house. ‘Never fear, sir,’ she says, ‘Jo is sitting up with Dame Elizabeth, and nothing gets by Jo.’

Does it not? That child perpetually in tears over her spoiled sewing? That grubby little girl sometimes found rolling under a table with a wet dog, or chasing a peddler down the street? ‘I would like to talk to you,’ Alice says, ‘if you have time for me?’ Of course, he says, taking her arm, folding her hand in his; Thomas Rotherham turns pale – which puzzles him – and slides away.

Alice sits down in his office. She yawns. ‘Excuse me – but she is hard work and the hours are long.’ She tucks a strand of hair into her hood. ‘She is ready to break,’ she says. ‘She is brave to your faces, but she cries at night, because she knows she is a fraud. And even while she is crying, she peeps under her eyelids to see what effect she is making.’

‘I want it over with now,’ he says. ‘For all the trouble she has caused, we do not find ourselves an edifying spectacle, three or four of us learned in the law and the scriptures, convening day after day to try to trip one chit of a girl.’

‘Why did you not bring her in before?’

‘I didn't want her to shut the prophecy shop. I wanted to see who would come to her whistle. And Lady Exeter has, and Bishop Fisher. And a score of monks and foolish priests whose names I know, and a hundred perhaps whose names I don't know yet.’

‘And will the king kill them all?’

‘Very few, I hope.’

‘You incline him to mercy?’

‘I incline him to patience.’

‘What will happen to her? Dame Eliza?’

‘We will frame charges.’

‘She will not go in a dungeon?’

‘No, I shall move the king to treat her with consideration, he is always – he is usually – respectful of any person in the religious life. But Alice,’ he sees that she is dissolving into tears, ‘I think this has all been too much for you.’

‘No, not at all. We are soldiers in your army.’

‘She has not been frightening you, talking about the devil's wicked offers?’

‘No, it's Thomas Rotherham's offers … he wants to marry me.’

‘So that's what's wrong with him!’ He is amused. ‘Could he not ask himself?’

‘He thought you would look at him in that way you have … as if you were weighing him.’

Like a clipped coin? ‘Alice, he owns a fat slice of Bedfordshire, and his manors prosper very nicely since I have been looking after them. And if you like each other, how could I object? You are a clever girl, Alice. Your mother,’ he says softly, ‘and your father, they would be very pleased with you, if they were able to see.’

This is why Alice is crying. She must ask her uncle's permission because this last year has left her orphaned. The day his sister Bet died, he was up-country with the king. Henry was receiving no messengers from London for fear of contagion, so she was dead and buried before he knew she was ill. When the news crept through at last, the king spoke to him with tenderness, a hand on his arm; he spoke of his own sister, the silver-haired lady like a princess in a book, removed from this life to gardens of Paradise, he had claimed, reserved for royal dead; for it is impossible, he had said, to think of that lady in any low place, any place of darkness, the barred charnel house of Purgatory with its flying cinders and sulphur reek, its boiling tar and roiling clouds of sleet.

‘Alice,’ he says, ‘dry your tears, find Thomas Rotherham, and end his pain. You need not come to Lambeth tomorrow. Jo can come, if she is as formidable as you say.’

Alice turns in the doorway. ‘I will see her again, though? Eliza Barton? I should like to see her before …’

Before they kill her. Alice is no innocent in this world. Just as well. Look how the innocent end; used by the sin-sodden and the cynical, pulped to their purpose and ground under their heels.

He hears Alice running upstairs. He hears her calling, Thomas, Thomas … It is a name that will bring half the house out, tumbling from their bedside prayers, from their very beds: yes, are you looking for me? He pulls his furred gown around him and goes outside to look at the stars. The precincts of his house are kept well lit; the gardens by torchlight are the site of excavations, trenches dug out for foundations, earth banked up into barrows and mounds. The vast timber frame of a new wing juts against the sky; in the middle distance, his new planting, a city orchard where Gregory, one day, will pick the fruit, and Alice, and Alice's sons. He has fruit trees already, but he wants cherries and plums like the ones he has eaten abroad, and late pears to use in the Tuscan fashion, to match their crisp metallic flesh with winter's salt cod. Then next year he means to make another garden at the hunting lodge he has at Canonbury, make it a retreat from the city, a summer house in the fields. He has work in hand at Stepney too, expansion; John Williamson is looking after the builders for him. Strange, but like a miracle the family's prosperity seems to have cured him of his killing cough. I like John Williamson, he thinks, why ever did I, with his wife … Beyond the gate, cries and shouts, London never still or quiet; so many in the graveyards, but the living parading in the streets, drunken fighters pitching from London Bridge, sanctuary men stealing out to thieve, Southwark whores bawling out their prices like butchers selling dead flesh.

He goes inside. His desk draws him back. In a small chest he keeps his wife's book, her book of hours. Inside it are prayers on loose papers which she has inserted. Say the name of Christ a thousand times and it keeps fever away. But it doesn't, does it? The fever comes anyway and kills you. Beside the name of her first husband, Thomas Williams, she has written his own name, but she never, he notices, crossed Tom Williams out. She has recorded the births of her children, and he has written in beside them the dates of his daughters' deaths. He finds a space where he will note the marriages of his sisters' children: Richard to Frances Murfyn, Alice to his ward.

He thinks, perhaps I have got over Liz. It didn't seem possible that weight would ever shift from inside his chest, but it has lightened enough to let him get on with his life. I could marry again, he thinks, but is this not what people are always telling me? He says to himself, I never think of Johane Williamson now: not Johane as she was for me. Her body once had special meaning, but that meaning is now unmade; the flesh created beneath his fingertips, hallowed by desire, becomes just the ordinary substance of a city wife, a fading woman with no particular looks. He says to himself, I never think of Anselma now; she is just the woman in the tapestry, the woman in the weave.

He reaches for his pen. I have got over Liz, he says to himself. Surely? He hesitates, the quill in his hand, weighted by ink. He holds the pages down flat, and strikes out the name of her first husband. He thinks, I've meant to do that for years.

