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ОглавлениеContents
| The Performing Arts in Bali | 8 |
| Moving between Two Worlds: Belief and Magic | 12 |
| Learning to Perform | 14 |
| Dance Movements | 18 |
| Make-Up and Costuming | 20 |
| What is Gamelan? | 22 |
| Sacred and Ancient Ensembles | 28 |
| Ceremonial Marching Gamelans | 30 |
| Gamelan Semar Pagulingan and Gamelan Pelegongan | 32 |
| Bamboo Ensembles | 34 |
| Women in Non-Traditional Roles | 36 |
| Children's Gamelan and Dance Groups | 38 |
| The Stories in Balinese Theater | 40 |
| Wayang Kulit, Shadow Puppet Theater | 44 |
| Dance and Drama: An Introduction | 52 |
| Sacred and Ceremonial Dances | 56 |
| Sanghyang Trance Rituals | 58 |
| Gambuh, Classical Dance-Drama | 60 |
| Wayang Wong, Masked Ramayana | 62 |
| Topeng, Masked Dance-Drama | 64 |
| Barong, Rangda and Dances of Dharma | 70 |
| Legong, Dance of Exquisite Beauty | 76 |
| Baris, Dance of the Warrior | 80 |
| Arja, Sung Dance-Drama | 84 |
| Joged, Bali's Social Dance | 86 |
| Choral Forms: Janger, Cakepung and Genjek | 88 |
| Kebyar Dances | 90 |
| Kecak, Rhythmic Vocal Chanting | 92 |
| Dances of the 1940s to 1960s | 94 |
| Sendratari and Drama Gong | 96 |
| Contemporary Dance and Drama Forms | 98 |
| New Music | 102 |
| A Hundred Years of Dance, Theater and Music | 104 |
| Resource Guide | 105 |
| Select Glossary | 107 |
| Select Bibliography | 109 |
| Select Discography | 110 |
| Acknowledgments | 112 |
| Picture Credits | 112 |
Cokorda Rai as the Condong in Legong Keraton.