It is late. Upstairs he closes the shutter, where the moon gapes in hollow-eyed, like a drunk lost in the street. Christophe, folding garments, says, ‘Is there loups? In this kingdom?’

‘I think the wolves all died when the great forests were cut down. That howling you hear is only the Londoners.’

Sunday: in rose-tinted light they set out from Austin Friars, his men in their new livery of grey marbled cloth collecting the party from the city house where the nun has been held. It would be convenient, he thinks, if I had Master Secretary's barge, instead of making ad hoc arrangements when we have to cross the river. He has already heard Mass; Cranmer insists they all hear another. He watches the girl and sees her tears flow. Alice is right; she is at the end of her invention.

By nine o'clock she is unwinding the threads she has spent years ravelling up. She confesses in style, so hard and fast that Riche can hardly keep track, and she appeals to them as men of the world, as people with their way to make: ‘You know how it is. You mention something and people are at you, what do you mean, what do you mean? You say you've had a vision and they won't leave you alone.’

‘You can't disappoint people?’ he says; she agrees, that's it, you can't. Once you start you have to keep going. If you try to go back they'll slaughter you.

She confesses that her visions are inventions. She never spoke to heavenly persons. Or raised the dead; that was all a fraud. She never had a hand in miracles. The letter from Mary Magdalene, Father Bocking wrote it, and a monk put gilding on the letters, in a minute she'll think of his name. The angels came out of her own invention, she seemed to see them but she knows now that they were just flashes of light against the wall. The voices she heard were not their voices, they were not distinct voices at all, just the sounds of her sisters singing in the chapel, or a woman in the road crying because she has been beaten and robbed, or perhaps the meaningless clatter of dishes from the kitchen; and those groans and cries, that seemed to come from the throats of the damned, it was someone above scraping a trestle across the floor, it was the whimper of a lost dog. ‘I know now, sirs, that those saints were not real. Not in the way you are real.’

Something has broken inside her, and he wonders what that thing is.

She says, ‘Is there any chance I could go home again to Kent?’

‘I'll see what can be arranged.’

Hugh Latimer is sitting with them, and he gives him a hard look, as if he's making false promises. No, really, he says. Leave it with me.

Cranmer tells her gently, ‘Before you can go anywhere, it will be necessary for you to make public acknowledgement of your imposture. Public confession.’

‘She's not shy of crowds, are you?’ These many years she's been on the road, a travelling show, and will be again, though now the nature of the show has changed; he means to display her, repentant, at Paul's Cross, and perhaps outside London too. He feels that she will take to the role of fraud, with the same relish with which she took to her role as saint.

He says to Riche, Niccolò tells us unarmed prophets always fail. He smiles and says, I mention this, Ricardo, because I know you like to have it by the book.

Cranmer leans forward and says to the Maid, these men about you, Edward Bocking and the rest, which of them were your lovers?

She is shocked: perhaps because the question has come from him, the sweetest of her interrogators. She just stares at him, as if one of them were stupid.

He says, murmuring, she may think lovers is not the word.

Enough. To Audley, to Latimer, to Riche, he says, ‘I shall begin bringing in her followers, and her leaders. She has ruined many, if we care to press for their ruin. Fisher certainly, Margaret Pole perhaps, Gertrude and her husband for sure. Lady Mary the king's daughter, quite possibly. Thomas More no, Katherine no, but a fat haul of Franciscans.’

The court rises, if court is what you call it. Jo stands up. She has been sewing – or rather, unsewing, teasing out the pomegranate border from a crewel-work panel – these remnants of Katherine, of the dusty kingdom of Granada, linger in England still. She folds her work, dropping her scissors into her pocket, pinching up her sleeve and feeding her needle into the fabric for later use. She walks up to the prisoner and puts a hand on her arm. ‘We must say adieu.’

‘William Hawkhurst,’ the girl says, ‘I remember the name now. The monk who gilded the letter from Mary Magdalene.’

Richard Riche makes a note.

‘Do not say any more today,’ Jo advises.

‘Will you come with me, mistress? Where I am going?’ ‘Nobody will come with you,’ Jo says. ‘I do not think you have the sense of it, Dame Eliza. You are going to the Tower, and I am going home to my dinner.’

This summer of 1533 has been a summer of cloudless days, of strawberry feasts in London gardens, the drone of fumbling bees, warm evenings to stroll under rose arbours and hear from the allées the sound of young gentlemen quarrelling over their bowls. The grain harvest is abundant even in the north. The trees are bowed under the weight of ripening fruit. As if he has decreed that the heat must continue, the king's court burns bright through the autumn. Monseigneur the queen's father shines like the sun, and around him spins a smaller but still blazing noonday planet, his son George Rochford. But it is Brandon who leads the dancing, galloping through the halls towing his new bride, whose age is fourteen. She is an heiress, and was betrothed to his son, but Charles thought an experienced man like him could turn her to better use.

The Seymours have put their family scandal behind them, and their fortunes are mending. Jane Seymour says to him, looking at her feet, ‘Master Cromwell, my brother Edward smiled last week.’

‘That was rash of him, what made him do so?’

‘He heard his wife is sick. The wife he used to have. The one that my father, you know.’

‘Is she likely to die?’

‘Oh, very likely. Then he will get a new one. But he will keep her at his house in Elvetham, and never let her come within a mile of Wolf Hall. And when my father visits Elvetham, she will be locked in the linen room till he has gone again.’

Jane's sister Lizzie is at court with her husband, the Governor of Jersey, who is some connection of the new queen's. Lizzie comes packaged into her velvet and lace, her outlines as firm as her sister's are indefinite and blurred, her eyes bold and hazel and eloquent. Jane whispers in her wake; her eyes are the colour of water, where her thoughts slip past, like gilded fishes too small for hook or net.

It is Jane Rochford – whose mind, in his view, is underoccupied – who sees him watching the sisters. ‘Lizzie Seymour must have a lover,’ she says, ‘it cannot be her husband who puts that glow in her cheeks, he is an old man. He was old when he was in the Scots wars.’ The two sisters are just a little alike, she points out; they have the same habit of dipping their head and drawing in their underlip. ‘Otherwise,’ she says, smirking, ‘you would think their mother had been up to the same tricks as her husband. She was a beauty in her day, you know, Margery Wentworth. And nobody knows what goes on down in Wiltshire.’

‘I'm surprised you don't, Lady Rochford. You seem to know everyone's business.’

‘You and me, we keep our eyes open.’ She lowers her head, and says, as if directing the words inward, to her own body, ‘I could keep my eyes open, if you like, in places you cannot go.’

Dear God, what does she want? It can't be money, surely? The question comes out colder than he means: ‘Upon what possible inducement?’

She lifts her eyes to his. ‘I should like your friendship.’

‘No conditions attach to that.’

‘I thought I might help you. Because your ally Lady Carey has gone down to Hever now to see her daughter. She is no longer wanted since Anne is back on duty in the bedchamber. Poor Mary.’ She laughs. ‘God dealt her a good enough hand but she never knew how to play it. Tell me, what will you do if the queen does not have another child?’

‘There is no reason to fear it. Her mother had a child a year. Boleyn used to complain it kept him poor.’

‘Have you ever observed that when a man gets a son he takes all the credit, and when he gets a daughter he blames his wife?

And if they do not breed at all, we say it is because her womb is barren. We do not say it is because his seed is bad.’

‘It's the same in the gospels. The stony ground gets the blame.’

The stony places, the thorny unprofitable waste. Jane Rochford is childless after seven years of marriage. ‘I believe my husband wishes I would die.’ She says it lightly. He does not know how to answer. He has not asked for her confidence. ‘If I do die,’ she says, in the same bright tone, ‘have my body opened. I ask you this in friendship. I am afraid of poison. My husband and his sister are closeted together for hours, and Anne knows all manner of poisons. She has boasted that she will give Mary a breakfast she will not recover from.’ He waits. ‘Mary the king's daughter, I mean. Though I am sure if it pleased Anne she would not scruple to make away with her own sister.’ She glances up again. ‘In your heart, if you are honest, you would like to know the things I know.’

She is lonely, he thinks, and breeding a savage heart, like Leon-tina in her cage. She imagines everything is about her, every glance or secret conversation. She is afraid the other women pity her, and she hates to be pitied. He says, ‘What do you know of my heart?’

‘I know where you have disposed it.’

‘It is more than I know myself.’

‘That is not uncommon among men. I can tell you who you love. Why do you not ask for her, if you want her? The Seymours are not rich. They will sell you Jane, and be glad of the bargain.’

‘You are mistaken in the nature of my interest. I have young gentlemen in my house, I have wards, their marriages are my business.’

‘Oh, fal la la,’ she says. ‘Sing another song. Tell it to infants in the nursery. Tell it to the House of Commons, you do most usually lie to them. But do not think you can deceive me.’

‘For a lady who offers friendship, you have rough manners.’

‘Get used to them, if you want my information. You go into Anne's rooms now, and what do you see? The queen at her priedieu. The queen sewing a smock for a beggar woman, wearing pearls the size of chickpeas.’

It is hard not to smile. The portrait is exact. Anne has Cranmer entranced. He thinks her the pattern of pious womanhood.

‘So do you imagine that is what is really going on? Do you imagine she has given up communing with nimble young gentlemen? Riddles and verses and songs in praise of her, do you suppose she has given them up?’

‘She has the king to praise her.’

‘Not a good word will she hear from that quarter till her belly is big again.’

‘And what will hinder that?’

‘Nothing. If he is up to it.’

‘Be careful.’ He smiles.

‘I never knew it was treason to say what passes in a prince's bed. All Europe talked about Katherine, what body part was put where, was she penetrated, and if she was did she know?’ She sniggers. ‘Harry's leg pains him at night. He is afraid the queen will kick him in the throes of her passion.’ She puts her hand before her mouth, but the words creep out, narrow between her fingers. ‘But if she lies still under him he says, what, madam, are you so little interested in making my heir?’

‘I do not see what she is to do.’

‘She says she gets no pleasure with him. And he – as he fought seven years to get her, he can hardly admit it has staled so soon. It was stale before they came from Calais, that is what I think.’

It's possible; maybe they were battle-weary, exhausted. Yet he gives her such magnificent presents. And they quarrel so much. Would they quarrel so much, if they were indifferent?

‘So,’ she goes on, ‘between the kicking and the sore leg, and his lack of prowess, and her lack of desire, it will be a wonder if we ever have a Prince of Wales. Oh, he is good man enough, if he had a new woman each week. If he craves novelty, who is to say she does not? Her own brother is in her service.’

He turns to look at her. ‘God help you, Lady Rochford,’ he says.

‘To fetch his friends her way, I mean. What did you think I meant?’ A little, grating laugh.

‘Do you know what you mean yourself? You have been at court long enough, you know what games are played. It is no matter if any lady receives verses and compliments, even though she is married. She knows her husband writes verses elsewhere.’

‘Oh, she knows that. At least, I know. There is not a minx within thirty miles who has not had a set of Rochford's verses. But if you think the gallantry stops at the bedchamber's door, you are more innocent than I took you for. You may be in love with Seymour's daughter, but you need not emulate her in having the wit of a sheep.’

He smiles. ‘Sheep are maligned in that way. Shepherds say they can recognise each other. They answer to their names. They make friends for life.’

‘And I will tell you who is in and out of everyone's bedchamber, it is that sneaking little boy Mark. He is the go-between for them all. My husband pays him in pearl buttons and comfit boxes and feathers for his hat.’

‘Why, is Lord Rochford short of ready money?’

‘You see an opportunity for usury?’

‘How not?’ At least, he thinks, there is one point on which we concur: pointless dislike of Mark. In Wolsey's house he had duties, teaching the choir children. Here he does nothing but stand about, wherever the court is, in greater or lesser proximity to the queen's apartments. ‘Well, I can see no harm in the boy,’ he says.

‘He sticks like a burr to his betters. He does not know his place. He is a jumped-up nobody, taking his chance because the times are disordered.’

‘I suppose you could say the same of me, Lady Rochford. And I am sure you do.’

Thomas Wyatt brings him baskets of cobnuts and filberts, bushels of Kentish apples, jolting up himself to Austin Friars on the carrier's cart. ‘The venison follows,’ he says, jumping down. ‘I come with the fresh fruit, not the carcases.’ His hair smells of apples, his clothes are dusty from the road. ‘Now you will have words with me,’ he says, ‘for risking a doublet worth –’

‘The carrier's yearly earnings.’

Wyatt looks chastened. ‘I forget you are my father.’

‘I have rebuked you, so now we can fall to idle boyish talk.’ Standing in a wash of chary autumn sun, he holds an apple in his hand. He pares it with a thin blade, and the peel whispers away from the flesh and lies among his papers, like the shadow of an apple, green on white paper and black ink. ‘Did you see Lady Carey when you were in the country?’

‘Mary Boleyn in the country. What dew-fresh pleasures spring to mind. I expect she's rutting in some hayloft.’

‘Just that I want to keep hold of her, for the next time her sister is hors de combat.’

Wyatt sits down amid the files, an apple in his hand. ‘Cromwell, suppose you'd been away from England for seven years? If you'd been like a knight in a story, lying under an enchantment? You would look around you and wonder, who are they, these people?’

This summer, Wyatt vowed, he would stay down in Kent. He would read and write on wet days, hunt when it is fine. But the fall comes, and the nights deepen, and Anne draws him back and back. His heart is true, he believes: and if she is false, it is difficult to pick where the falsehood lies. You cannot joke with Anne these days. You cannot laugh. You must think her perfect, or she will find some way to punish you.

‘My old father talks about King Edward's days. He says, you see now why it's not good for the king to marry a subject, an Englishwoman?’

The trouble is, though Anne has remade the court, there are still people who knew her before, in the days when she came from France, when she set herself to seduce Harry Percy. They compete to tell stories of how she is not worthy. Or not human. How she is a snake. Or a swan. Una candida cerva. One single white doe, concealed in leaves of silver-grey; shivering, she hides in the trees, waiting for the lover who will turn her back from animal to goddess. ‘Send me back to Italy,’ Wyatt says. Her dark, her lustrous, her slanting eyes: she haunts me. She comes to me in my solitary bed at night.

‘Solitary? I don't think so.’

Wyatt laughs. ‘You're right. I take it where I can.’

‘You drink too much. Water your wine.’

‘It could have been different.’

‘Everything could.’

‘You never think about the past.’

‘I never talk about it.’

Wyatt pleads, ‘Send me away somewhere.’

‘I will. When the king needs an ambassador.’

‘Is it true that the Medici have offered for the Princess Mary's hand?’

‘Not Princess Mary, you mean the Lady Mary. I have asked the king to think about it. But they are not grand enough for him. You know, if Gregory showed any interest in banking, I would look for a bride for him in Florence. It would be pleasant to have an Italian girl in the house.’

‘Send me back there. Deploy me where I can be useful, to you or the king, as here I am useless and worse than useless to myself, and necessary to no one's pleasure.’

He says, ‘Oh, by the bleached bones of Becket. Stop feeling sorry for yourself.’

Norfolk has his own view of the queen's friends. He rattles a little while he expresses it, his relics clinking, his grey disordered eyebrows working over wide-open eyes. These men, he says, these men who hang around with women! Norris, I thought better of him! And Henry Wyatt's son! Writing verse. Singing. Talk-talk-talking. ‘What's the use of talking to women?’ he asks earnestly. ‘Cromwell, you don't talk to women, do you? I mean, what would be the topic? What would you find to say?’

I'll speak to Norfolk, he decides when he comes back from France; ask him to incline Anne to caution. The French are meeting the Pope in Marseilles, and in default of his own attendance Henry must be represented by his most senior peer. Gardiner is already there. For me every day is like a holiday, he says to Tom Wyatt, when those two are away.

Wyatt says, ‘I think Henry may have a new interest by then.’

In the days following he follows Henry's eyes, as they rest on various ladies of the court. Nothing in them, perhaps, except the speculative interest of any man; it's only Cranmer who thinks that if you look twice at a woman you have to marry her. He watches the king dancing with Lizzie Seymour, his hand lingering on her waist. He sees Anne watching, her expression cold, pinched.

Next day, he lends Edward Seymour some money on very favourable terms.

In the damp autumn mornings, when it is still half-light, his household are out early, in the damp and dripping woods. You don't get torta di funghi unless you pick the raw ingredients.

Richard Riche arrives at eight o'clock, his face astonished and alarmed. ‘They stopped me at your gate, sir, and said, where's your bag of mushrooms? No one comes in here without mushrooms.’ Riche's dignity is affronted. ‘I don't think they would have asked the Lord Chancellor for mushrooms.’

‘Oh, they would, Richard. But in an hour you will eat them with eggs baked in cream, and the Lord Chancellor will not. Shall we get down to work?’

Through September he has been rounding up the priests and monks who have been close to the Maid. He and Sir Purse sift the papers and conduct the interrogations. The clerics are no sooner under lock and key than they begin to deny her, and deny each other: I never believed in her, it was Father So-and-So who convinced me, I never wanted any trouble. As for their contacts with Exeter's wife, with Katherine, with Mary – each disclaims his own involvement and rushes to implicate his brother-in-Christ. The Maid's people have been in constant contact with the Exeter household. She herself has been at many of the chief monastic houses of the realm – Syon Abbey, the Charterhouse at Sheen, the Franciscan house at Richmond. He knows this because he has many contacts among disaffected monks. In every house there are a few, and he seeks out the most intelligent. Katherine herself has not met the nun. Why should she? She has Fisher to act as a go-between, and Gertrude, Lord Exeter's wife.

The king says, ‘It is hard for me to believe Henry Courtenay would betray me. A Garter knight, a great man in the lists, my friend since I was a boy. Wolsey tried to part us, but I wouldn't have it.’ He laughs. ‘Brandon, do you remember Greenwich, that Christmas, which year was it? Remember the snowball fight?’

This is the whole difficulty of dealing with them, men who are always talking about ancient pedigrees, and boyhood friendships, and things that happened when you were still trading wool on the Antwerp exchange. You put the evidence under their noses, and they start getting teary over snowball fights. ‘Look,’ Henry says, ‘it is Courtenay's wife that is to blame. When he knows the whole of her practices he will want to be rid of her. She is fickle and weak like all her sex, easily led into scheming.’

‘So forgive her,’ he says. ‘Write her a pardon. Put these people under a debt of gratitude to you, if you want them to leave off their foolish sentiment towards Katherine.’

‘You think you can buy hearts?’ Charles Brandon says. He sounds as if he would be sad if the answer were yes.

He thinks, the heart is like any other organ, you can weigh it on a scale. ‘It is not a price in money we are offering. I have enough to put the Courtenay family on trial, all Exeter's people. If we forbear to do it, we are offering their freedom and their lands. We are giving them a chance to recoup the honour of their name.’

Henry says, ‘His grandfather left Crookback for my father's service.’

‘If we forgive them they will play us for fools,’ Charles says.

‘I think not, my lord. Everything they do from now on, they do under my eye.’

‘And the Poles, Lord Montague: what do you propose there?’

‘He should not assume he will be pardoned.’

‘Make him sweat, eh?’ Charles says. ‘I am not sure I like your way of dealing with noblemen.’

‘They get their deserts,’ the king says. ‘Hush, my lord, I need to think.’

A pause. Brandon's position is too complicated for him to sustain. He wants to say, pay them out as traitors, Cromwell: but mind you butcher them respectfully. Suddenly his face clears. ‘Ah, now I remember Greenwich. The snow was knee-deep that year. Ah, we were young then, Harry. You don't get snow any more, like you did when we were young.’

He gathers up his papers and begs to be excused. Reminiscence is setting in for the afternoon and there is work to be done. ‘Rafe, ride over to West Horsley. Tell Exeter's wife the king thinks all women fickle and weak – though I should have thought he has plenty of evidence to the contrary. Tell her to set down in writing that she has not the wit of a flea. Tell her to claim she is exceptionally easy to mislead, even for a woman. Tell her to grovel. Advise her on the wording. You know how to do it. Nothing can be too humble for Henry.’

This is the season for humility. The word from the talks in Marseilles is that King Francis has fallen at the Pope's feet and kissed his slippers. When the news comes, Henry bellows an obscenity and shreds the dispatch in his hands.

He collects up the pieces, lays it out on a table and reads it. ‘Francis has kept faith with you after all,’ he says. ‘Surprisingly.’ He has persuaded the Pope to suspend his bull of excommunication. England has a breathing space.

‘I wish Pope Clement in his grave,’ Henry says. ‘God knows he is a man of filthy life, and he is always ailing, so he ought to die. Sometimes,’ he says, ‘I pray that Katherine might be translated into glory. Is that wrong?’

‘If you snap your fingers, Majesty, a hundred priests will come running to tell you right from wrong.’

‘It seems I prefer to hear it from you.’ Henry broods, in a sulky twitching silence. ‘If Clement dies, who will be the next rogue in office?’

‘I've put my money on Alessandro Farnese.’

‘Really?’ Henry sits up. ‘One lays bets?’

‘But the odds are short. He has thrown about such bribes to the Roman mob all these years, that they will put the cardinals in terror when the time comes.’

‘Remind me how many children has he.’

‘Four I know of.’

The king is looking into the tapestry on the near wall, where white-shouldered women walk barefoot on a carpet of spring flowers. ‘I may have another child soon.’

‘The queen has spoken to you?’

‘Not yet.’ But he sees, we all do, the flare of colour in Anne's cheeks, the silk sleekness of her person, the tone of command ringing in her voice as she hands out favours and rewards to the people around her. This last week, there are more rewards than black looks, and Stephen Vaughan's wife, who is in the Bedchamber, says she has missed her courses. The king says, ‘She has missed her …’ and then he stops, blushing like a schoolboy. He crosses the room, flings open his arms and embraces him, shining like a star, his great hands with their blazing rings seizing hand-fuls of the black velvet of his jacket. ‘This time for sure. England is ours.’

Archaic, that cry from his heart: as if he were standing on the battlefield between the bloodied banners, the crown in a thorn bush, his enemies dead at his feet.

He disengages himself gently, smiling. He uncrumples the memorandum he had clenched in his fist when the king seized him; because is that not how men embrace, they knead each other with big fists, as if to knock each other down? Henry squeezes his arm and says, ‘Thomas, it is like hugging a sea wall. What are you made of?’ He takes the paper. He gapes. ‘Is this what we must do this morning? This list?’

‘Not more than fifty items. We shall soon work through.’

For the rest of the day he cannot stop smiling. Who cares for Clement and his bulls? He might as well stand on Cheap and let the populace pelt him. He might as well stand under the Christmas garlands – which we dust with flour in years when there is no snow – and sing, ‘Hey nonny no, Fa-la-la, Under the trees so green-o.’

On a cold day towards the end of November the Maid and half a dozen of her principal supporters do penance at Paul's Cross. They stand shackled and barefoot in a whipping wind. The crowd is large and boisterous, the sermon lively, telling what the Maid did on her night walks when her sisters in religion were sleeping, and what lurid tales of devils she told to keep her followers in awe. Her confession is read out, at the end of which she asks the Londoners to pray for her, and begs for the king's mercy.

You wouldn't know her now, for the bonny girl they had at Lambeth. She looks haggard and ten years older. Not that she has been hurt, he would not countenance that for a woman, and in fact they have all talked without duress; the hard thing has been to stop them complicating the story by rumours and fantasies, so that half England is dragged into it. The one priest who had persistently lied, he had simply locked up with an informer; the man was detained for murder, and in no time at all Father Rich had set about saving his soul and interpreting to him the Maid's prophecies and impressing him with the names of important people he knew at court. Pitiful, really. But it has been necessary to put on this show, and next he will take it to Canterbury, so Dame Elizabeth can confess on her home ground. It is necessary to break the hold of these people who talk of the end times and threaten us with plagues and damnation. It is necessary to dispel the terror they create.

Thomas More is there, jostled among the city dignitaries; he is making towards him now, as the preachers step down and the prisoners are being led from the platform. More rubs his cold hands. He blows on them. ‘Her crime is, she was made use of.’

He thinks, why did Alice let you out without your gloves? ‘For all the testimony I have got,’ he says, ‘I still cannot understand how she arrived here, from the edge of the marshes to a public scaffold at Paul's. For sure she made no money out of it.’

‘How will you frame the charges?’ His tone is neutral, interested, lawyer-to-lawyer.

‘The common law does not deal with women who say they can fly, or raise the dead. I shall put an act of attainder into Parliament. Treason charges for the principals. The accessories, life imprisonment, confiscation, fines. The king will be circumspect, I think. Even merciful. I am more interested in unravelling the plans of these people than in exacting penalties. I don't want a trial with scores of defendants and hundreds of witnesses, tying the courts up for years.’

More hesitates.

‘Come on,’ he says, ‘you would have seen them off that way yourself, when you were Chancellor.’

‘You may be right. I am clear anyway.’ A pause. More says, ‘Thomas. In the name of Christ, you know that.’

‘As long as the king knows it. We must keep it firmly in his mind. A letter from you perhaps, enquiring after the princess Elizabeth.’

‘I can do that.’

‘Making it plain you accept her rights and title.’

‘That is not a difficulty. The new marriage is made and must be accepted.’

‘You don't think you could bring yourself to praise it?’

‘Why does the king want other men to praise his wife?’

‘Suppose you were to write an open letter. To say that you have seen the light in the matter of the king's natural jurisdiction over the church.’ He looks across to where the prisoners are being loaded into the waiting carts. ‘They are taking them back to the Tower now.’ He pauses. ‘You mustn't stand about. Come home with me to dinner.’

‘No.’ More shakes his head. ‘I would rather be blown around on the river and go home hungry. If I could trust you only to put food in my mouth – but you will put words into it.’

He watches him melt into the crowd of home-going aldermen. He thinks, More is too proud to retreat from his position. He is afraid to lose his credibility with the scholars in Europe. We must find some way for him to do it, that doesn't depend on abjection. The sky has cleared now, to a flawless lapis blue. The London gardens are bright with berries. There is an obdurate winter ahead. But he feels a force ready to break, as spring breaks from the dead tree. As the word of God spreads, the people's eyes are opened to new truths. Until now, like Helen Barre, they knew Noah and the Flood, but not St Paul. They could count over the sorrows of our Blessed Mother, and say how the damned are carried down to Hell. But they did not know the manifold miracles and sayings of Christ, nor the words and deeds of the apostles, simple men who, like the poor of London, pursued simple wordless trades. The story is much bigger than they ever thought it was. He says to his nephew Richard, you cannot tell people just part of the tale and then stop, or just tell them the parts you choose. They have seen their religion painted on the walls of churches, or carved in stone, but now God's pen is poised, and he is ready to write his words in the books of their hearts.

But in these same streets Chapuys sees the stirrings of sedition, a city ready to open its gates to the Emperor. He was not at the sack of Rome but there are nights when he dreams of it as if he had been there: the black guts spilled on antique pavements, the half-dead draped in the fountains, the chiming of bells through the marsh fog, and the flames of arsonists' torches leaping along the walls. Rome has fallen and everything within it; it was not invaders but Pope Julius himself who knocked down old St Peter's, which had stood for twelve hundred years, the site where the Emperor Constantine himself had dug the first trench, twelve scoops of soil, one for each of the apostles; where the Christian martyrs, sewn into the skins of wild beasts, had been torn apart by dogs. Twenty-five feet he dug down to lay his new foundations, through a necropolis, through twelve centuries of fishbones and ash, his workmen's shovels powdering the skulls of saints. In the place where martyrs had bled, ghost-white boulders stood: marble, waiting for Michelangelo.

In the street he sees a priest carrying the host, no doubt to a dying Londoner; the passers-by uncover their heads and kneel, but a boy leans out of an upper window and jeers, ‘Show us your Christ-is-Risen. Show us your Jack-in-the-Box.’ He glances up; the boy's face, before it vanishes, is vivid with rage.

He says to Cranmer, these people want a good authority, one they can properly obey. For centuries Rome has asked them to believe what only children could believe. Surely they will find it more natural to obey an English king, who will exercise his powers under Parliament and under God.

Two days after he sees More shivering at the sermon, he conveys a pardon to Lady Exeter. It comes with some blistering words from the king, directed to her husband. It is St Catherine's Day: in honour of the saint who was threatened with martyrdom on a wheel, we all walk in circles to our destination. At least, that's the theory. He has never seen anyone over the age of twelve actually doing it.

There's a feeling of power in reserve, a power that drives right through the bone, like the shiver you sense in the shaft of an axe when you take it into your hand. You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing.

Next day, at Hampton Court, the king's son the Duke of Richmond marries Norfolk's daughter Mary. Anne has arranged this marriage for the glorification of the Howards; also, to stop Henry marrying his bastard, to the boy's advantage, to some princess abroad. She has persuaded the king to waive the magnificent dower payment he would have expected and, triumphant in all her designs, she joins the dancing, her thin face flushed, her shining hair braided with dagger-tips of diamonds. Henry cannot take his eyes off her, and nor can he.

Richmond draws to him all other eyes, gambolling like a colt, showing off his wedding finery, turning, leaping, bouncing and strutting. Look at him, the older ladies say, and you will see how his father was once: that perfect glow, skin as thin as a girl's. ‘Master Cromwell,’ he demands, ‘tell the king my father that I want to live with my wife. He says that I am to go back to my household and Mary is to stay with the queen.’

‘He has a care for your health, my lord.’

‘I am fifteen next.’

‘It wants half a year till your birthday.’

The boy's blithe expression vanishes; a stony look takes over his face. ‘Half a year is nothing. A man of fifteen is competent.’

‘So we hear,’ Lady Rochford says, standing idly by. ‘The king your father brought witnesses to court to say his brother could do the deed at fifteen, and more than once a night.’

‘It is also your bride's health that we need to think of.’

‘Brandon's wife is younger than mine, and he has her.’

‘Every time he sees her,’ Lady Rochford says, ‘if I judge by the startled expression on her face.’

Richmond is digging himself in for a long argument, entrenching himself behind precedent: it is his father's way of arguing. ‘Did not my great-grandmother, Lady Margaret Beaufort, give birth at thirteen years, to the prince who would be Henry Tudor?’

Bosworth, the tattered standards, the bloody field; the stained sheet of maternity. Where do we all come from, he thinks, but this same hole and corner dealing: sweetheart, yield to me. ‘I never heard it improved her health,’ he says, ‘or her temper. She had no children after.’ Suddenly he is tired of the argument; he cuts it short, his voice tired and flat. ‘Be reasonable, my lord. Once you've done it, you'll want to do it all the time. For about three years. That's the way it goes. And your father has other work in mind for you. He may send you to hold court in Dublin.’

Jane Rochford says, ‘Be easy, my lamb. There are ways that can be contrived. A man may always meet a woman, if she is willing.’

‘May I speak as your friend, Lady Rochford? You risk the king's displeasure if you meddle in this.’

‘Oh,’ she says easily, ‘Henry will forgive anything to a pretty woman. They only seek to do what is natural.’

The boy says, ‘Why should I live like a monk?’

‘A monk? They go to it like goats. Master Cromwell here will tell you.’

‘Perhaps,’ Richmond says, ‘it is madam the queen who wants to keep us apart. She doesn't mean the king to have a grandson in the cradle, before he has a son of his own.’

‘But do you not know?’ Jane Rochford turns to him. ‘Has it not reached your ears that La Ana is enceinte?’

She gives her the name Chapuys gives her. He sees the boy's face open in blank dismay. Jane says, ‘I fear by summer you will have lost your place, sweetheart. Once he has a son born in wedlock, you may tup to your heart's content. You will never reign, and your offspring will never inherit.’

It isn't often that you see a princeling's hopes destroyed, in the instant it takes to pinch out a candle flame: and with the same calculated movement, as if born of the neatness of habit. She has not even licked her fingers.

Richmond says, his face crumpling, ‘It may be another girl.’

‘It is almost treason to hope so,’ Lady Rochford says. ‘And if it is, she will have a third child, and a fourth. I thought she would not conceive again but I was wrong, Master Cromwell. She has proved herself now.’

Cranmer is in Canterbury, walking on a path of sand barefoot to his enthronement as primate of England. The ceremony done, he is sweeping out the priory of Christ Church, whose members gave so much encouragement to the false prophetess. It could be a long job, interviewing each monk, picking their stories apart. Rowland Lee storms into town to put some brawn into the business, and Gregory is in his train; so he sits in London reading a letter from his son, no longer nor more informative than his schoolboy letters: And now no more for lack of time.

He writes to Cranmer, be merciful to the community there, as nothing worse than misled. Spare the monk who gilded the Magdalene's letter. I suggest they give a present in cash to the king, three hundred pounds will please him. Clean out Christ Church and the whole diocese; Warham was archbishop for thirty years, his family are entrenched, his bastard son is archdeacon, take a new broom to them. Put in people from home: your sad east Midlands clerks, formed under sober skies.

There is something beneath his desk, under his foot, the nature of which he has avoided thinking about. He pushes his chair back; it is half a shrew, a gift from Marlinspike. He picks it up and thinks of Henry Wyatt, eating vermin in his cell. He thinks of the cardinal, resplendent at Cardinal College. He throws the shrew on the fire. The corpse fizzes and shrivels, bones gone with an empty little pop. He picks up his pen and writes to Cranmer, shake out those Oxford men from your diocese, and put in Cambridge men we know.

He writes to his son, come home and spend the new year with us.

December: in her frozen angularity, a blue light behind her cast up from the snow, Margaret Pole looks as if she has stepped from a church window, slivers of glass shaking from her gown; in fact, those splinters are diamonds. He has made her come to him, the countess, and now she looks at him from beneath her heavy lids, she looks at him down her long Plantagenet nose, and her greeting, ice-bright, flies out into the room. ‘Cromwell.’ Just that.

She comes to business. ‘The Princess Mary. Why must she quit the house in Essex?’

‘My lord Rochford wants it for his use. It's good hunting country, you see. Mary is to join her royal sister's household, at Hatfield. She will not need her own attendants there.’

‘I offer to support my place in her household at my own expense. You cannot prevent me from serving her.’

Try me. ‘I am only the minister of the king's wishes, and you, I suppose, are as anxious as I am to carry them out.’

‘These are the wishes of the concubine. We do not believe, the princess and I, that they are the king's own wishes.’

‘You must stretch your credulity, madam.’

She looks down at him from her plinth: she is Clarence's daughter, old King Edward's niece. In her time, men like him knelt down to speak to women like her. ‘I was in Katherine the queen's suite on the day she was married. To the princess, I stand as a second mother.’

‘Blood of Christ, madam, you think she needs a second? The one she has will kill her.’

They stare at each other, across an abyss. ‘Lady Margaret, if I may advise you … your family's loyalty is suspect.’

‘So you say. This is why you are parting me from Mary, as punishment. If you have matter enough to indict me, then send me to the Tower with Elizabeth Barton.’

‘That would be much against the king's wishes. He reveres you, madam. Your ancestry, your great age.’

‘He has no evidence.’

‘In June last year, just after the queen was crowned, your son Lord Montague and your son Geoffrey Pole dined with Lady Mary. Then a scant two weeks later, Montague dined with her again. I wonder what they discussed?’

‘Do you really?’

‘No,’ he says, smiling. ‘The boy who carried in the dish of asparagus, that was my boy. The boy who sliced the apricots was mine too. They talked about the Emperor, about the invasion, how he might be brought to it. So you see, Lady Margaret, all your family owes much to my forbearance. I trust they will repay the king with future loyalty.’

He does not say, I mean to use your sons against their trouble-making brother abroad. He does not say, I have your son Geoffrey on my payroll. Geoffrey Pole is a violent, unstable man. You do not know how he will turn. He has paid him forty pounds this year to turn the Cromwell way.

The countess curls her lip. ‘The princess will not leave her home quietly.’

‘My lord of Norfolk intends to ride to Beaulieu, to tell her of the change in her circumstances. She may defy him, of course.’

He had advised the king, leave Mary in possession of her style as princess, do not diminish anything. Do not give her cousin the Emperor a reason to make war.

Henry had shouted, ‘Will you go to the queen, and suggest to her that Mary keep her title? For I tell you, Master Cromwell, I am not going to do it. And if you put her in a great passion, as you will, and she falls ill and miscarries her child, you will be responsible! And I shall not incline to mercy!’

Outside the door of the presence chamber, he leans on the wall. He rolls his eyes and says to Rafe, ‘God in Heaven, no wonder the cardinal was old before his time. If he thinks her pique will dislodge it, it cannot be stuck very fast. Last week I was his brother-in-arms, this week he is threatening me with a bloody end.’

Rafe says, ‘It is a good thing you are not like the cardinal.’

Indeed. The cardinal expected the gratitude of his prince, in which matter he was bound to be disappointed. For all his capacities he was a man whose emotions would master him and wear him out. He, Cromwell, is no longer subject to vagaries of temperament, and he is almost never tired. Obstacles will be removed, tempers will be soothed, knots unknotted. Here at the close of the year 1533, his spirit is sturdy, his will strong, his front imperturbable. The courtiers see that he can shape events, mould them. He can contain the fears of other men, and give them a sense of solidity in a quaking world: this people, this dynasty, this miserable rainy island at the edge of the world.

By way of recreation at the end of the day, he is looking into Katherine's land holdings and judging what he can redistribute. Sir Nicholas Carew, who does not like him and does not like Anne, is amazed to receive from him a package of grants, including two fat Surrey manors to adjoin his existing holdings in the county. He seeks an interview to express his thanks; he has to ask Richard, who keeps the Cromwell diary now, and Richard fits him in after two days. As the cardinal used to say, deference means making people wait.

When Carew comes in he is arranging his face. Chilly, self-absorbed, the complete courtier, he works at turning up the corners of his mouth. The result is a maidenly simper, incongruous above a luxuriant beard.

‘Oh, I am sure you are deserving,’ he says, shrugging it off. ‘You are a boyhood friend of His Majesty and nothing gives him greater pleasure than to reward his old friends. Your wife is in touch with the Lady Mary, is she not? They are close? Ask her,’ he says gently, ‘to give the young woman good advice. Warn her to be conformable to the king in all things. His temper is short these days and I cannot answer for the consequences of defiance.’

Deuteronomy tells us, gifts blind the eyes of the wise. Carew is not particularly wise, in his opinion, but the principle holds good; and if not exactly blinded, at least he looks dazed. ‘Call it an early Christmas present,’ he tells him, smiling. He pushes the papers across his desk.

At Austin Friars they are cleaning out store rooms and building strong rooms. They will keep the feast at Stepney. The angel's wings are moved there; he wants to keep them, till there is another child in the house of the right size. He sees them going, shivering in their shroud of fine linen, and watches the Christmas star loaded on to a cart. Christophe asks, ‘How would one work it, that savage machine that is all over points?’

He draws off one of the canvas sleeves, shows him the gilding. ‘Jesus Maria,’ the boy says. ‘The star that guides us to Bethlehem. I thought it was an engine for torture.’

Norfolk goes down to Beaulieu to tell Lady Mary she must move to the manor at Hatfield, and be an attendant to the little princess, and live under the governance of Lady Anne Shelton, aunt to the queen. What ensues, he reports back in aggrieved tones.

‘Aunt to the queen?’ says Mary. ‘There is but one queen, and that is my mother.’

‘Lady Mary …’ Norfolk says, and the words make her burst into tears, and run to her room and lock herself in.

Suffolk goes up the country to Buckden, to convince Katherine to move to another house. She has heard that they mean to send her somewhere even damper than Buckden, and she says the damp will kill her, so she too shuts herself up, rattling the bolts into place and shouting at Suffolk in three languages to go away. She will go nowhere, she says, unless he is prepared to break down the door and bind her with ropes and carry her. Which Charles thinks is a little extreme.

Brandon sounds so sorry for himself when he writes back to London for instructions: a man with a bride of fourteen awaiting his attentions, to spend the holiday like this! When his letter is read out to the council, he, Cromwell, bursts out laughing. The sheer joy of it carries him into the new year.

There is a young woman walking the roads of the kingdom, saying she is the princess Mary, and that her father has turned her out to beg. She has been seen as far north as York and as far east as Lincoln, and simple people in these shires are lodging and feeding her and giving her money to see her on her way. He has people keeping an eye out for her, but they haven't caught her yet. He doesn't know what he would do with her if he did catch her. It is punishment enough, to take on the burden of a prophecy, and to be out unprotected on the winter roads. He pictures her, a dun-coloured, dwindling figure, tramping away towards the horizon over the flat muddy fields.